Between Mountains: “But I know I don’t have to be in love to wanna meet you” – Live at Iceland Airwaves

Written by Erica Andreozzi

78132486_2917231201726846_8587570745079496704_n.jpg

 

I first saw Between Mountains at Iceland Airwaves 2017, just 6 months after they won Músíktilraunir, the annual Icelandic “Battle of the Bands,” and back then it was a very different band. At that time they were a duo — Katla Vigdís Vernharðsdóttir and and Ásrós Helga Guðmundsdóttir — and their name represented the fact that were from different fjords (in Westfjords region of Iceland) located “between mountains.” They harmonized beautifully together and incorporated elements of keyboard, xylophone, and accordion into their songs with a proficiency way beyond their years. Fast forward another 2 years and they are now a 4 piece live: Katla (the muse of Between Mountains) on vocals/keys, her father Vernharður Jósefsson on bass, her brother Valgeir Skorri Vernharðsson on drums (also drummer for Mammut and drum tech for Sigur Ros), and Salóme Katrín Magnúsdóttir on backing vocals/keys. While I enjoyed the duo before, I must say that I prefer the larger band much more and appreciate the clever, catchy percussion that Valgeir brings with his extensive experience on drums. The talent within this family is enormous (Katla and Valgeir’s brother is the talented front man of Rythmatik), and has me imagining how their spurious moments of “playing around the house” has led to the masterpieces we hear now. Please do yourself a favor and listen to their debut album, ‘Between Mountains’ (released on Nov 1 and produced by Arnar Guðjónsson of Warmland), because it’s AMAZING and chock-full of hits: ‘Little Lies,’ ‘I Don’t Want to be in Love,’ ‘What Breaks Me,’ and ‘Synthalag.’ ‘Little Lies’ is an incredibly beautiful track with lyrics that I’m sure we can all relate to (“My mind will fall apart again, now it’s only a matter of when, it rise up as I go down.. and there I stay, I reach for you, meet me halfway… I wonder if I’ll be the same, and how I will keep myself sane, confine my thoughts, tie every note… I told you a lie when I told you I’m fine”) and I’m so impressed that they lyrics were written by someone only 18 yrs of age. The same goes for the song, ‘I Don’t Want to be in Love,’ which has a style reminiscent of Sharon Van Etten (whom I absolutely adore). : “It’s been 3 weeks since we’ve first met and I thought I hadn’t screwed up yet. I haven’t felt this way for someone in almost a year. I missed it when it was gone but I’m scared that it’s here. Cause I’m not very good at this and I never show my cards. I am too afraid of it, I won’t let my guards. But I know I don’t have to be in love to wanna meet you.” WOW. I know we can ALL relate to this one even though we’d rather not admit it: Poignant, vulnerable thoughts laced with infectious, upbeat melodies and gorgeous harmonies. ‘What Breaks Me’ is another stunner, and you’re bound to sing along to the catchy chorus (“It’s what I can hold that makes me, what I’ve been told what breaks me”) that Katla and Salóme so intricately deliver with staggering vocals that echo one another like a call-and-response.  Still, the song that I feel STOLE THE SPOTLIGHT at The Hard Rock Cafe was, ‘Into The Dark’ (nominated for “Video of the Year” at the Icelandic music awards: https://www.youtube.com/watch?v=Tp4AHG8OkRg), which Katla said she wrote when she was only 14 yrs old. UNBELIEVABLE. This one starts out soft but picks up on speed and intensity, and you can feel your adrenaline pumping as you anticipate the crescendo of the cryptic chorus: “It says you’re deeper in the sea.. I feel you’re face.. I see your face.” The harmonies in this one are gorgeous, and I made sure to mention that when a famous writer for Rolling Stone magazine was showering her with compliments later that night. Another song that stole the spotlight and had me all teary-eyed and emotional was Synthalag,’: “the colors in your eyes tell me stories, about what should have been and why I ran, the buttons your coat say ‘you’r sorry,’ cause they can hear and no one else can, and when I look up to the sky, I suddenly feel alive. The lights are dancing with the stars. And we just sit and watch.” OUTSTANDING VOCALS that will take your breathe away and transport you to a place under the arctic sky, looking up at the stars “together” with someone you love.  Between Mountains are certainly rising out above the rest and getting the visibility they deserve. I sure hope to see them in the states next year! ❤

Social Media pages:

YouTube: http://www.youtube.com/user/eandreoz
Facebook: https://www.facebook.com/Beatsthatsetmypulse/
Instagram: beatsthatsetmypulse
Twitter: @eandreoz
Spotify: http://open.spotify.com/user/1217781739

 

 

Hatari: “Dance of corruption, Trance of consumption, Greed and extravagance, Where do we go now?” – Live at Iceland Airwaves

 Written by Erica Andreozzi

 

Hatari’s show at The Reykjavik Art museum (11/8/19) this year was PURE PERFECTION, and one of the most phenomenal productions I have witnessed at Iceland Airwaves thus far. It has been incredibly eye-opening to watch how this band had evolved from when I first saw them at Kaffibarinn in 2017 (see review here), and I am constantly amazed at their efforts and execution in redefining the impossible. Known for their drive to defeat capitalism, Hatari started off their show with visual depictions (iPhone, computers, etc.) of how digital technology is trying is consume our thoughts and control our minds to perceive a reality that is not healthy. They also ended the show with this same theme, bringing us back full circle after unleashing our disgust for the “rampant hypocrisy that exists in this world.” Meticulously dressed in intricate, ornate BDSM attire, this transfixing trio — Klemens Hannigan (vocals), Matthías Tryggvi Haraldson (vocals), and Einar Stéfansson (drums, also the guitarist for the amazing band Vok!) — had our eyes locked on their every move. I was mad impressed by the visuals that the glow-in-the-dark whips dangling from Matthias’ wrists made as he swung them around frivolously while dancing. They were a perfect pairing to the glow-in-the-dark leather strap suits worn by the beautiful, alluring female dancers Sólbjört Sigurðardóttir and Ástrós Guðjónsdóttir who cranked up heated up even more. They also had surprise guest appearances by a rapper and a singer (wish I knew their names) that had us all hot and bothered. And if that wasn’t enough to raise our body temperatures many degrees higher, the EXPLOSIVE PRISM OF FIREWORKS shooting up from the front of the stage SURE WAS. I still recall my friend Erika and I gasping at that exact same moment as we marveled at this SIGHT OF ALL SIGHTS. What I find most compelling about Hatari is their ability to keep a straight poker face during this entire epic production. It’s their discerning dichotomies – their ability keep a straight poker face when delivering devilish, primal screams and disturbing, suicide lyrics to happy techno beats – that keeps us coming back for more. They exude a mystery and allure that is truly magnetic, and it’s this fascinating paradox that we can get enough of. Almost everyone around me knew all of the lyrics for ‘Spillingardans,’ ‘X,’ ‘Hatrið mun sigra,’ and ‘Biðröð Mistaka,’ just to name a few. After earning themselves Reykjavik’s Grapevine‘s “Best Live Band” pick of 2016 and 2017, and most recently a highly competitive top 10 spot in the 2019 Eurovision contest, Hatari’s fans are growing astronomically, and on a global scale. It’s only perfect timing then that Hatari is gearing up for a ‘Europe Will Crumble’ tour of 18 European cities in 2020. This is only the tip of the iceberg for these Icelandic renegades. Just you wait and see. See below for full videos of the show from my Facebook page.

Social Media pages:

YouTube: http://www.youtube.com/user/eandreoz
Facebook: https://www.facebook.com/Beatsthatsetmypulse/
Instagram: beatsthatsetmypulse
Twitter: @eandreoz
Spotify: http://open.spotify.com/user/1217781739

 

 

Iceland Airwaves (Nov 3-5, 2017) – Review

Written by Erica Andreozzi

23376497_10100607618659169_5968327554680746999_n

I’ve worn plenty of wristbands in my day, but this one I wear with MOST PRIDE. Having been accepted to my second Iceland Airwaves Music Festival as a media pass holder is an opportunity that I do NOT take lightly, and I tried my best to capture the highlights of this magical, musical mystery tour.  Not only does this “land of Ice” know know to shatter glass ceilings and defy the odds of artistic potential and possibility, but it does so in a way that is warm (“land of fire”) and welcoming, and so in the least bit pretentious. The sky is definitely the limit for this innovative, ingenious, impressive Island. The music, people, and scenery is uncharacteristic of anywhere else.  ❤ 

Here are some of the bands that left a lasting impression in my mind and made me question the boundaries of human creativity (click on names or links below to see the full reviews): Hatari, Hogni, Hormonar, Kiriyama Family, We Made God, Omotrack, Rythmatik, Captain Syrup, Arstidir, Between Mountains, Axel Flovent, Mani Orrason, One Week Wonder, GDJYB (non-Icelandic), and Mammut (a personal favorite).  Since my review for Mammut was taking a very long to write (I often find it most difficult to write about bands that move me the most), I decided to write a combined review on their 2017 & 2018 Airwaves shows. Other Icelandic bands I have written about in the past are Asgeir, VAR, Vok, Kaleo, For a Minor Reflection, Sin Fang, Agent Fresco, Lay Low, Rokvva, Samaris, etc. See my reviews on Asgeir and Low Roar. See videos below from Airwaves 2017 when Mammut performed ‘Kinder Versions,’ ‘Pray for Air in the Water,’ ‘The Moon Will Never Turn on Me,’ ‘Walls,’ and ‘What’s Your Secret(these absolutely SLAY):

 

Hatari: “We are the screamer, We are the echo, and We are the chambers” – Live at Iceland Airwaves (Nov 5, 2017)

Written by Erica Andreozzi

23517754_10100610982737529_8165999325344198431_n

HATARI was BY FAR my favorite, unexpected discovery of Iceland Airwaves 2017. Their name, which translates to “hater” in Icelandic, suits the venomous vibe of their “experimental bondage  dark ambient darkwave goth punk synth” (check out their Bandcamp). Formed back in 2015, this transfixing trio — Klemens Hannigan (vocals), Matthías Tryggvi Haraldson (vocals), and Einar Stéfansson (drums, also the drummer for the amazing band Vok!)  — have already earned themselves Reykjavik’s Grapvine‘s “Best Live Band” pick of 2016 and 2017 (check out their comical interview).  Their BDSM garb and bizarre masks (worn mainly by Einar) perfectly compliment the cult-like atmosphere that they create with their dark, enigmatic electronic beats and their eccentric, bizarre behavior (crawling on the bar, swinging around poles, and screaming like the devil). What’s most compelling about Hatari is their discerning dichotomies: devilish, primal screams delivered with a stolid, poker face… disturbing, suicide lyrics shouted to happy techno beats… fearful, yet amused. They exude a mystery and allure that is truly magnetic, and I had such a hard time pulling myself away. Mad props to Hatari for helping the crowd unleash our inner demons and making us “haters” against all the rampant hypocrisy that exists in this world. AND, I later learned that Bjork was one of the unexpected crowd members that Matthías locked eyes when he swung down from the pole that show. ONLY IN ICELAND. ❤️ Can’t WAIT to see them again at Airwaves this year!

YouTube: http://www.youtube.com/user/eandreoz
Facebook: https://www.facebook.com/Beatsthatsetmypulse/
Instagram: beatsthatsetmypulse
Twitter: @eandreoz
Spotify: http://open.spotify.com/user/1217781739

Hogni: “Wonderful dreams that were uncomfortable scenes out of nowhere… Wonderful scenes that were uncomfortable schemes out of nowhere” – Live at Secret Solstice and Iceland Airwaves (June/Nov 2017)

Written by Erica Andreozzi

25324031_10100624266377009_703587548_n

“I’m in love I’m in love I’m in love can’t you tell?”… I’M IN LOVE with this song ‘Moon pitcher‘ that Hogni wrote for his fiance in his debut album, Two Trains, released Oct 2017 by Erased Tapes record label.  Hogni quotes: “I feel I tried my best to create an honest and passionate piece of musical work and I hope you will find the time and space to enjoy it as well as finding that connection. As a musician you aspire to create that other world, that sense of hypnosis.”  I def entered that other world, “CAN’T YOU TELL.” 🙂 ❤

Hogni was one of my top new discoveries at Secret Solstice 2017, and I could not wait to see him again at Iceland Airwaves 6 months later. His deep vocals and ethereal, experimental electronic arrangements simply SLAY, and I was so happy to hear the new gems from Two Trains, an album that he describes in the following words:

“The music on Two Trains is a blue-print of a period in my life where I collided with my own self, and at that point I felt the indifference between the personal and the universal, the absolute consciousness of life’s unconsciousness. Perhaps it’s a feeling that cannot be conveyed, like watercolours that just seem to wash off into the sea. But also a flashing mirage that you can enjoy before you arrive at your last destination.”

Hogni also alludes to this album as a personal expression of the tugging dichotomies he faces while living with bipolar disorder: “I’m bipolar. I got very sick and it has affected my life drastically. This album bears witness to it… (In) the last few years, the swings have decreased in size. When I was the most ill a few years ago, I felt terrible, even if you couldn’t see it. There was just so much going on, lots of fun, and even excitement about going to the psych ward for the first time. Like I was going down a new path for myself. But I haven’t seen it as exciting since then.”

Maybe this phenomena is what he was describing in his song (video below) where he sings:  “Wonderful dreams that were uncomfortable scenes out of nowhere… Wonderful scenes that were uncomfortable schemes out of nowhere.”

Previously known as frontman of the well-known indie rock band Hjaltalin and former member of ambient-techno group GusGus), Hogni proves that “Two Trains”, “change and metamorphosis” are his preferred method of transportation in this journey we call life. His “I can do whatever I dream” (lyrics in one of the videos below) is infectious and his tenacity for movement and exploration are an inspiration to us all: “My life is untethered, in many ways,” Högni says. “I try to focus on making good music and seeking inspiration, chasing experiences, travelling and finding adventures.

Aside from fronting two touring bands, Hogni has made time to score numerous theatre pieces, most notably The Heart of Robin Hood (dir. Gísli Gardarsson), staged by The Royal Shakespeare Company in 2011 and Angels of the Universe (dir. Thorleifur Örn Arnarsson), the Icelandic National Theatre’s 2013 adaptation of a well-known and loved novel and film of the same title.mHe has also written music for film and television, including a well-received score for short film Víkingar (dir. Magali Magistry, 2013) which won the Golden Rail award and was nominated for the Discovery award, both at the Cannes Film Festival. There really is no telling where his “Two Trains” will take us next. I don’t know about you , but I am surely ALL ABOARD. ❤

YouTube: http://www.youtube.com/user/eandreoz
Facebook: https://www.facebook.com/Beatsthatsetmypulse/
Instagram: beatsthatsetmypulse
Twitter: @eandreoz
Spotify: http://open.spotify.com/user/1217781739

Hormonar: “Our songs are like a female orgasm; there’s no one big explosion, but many high points” – Live at Secret Solstice and Iceland Airwaves (June/Nov 2017)

Written by Erica Andreozzi

25360543_10100624303023569_2071419401_n

Photo credit: Ian Young (www.nounpusher.com)

Hórmónar (Whoremoans) definitely roused plenty of hormones at Iceland Airwaves this year, and it is no surprise that their fan base is multiplying rapidly. They were one of my top new discoveries at Secret Solstice 2017, and their liberating (shirts off at the ed), sexually-charged punk rock performance had both men and women in a tizzy. It therefore was no surprise to later find out that these 5 friends (Brynhildur Karlsdóttir-Vocals, Urður Bergsdóttir-Bass/Vocals, Katrín Guðbjartsdóttir-Guitar, Hjalti Torfason-Saxophone, Örn Gauti Jóhannsson-Drums) won the 2016 Icelandic Music Experiment. Brynhildur’s vocals were unpredictable, edgy, and hot, and plenty of men shouted “are you offering?!” in response to her asking the audience, “Are you HORNY?!!” In a previous  interview with the Rekyavik Grapevine, Brynhildur said: “Our songs are like a female orgasm; there’s no one big explosion, but many high points.” Their smoking hot, super-seductive,  “drive-you-wild” energy sparked some serious attention at Iceland Airwaves this year, earning them the “Peoples’ Choice Award” at the Grapevine Music Awards. I am so glad I was able to see them up close without getting burned. 😛 Can’t wait to see my three favorite songs (videos below) from their album ‘Nananana Búbú” once more at Iceland Airwaves 2018. ❤

 

YouTube: http://www.youtube.com/user/eandreoz
Facebook: https://www.facebook.com/Beatsthatsetmypulse/
Instagram: beatsthatsetmypulse
Twitter: @eandreoz
Spotify: http://open.spotify.com/user/1217781739

 

Omotrack: “Why is life equalized, some people just can’t see… Everyone has blind spots except for me” – Live at Iceland Airwaves (Nov 4, 2018)

Written by Erica Andreozzi

It was so awesome to have run into the talented brother duo (Markús and Birkir Bjarnason) front-men of Omotrack at Songhoy Blues (at Reykjavík art museum) only a few hours after catching their last set of Airwaves at the bookstore on Laugavegi. They’ve got such an infectious indie/pop/electro sound that kinda remind me of a funkier version of two Bombay Bicycle Club and Two Door Cinema Club. It’s pretty rare to see synths and brass (trombone, trumpet, saxophone) battling for the spotlight! The trumpet and sax were nailing their harmony parts! I loved all of the tracks in the set, especially the 4 below that I got on video: Hippo Trip (new), Imaginary Mountains, Old Habits, and Blind Spots. I especially love ‘Blind Spots,’ and assume that the lyrics were inspired by their experience of growing up as two Icelandic toddlers in remote village in Ethiopia called “Omo Rate” (which inspired the band name), witnessing disparities between people of different ethnicity and social class:

“People treated differently, due to their ethnicity.. Who can tell wrong from right, and sit back watch people fight… Why is life equalized, some people just can’t see… Life can’t be overpriced… Everyone has blind spots except for me.”

Not able to speak the local dialect of Daasanach or easily blend in, Markús and Birkir relied on each other for friendship, fun and musical entertainment and started creating music together as early as 5 and 3 years old. Now, in their early twenties, the band has put down some strong roots into the Icelandic music scene and recently placed third in Músiktilraunir, Iceland’s annual “Battle of the Bands” for young and emerging talent who are hoping to take their careers to the next level. “We tried to enter two years ago, but we only had two songs,” says lead singer and guitarist Markús. “We had been a band for maybe ten days. Now we have more music, and we feel more comfortable, so we just thought: let’s try this.” I’m so glad they did. Their bronze finish not only earned them a spot at Iceland Airwaves, but also a supporting slot with the contest’s winners, Between Mountains. Can’t wait to see them again at Airwaves this year!

So lucky to run into them later that night!

23622363_10100610982742519_2866269243202555479_n

Arstíðir: “I’ve been waiting for someone to say, That my patience was worth all the way” – Live at Iceland Airwaves (Nov 3, 2017)

Written by Erica Andreozzi

ArstíðirDaníel Auðunsson (Guitar, vocals), Gunnar Már Jakobsson (Guitar, baritone guitar, vocals), Karl James Pestka (violin, viola, electronics, vocals), and Ragnar Ólafsson (piano, baritone guitar, vocals) are well-established in the Icelandic music community, having had two #1 hits in 2008 that put them on the map. After the release of their debut album in 2009, Árstíðir released a second album that was produced/mastered by the super talented Ólafur Arnalds and Nils Frahm. The band has already toured 30 countries and it set to tour again once they release their third album (on the way!). With influence of Beck, Paul McCartney, Philip Glass, Neil Young, Takashi Tateishi, Árstíðir finds a home in everyone. I love the violin in the last video that I captured (see below). Feels like it should be in a chase scene in a movie! Make sure to check out their new album ‘Nivalas‘ release just this year!

 

Between Mountains: “Deeper in the city, I feel your face” – Live at Iceland Airwaves (Nov 5, 2017)

Written by Erica Andreozzi

25435335_10100624702043929_1361730111_o

What a treat it was to catch this impressive YOUNG duo — Katla Vigdís Vernharðsdóttir (16 years old) and and Ásrós Helga Guðmundsdóttir (14 years old) — at Iceland Airwaves 2017, just 6 months after they won Músíktilraunir, the annual Icelandic “Battle of the Bands.” They call themselves “Between Mountains” because they are both from different fjords (in Westfjords region of Iceland), with a giant mountain between them. Not only do they harmonize beautifully together on vocals (even with mountains in between!), but they incorporate keyboard, xylophone, and accordion into their songs with a capacity that demonstrates proficiency way beyond their years. I’m so glad I got to meet both of them (picture below) after Rythmatik’s last Airwaves show at the Hard Rock Cafe last year. Lucky for us Katla is the sister of  Hrafnkell Hugi Vernharðsson (voal/guitar for Rythmatik), and it was much easier to say hello since I already knew him. What a crazy small beautiful world it is, ESPECIALLY in Iceland. Don’t miss Between Mountains at Iceland Airwaves 2018! ❤

Lucky to meet this impressive duo!

23559494_10100610982907189_5488307100864220053_n

Rythmatik: “Put my dreams in red balloons, Tie the Knots, Tie the Noose” – Iceland Airwaves (Nov 4, 2017)

Written by Erica Andreozzi

Rythmatik is a four-piece Icelandic indie rock band consisting of Hrafnkell Hugi Vernharðsson (vocals/guitar), Pétur Óli Þorvaldsson (bass), Valgeir Skorri Vernharðsson (drums), and Árni Freyr (lead guitar). I first discovered Rythmatik when my Solstice/ Airwaves pal Jose Ramos introduced me to Hrafnkell and Petur during Kiriyama family‘s set at Secret Solstice 2017, quickly mentioning that their band won Iceland’s national “Battle of the Bands” (Sigurvegarar Músíktilrauna) back in 2015. I was immediately eager to check out their sound, especially after learning about their influence: The Smiths, Death Cab For Cutie, Manchester Orchestra, and Two Door Cinema Club. Well, the time finally came to see them at Iceland Airwaves Music Festival 5 months later, and man were they AWESOME. I thoroughly enjoyed watching Hrafnkell whip his hair back and forth as he shredded guitar right above the crowd (always sporting his trademark favorite sweater from his Grandmother). I also enjoyed watching Petur and Árni’s bass and guitar jousting and Valgeir‘s hypnotic percussion (he does play back up drums for Sigur rós after all!). Rythmatik’s fun, fast post-rockish guitar riffs will keep you feverishly entertained from start to finish, and you’ll find yourself ticking to a continuous rhythm almost as if you had a “rythma”-tik. 😛  Some of my favorite tracks from their collection are Sleepyhead, LinchPin, Bleed Like a Poet, Death of the Party, and Tiny Knots, and am really enjoying the debut LP they released July 2018. Be sure to check it out! ❤

23472203_10100610982912179_1693705049726508210_n

The Oh Hellos: “Nothing lasts forever, Some things aren’t meant to be, But you’ll never find the answer, Until you set your old heart free” – The Fillmore in SF (March 29, 2018)

Compiled by Erica Andreozzi

The Oh Hello’s surely HAD US AT HELLO last night at their headline show in San Francisco back in March. This high-octane, Texas-bred folk-rock octet delivered an explosive, high-energy performance that SHOOK The Fillmore like a level five earthquake. Their energy was BEYOND INFECTIOUS, and watching ALL 8 members go APE SHIT on their instruments just had you instantly flailing your arms and stomping your feet to join the madness. I remember from first seeing The Oh Hellos back in 2015 at Hardly Strictly Bluegrass and being BLOWN AWAY by extra-expressive fiddle, banjo, and bass players who were jumping around stage like pogo sticks while still managing to shred their strings in mid-air. This band first stole my heart back in 2010 when I came across ‘Hello My Old Heart,’ a song that would pretty much revived my pulse an had me staying calm during very, VERY trying times: “Nothing lasts forever Some things aren’t meant to be But you’ll never find the answer Until you set your old heart free.” Other songs like The Truth is a Cave, Eat You Alive, I Was Wrong, I Have Made Mistakes, Trees, Constellations, Grow, and On the Mountain Tall, Eurus, and Hieroglyphs, have also hammered on my heartstrings and instilled timeless messages that I continue to revisit (especially this one): “The sun, it does not cause us, The sun, it does not cause us to grow… It is the rain that will strengthen, The rain that will strengthen your soul. It will make you whole.” I was so happy they played this song (‘I Have Made Mistakes’) last night, cause Tyler and Maggie Heaths’ brother-sister harmonies absolutely SLAY, and you will be lathered in chills by the end. I would have LOVED if they played ‘Hello My Old Heart,’ but their set was chock full of string-saturated songs (YES) from their new EP, Eurus (a nice EP follow up to ‘Notos‘ released just last year), and this band would not have had time unless they played for 3 hours straight (an actually request by someone in the audience to which Tyler facetiously said would “lead to their demise”). Playing for 3 hours at their pace and their intensity would definitely require serious endurance, but I have no doubt they will get there someday. Even the bango player/percussionist had enough energy at the end to leap onto a high-rise speaker and bang on his drum from 6 feet in the air. EPIC ENCORE. You had me at hello, and you had me at goodbye. COME BACK SOON!  ❤

Climbing Trees‘ is one of my FAVORITES from this incredible folk rock ensemble. Coincidentally enough, yesterday (the first time I saw this song played live) was the birthday of my good friend Hillary who ALSO loves this song and loved CLIMBING TREES and other things (mountain, walls, etc.) Wish she could have been here with me!

LOVE THIS ONE. This timeless track (‘I Have Made Mistakes‘) will forever hammer on my heartstrings with lyrics that bring light even in the darkest of times.
“I have made mistakes, I continue to make them. The promises I’ve made, I continue to break them. And all the doubts I’ve faced, I continue to face them. But nothing is a waste if you learn from it… And the sun, it does not cause us to grow It is the rain that will strengthen your soul (OMG YAAAS)… And it will make you whole.” TRUTH BE TOLD.

I love the honestly and life wake-up-call element to this one. SO FREAKING GOOD:
“I’ve seen the true face of the things you call life
The voice of the siren that holds your desires
But death, she is cunning, and clever as hell
And she’ll eat you alive

Oh, she’ll EAT YOU ALIVE.”    YAAAAAAS>

The lyrics to this ‘This Will End’ just absolutely SLAY. Wow. So heart-wrenchingly beautiful:

“Heartache, I’ve heard, is part of life   ❤
And I have broken more and more

But I can hope how this will end
With every line a comedy
That we could learn to love without demand   (if only it were so easy)
But unreserved honesty

***

Previous videos from their 2015 Hardly Strictly Bluegrass performance:

Love Somebody (Playlist: March 13, 2018)

Compiled by Erica Andreozzi

FRESH NEW PLAYLIST (Spotify link and track listing below) inspired by recent shows in January and February (many of of which were part of SF’s NoisePop Festival) –  Josh Jacobson, Typhoon, Mimicking Birds, Emily Afton, Future Feats, Wild Child, Andrew St. James, Wildling, Crooked Colours, Dagmar, Ha Ha Tonka, Belle Game, Geographer, DonCat, Langhorne Slim, The Album Leaf, Vakoum, Field Medic, Waxahatchee, White Knuckles, Banzai Cliff, King Krule, Derek Ted (of Owl Paws), Lucy Rose, Charlie Cunningham, tUnE-yArDs, X-Ambassadors, Tall Heights, Black Pistol Fire, Billy Rafoul, ZZ Ward, The Wedding Presentand new releases from Frenship, Chvrches (including a track featuring Matt Berninger of The National), Jose Gonzalez, and Tallest Man in Earth (along with new tour dates!)

I chose Frenship’s ‘Love Somebody’ as the title track because, despite the song being so damn catchy (I couldn’t listen just once), I really liked the overarching message: “Get out and LOVE SOMEBODY, and GET LOST on the way.” You never know what hard times someone may be going through or how much they could use a simple smile or “Hello” from a stranger. Get out of your own head and look up at the beauty in your surroundings, savor all the amazing people around you and the lil’ miracles that might sweep you off your feet. I’ve recently encounter many young lives being snatched up way too early (including the super-talented, massively-loved LA-music photographer, Emery Becker who met last year at SXSW), and it absolutely crushes me. No matter what your circumstances and what miserable mood you may be in, strive to be kind. Remember that everyone’s days are numbered and that only WE have the power to make sure those numbers count – every hour, every min, ever second. The fleetingness of life will always remain one of our greatest mysteries, and we should never take anything for granted. Hug harder, smile wider, lend more hands. You never know what impact the tiniest act of kindness may have, or whose lives they may be saving. I hope this playlist will encourage you to open your heart to “love somebody” and to “make tiny changes to earth” (now quoting Frightened Rabbit). And as my friend Paige Parsons (met seeing The Twilight Sad (Official)) says so beautifully, music is the best medium to do so because “music cuts through out cynicism and breaks down the barriers that we erect between ourselves and the rest of the world.” Check out her talk on this:

Help me amplify this message by sharing my playlist with friends and posting about it on social media. AND, if you are an artist featured on this playlist, reposting this playlist will increase the odds of Google not filtering this out on the web and improving your visibility (from what I’ve been told by SEO experts), so please care to share! 😀

(In order to access the playlist, you have to press the 3 vertical dots in the upper right hand corner and select download. You can then cancel the download immediately and still have access to the playlist. If you are still having uses, let me know and I can send you a link to download the tracks!

  1. Wake-  Typhoon
  2. Same Mistakes- FUTURE FEATS
  3. LOVE Somebody-  Frenship
  4. Get Out-  CHVRCHES
  5. Hummingbird- Wildling
  6. Rorschach- Typhoon
  7. Plymouth- Crooked Colours
  8. In the Morning!- Andrew St James
  9. I Want Nothing- The Belle Game
  10. Try to Be Someone-  DonCat
  11. Conversation- Owl Paws
  12. Lost- Emily Afton
  13. Suck-  The Wedding Present
  14. Gorgeous- X Ambassadors
  15. Home- White Knuckles
  16. Sparks Fly- Waxahatchee
  17. Don’t Ask Why- Black Pistol Fire
  18. Minimum- Charlie Cunningham
  19. Laura- Andrew St James
  20. Flow-  Crooked Colours
  21. backyard sorrow- derek ted
  22. Biscuit Town- King Krule
  23. Remember- Typhoon
  24. Little Lies-  Wildling
  25. Tumbleweed- Dagmar
  26. Expectations- Wild Child
  27. What Do You Want-  Dagmar
  28. Sorry Bout Tomorrow!- Andrew St James
  29. Foolish- Geographer
  30. Millennial Malaise-  Andrew St James
  31. Severing the Knot- Emily Afton
  32. Come Back To You- Crooked Colours
  33. The Way We Move
  34. Bloodlines-  Mimicking Birds
  35. Anyone Can Make A Mistake-  The Wedding Present
  36. Too Young To Die- Banzai Cliff
  37. Silver- Waxahatchee
  38. Bully- Black Pistol Fire
  39. poison poetry- derek ted
  40. Silver Screen- DonCat
  41. Foolish- Geographer
  42. Bully- Black Pistol Fire
  43. Koyo- Josh Jacobson
  44. Coast to Coast- tUnE-yArDs
  45. Changes- Langhorne Slim
  46. My Enemy (feat. Matt Berninger)-  CHVRCHES
  47. Think it Over- Wild Child
  48. An Opening- Charlie Cunningham
  49. Hipster Shakes- Black Pistol Fire
  50. Tethered- Josh Jacobson
  51. I Love to Dance- Langhorn Slim
  52. Danielle-  Banzai Cliff
  53. I Hope You Get It- Crooked Colours
  54. An Ocean- The Tallest Man on Earth
  55. Back & Forth- Wild Child
  56. Better Off- White Knuckles
  57. What Did Your Last Servant Die Of-  The Wedding Present
  58. Spirit Cold- Tall Heights
  59. Never Been Wrong-  Waxahatchee
  60. Poison Poetry- Derek Ted
  61. Let Me Go Alone- White Knuckles
  62. All With You- Ha Ha Tonka
  63. Owl Hoots- Mimicking Birds
  64. POWERFUL LOVE- Field Medic
  65. Ahead Of Myself-  X Ambassadors
  66. Be Set Free- Langhorn Slim
  67. Race To The Bottom- Ha Ha Tonka
  68. Still In Love- Thirdstory
  69. all i have- derek ted
  70. Driver- Billy Raffoul
  71. Sunlight Daze- Mimicking Birds
  72. Fade- Josh Jacobson
  73. uuu-  Field Medic
  74. With the Ink of a Ghost-  José González
  75. Twenty Two Fourteen- The Album Leaf
  76. Second Chance-  Lucy Rose
  77. ICE- Vákoum
  78. Movie Screen- Dagmar
  79. Blank Pages- The Album Leaf
  80. Ghost- ZZ Ward

YouTube:http://www.youtube.com/user/eandreoz

Facebook: https://www.facebook.com/Beatsthatsetmypulse/

Instagram: beatsthatsetmypulse

Twitter: @eandreoz

Spotify: http://open.spotify.com/user/1217781739

Mani Orrason: “But freedom haunts me like it should haunt no one… And when I run through the trees I will run for everyone” – Iceland Airwaves (Nov 3, 2017)

Written by Erica Andreozzi

Meet Mani Orrason, a young Icelandic multi-instrumentalist whose first ever single, ‘Fed My Days‘ (see video below) made it to #1 on the Icelandic charts when he was only 16 years old. Following up on that success, Mani soon released a debut EP, Wake Me Up, whose title track is super catchy and will certainly wake you/me up.  Since then, Mani has released a full album (Repeating Patterns, 2015) of folk/pop songs and plans to release another in 2017.  He must of fallen in love with his Spain (or someone from there, haha) during his all years of touring Europe, because now this Icelandic expat lives in Alicante.  Maybe this second album will have even more spice. Maybe it will feed all of our days, AND all of our nights… 😉

 

Make it out Alive (Playlist: Jan 15, 2018)

Compiled by Erica Andreozzi

“I felt the music hit my bones and I fell back
I fell into the clouds
My feet weren’t touching the ground
We started to float around” Angus and Julia Stone (‘Make it Out Alive‘)
FRESH NEW PLAYLIST (82 songs!) inspired by some of my TOP PICKS of Iceland Airwaves music festival (Nov 2017) for which I’ll post individual reviews: Mammut (winner of the 2004 Annual Battle Of The Bands (Músíktilraunir)), Kiriyama Family (whose track ‘Innocence‘ has been #1 in Iceland for the past 3 months), Omotrack (2nd prize winner of the 2017 Annual Battle Of The Bands (Músíktilraunir)), Mani Orrason, Hórmónar (1st place winner of the 2016 Icelandic Music Experiments), Songhoy Blues, Keto (my talented friend Le Hah!), Axel Flovent, Hatari (Grapevine music award‘s 2016 and 2017 ‘Best Live Band of the Year‘), GDJYB (Gai Dan Jane Yuk Bang), Rökkva, Valdimar, One Week Wonder, Rythmatik (winner of the 2015 Annual Battle Of The Bands (Músíktilraunir)), Captain Syrup, Hogni (Grapevine music award‘s ‘Album of the Year‘), GDJYB (Gai Dan Jan ), Mosi Musik, Asgeir (fastest-selling debut album in Icelandic history, ‘Album of the Year’ winner at 2012 Icelandic Music Awards), We Made God (3rd prize winner of the 2006 Annual Battle Of The Bands (Músíktilraunir) ), and I am Halo.
*
Mammut is by far one of my FAVORITE ICELANDIC BANDS and have been ever since I first discovered them at the Great Escape music festival in Brighton back in 2013. I am somewhat OBSESSED with their newest album, Kinder Versions, especially after getting hooked on ‘Kinder Version‘ (“I’m bringing all my stories back, erasing all the kinder versions of my past”) ❤ ❤ ❤ , ‘The Moon Will Never Turn On Me‘ (“I want to make this right but I don’t feel right, Cause sometimes life tries to eat us up… but then I take a look around and see how dust turns into gold and I embrace this world, embrace the world, embrace the world and I love it all”), and ‘Pray for Air‘ (“Taste the dirt of the water… you know you’ll never be pure.”) *Note: Air in water unfortunately would mean less blue ice when that water freezes!* Not only did National radio and television RÚV chose Kinder Version as the best album of 2017, but it was The Line of Best Fit selected it at #18 for 2017. Mammut was also awarded performers of the year (Krókurinn 2017, Menningarverðlaun Rásar) and selected to be on KEXP‘s top 10 list of the YEAR. They definitely had a REMARKABLE 2017! Can’t wait to post my review on them! I got some epic videos of their first set of Airwaves in Reykjavik, especially during ‘Kinder Version‘ when Kata pointed to me about a 1 min in and asked “Have you been excited?” with a gaze that stared into the depths of MY SOUL. If I wasn’t excited before, I certainly was after.:)
 *
Other sources of inspiration for this playlist were drawn from recent shows that I really enjoyed (see reviews by clicking on link) — Henry Jamison, Angus and Julia Stone, City of the Sun, Overcoats, Nick Mulvey, Jaws of Love. (Kelcey Ayer of Local Natives), Caroline Smith, Tune-Yards, Ben Sollee, Emily Scott Robinson, Luke Sital-Singh, Henry Jamison, Gracie and Rachel — as well as new releases by Geographer, The Boxer Rebellion, Trevor Hall, Caught a Ghost, Black Pistol Fire, The Oh Hellos, Sharon Van Etten, Amber Coffman (of Dirty Projectors), Cosmo Sheldrake, and Van William.
 *
City of the Sun was one of my TOP FIVE PICKS OF 2017, and their EXPLOSIVE, GENRE-BENDING sound (post-rock blended with and flamenco guitar and unique percussion) will SWEEP YOU TO THE SKY. It’s only a matter of time before these guys shine their vibrant tunes ‘To the Sun and All the Cites In Between‘ (name of debut album).
 *

Previous Playlists: Up All Night, Capsized, Creature Comfort, I Know You Know, Feeling Electric, Wake Up, Oceans Away, I Want it All, Standing Rock, Jungle, When Things Fall Apart, and more…

(In order to access the playlist, you have to press the 3 vertical dots in the upper right hand corner and select download. You can then cancel the download immediately and still have access to the playlist. If you are still having uses, let me know and I can send you a link to download the tracks!)

***

  1. So Low- Geographer
  2. Love Yourself- The Boxer Rebellion
  3. Chateau- Angus & Julia Stone
  4. Moon / Sun- Trevor Hall
  5. Kinder Version-  Mammut
  6. Before The Hurting Lands.- Jaws Of Love.
  7. I Don’t Believe In Us- Overcoats
  8. Mountain To Move- Nick Mulvey
  9. Make It Out Alive- Angus & Julia Stone
  10. Chemistry- Kiriyama Family
  11. Second Sun- City of the Sun
  12. Right & Wrong- Caught a Ghost
  13. Trying Not to Love You- Caroline Smith
  14. Pray For Air- Mammut
  15. Speak Of The Devil- Black Pistol Fire
  16. Snow- Angus & Julia Stone
  17. The Wires- Ben Sollee
  18. Remembering- Nick Mulvey
  19. Wander- Trevor Hall
  20. Kai’s Song-  Overcoats
  21. Firefly- City of the Sun
  22. Blind Spots- Omotrack
  23. The Moon Will Never Turn On Me- Mammut
  24. 21st Century Heartbeat- Luke Sital-Singh
  25. Magazine- Caroline Smith
  26. Transform Your Game (We Remain)- Nick Mulvey
  27. Light Years Away- Kiriyama Family
  28. Fed All My Days- Mani Orrason
  29. Baudelaire- Angus & Julia Stone
  30. Torches- The Oh Hellos
  31. Dark Night- Amber Coffman
  32. Wake The Riot- Black Pistol Fire
  33. Love Me Like I’m Gone.- Jaws Of Love.
  34. I Can’t Quit- The Vaccines
  35. Bloodstyle- Caroline Smith
  36. Ekki Sleppa- Hórmónar
  37. Sahara- Songhoy Blues
  38. Time- City of the Sun
  39. Overalls (Live)- Emily Scott Robinson
  40. Imaginary Mountains- Omotrack
  41. We Tried Love- Mammut
  42. Mechanical Advantage- Ben Sollee
  43. Superstar- Keto
  44. Hawaiian License Plates.- Jaws Of Love.
  45. On the Mountain Tall-  The Oh Hellos
  46. Apart- Kiriyama Family
  47. Walls- Mammut
  48. City Dream- Axel Flovent
  49. Ódýr- Hatari
  50. Heart Attack- Tune-Yards
  51. Nothing Stays The Same- Luke Sital-Singh
  52. Up There- Trevor Hall
  53. In Your Hands- Nick Mulvey
  54. All To Myself- Amber Coffman (of Dirty Projectors)
  55. Come Along- Cosmo Sheldrake
  56. Where It Goes-  雞蛋蒸肉餅  GDJYB (Gai Dan Jane Yuk Bang)
  57. I Want You to Know- Rökkva
  58. Revolution (Ft. First Aid Kit)- Van William
  59. Læt Það Duga- Valdimar
  60. Mars- One Week Wonder
  61. Carrie Bell- Ben Sollee
  62. Blackened Pool- Keto
  63. Young Folks- City of the Sun
  64. Geiri á Sjoppunni- Captain Syrup
  65. Angel Eyes- One Week Wonder
  66. Soubour – Songhoy Blues
  67. Bed I Made (Bonus Track)- Allen Stone
  68. Ryðgaður Dans- Valdimar
  69. Time Is A Riddle- Luke Sital-Singh
  70. Traveling Mercies- Emily Scott Robinson
  71. What the Fuck- The Boxer Rebellion
  72. For You- Sharon Van Etten
  73. Peace Has a Pencil in Her Hair – Rythmatik
  74. Kynsvelt- Hórmónar
  75. Queen Of Queens – i Am Halo
  76. Crash- Hogni
  77. I Am You Are Me- Mosi Musik
  78. Trust- Asgeir
  79. The Start is a Finish Line- We Made God
  80. Sunlit Juice- Henry Jamison
  81. (Un)comfortable- Gracie and Rachel
  82. Goodbye- Mosi Musik

Public Service Broadcasting: “It’s tiring, always stretching for something just out of reach… But I’ll get it. After all, what I want isn’t as easy as all that” – Swedish American Hall in SF (Sept 24, 2017)

Written by Erica Andreozzi

The last time I saw PUBLIC SERVICE BROADCASTING was at a 2,00 capacity venue in London about 3 years ago, and so it was pretty surreal to watch them perform only a foot in front of me in an intimate venue like Swedish American Hall AND to meet them afterwards (very nice guys!). I had a friend joining me for the shows and struggled in trying to describe their sound, as they really are in a category of their own. PBS’s J. Willgoose Esq. (guitar, banjo, samples), Wrigglesworth (drums, piano), and J F Abraham (flugelhorn, bass guitar, drums) together play live instruments in combination with samples from old public information films, archive footage and propaganda material that attempt to “teach the lessons of the past through the music of the future.” With a passion to “inform, education, and entertain” (listed to their song called ‘Theme from PSB’), PSB have consistently put out albums that do just that, and their recent albums (released July 2017) depicts the history of the mining industry in Wales. J Willgoose, Esq., described the album’s premise as an allegory for today’s “abandoned and neglected communities across the western world”, which have led to a “malignant, cynical and calculating brand of politics.” They also included a track (‘They Gave Me a Lamp’) to raise political awareness of a generation where women “seemed to realize, suddenly, the power and the potential that they had… It’s a song of gender barriers being broken down, of a group of people finding their voice, of the power of protest and its importance in a democratic society. Given what we’ve seen on both sides of the Atlantic in recent years, I don’t think there’s ever been a better time to be making such a strong case in defense of those ideas.” HELL YES. The last verse with collaborative vocals by the super-talented UK female trio, Haiku Salut (who coincidentally I discovered the same year as PSB at Green Man Festival), gives me chills every time: “I’ve been in front, I have never give in, I have never sat back, and I have never refused anybody, and I am very proud of it, and I’ll be proud to look back on it.” Cheers to a band pushing the envelope on both creativity and awareness. My favorite PBS tracks are: Spitefire, ROYGBIV, Theme from PBS, The Pit, They Gave me a Lamp, If War Should Come, and New Dimensions in Sound (exactly what they are creating!) ❤

*Check out more videos on my YouTube: http://www.youtube.com/user/eandreoz

Instagram: beatsthatsetmypulse
Twitter: @beatsthatsetmy

Creature Comfort (Playlist: Aug 15, 2017)

Creature Comfort

CREATED BY ERICA ANDREOZZI

PERFECT SUMMERTIME PLAYLIST inspired by San Francisco’s very own Outside Lands music festival (Mondo Cozmo, RAC, Bleachers, K. Flay, Jacob Banks, Porches, James Vincent McMorrow, Joseph, Grace Mitchel, Vance Joy, Young the Giant) last week and by recent shows I rocked out to within the last month or so: Portugal. The man, Local Natives, Benjamin Booker, Alvarez Kings, The Trims, Run River North, Saint Mesa). There was additional influence from recent track/album releases by Arcade Fire (LOVE THEIR NEW ALBUM), Geographer, Wild Cub, Allen Stone, Overcoats, Haim, Foster the People, Amber Run, Daughter, Mogwai, and Zach Winters. I was also happy to include tracks by new discoveries: Betty Who (touring with Geographer), Charlie Cunningham (playing with Low Roar in October), Jeremy Loops, and Jaws of Love (gorgeous solo project of Local Natives’s Kelcey Ayer).

“Saying
God, make me famous
If you can’t just make it painless
Just make it painless” 

Arcade Fire (‘Creature Comfort‘)

Check out my fb music page (https://www.facebook.com/Beatsthatsetmypulse/) and YouTube page (http://www.youtube.com/user/eandreoz) for more pics and videos!

Previous Playlists: I Know You Know, Feeling Electric, Wake Up, Oceans Away, and more…

(In order to access the playlist, you have to press the 3 vertical dots in the upper right hand corner and select download. You can then cancel the download immediately and still have access to the playlist. If you are still having uses, let me know and I can send you a link to download the tracks!)

***

Live In The Moment- Portugal. The Man
Creature Comfort- Arcade Fire
Human Touch- Betty Who
Witness- Benjamin Booker
I Fall Over- Wild Cub
Where You’re At- Allen Stone
No Answers- Amber Run
Everything Now- Arcade Fire
The Beautiful Game (feat. St. Lucia)- RAC
Easy Tiger- Portugal. The Man
Thunder- Mondo Cozmo
I Saw You Close Your Eyes- Local Natives
Everybody Lost Somebody- Bleachers
Tell-Tale Heart- Alvarez Kings
High Enough- K.Flay
Read My Mind- Geographer
Feel It Still- Portugal. The Man
Hollywood (Feat. Penguin Prison)- RAC
Peter Pan- Arcade Fire
Chainsmoking- Jacob Banks
Hold Me Close- Overcoats
Rich Friends- Portugal. The Man
Plastic Soul- Mondo Cozmo
Heartbreak Summer (feat. K.Flay)- RAC
Cold Conscience- Alvarez Kings
Tidal Wave- Portugal. The Man
Imagination- Saint Mesa
Mother Emanuel- Local Natives
Higher Stakes- Jeremy Loops
The Future- San Holo & James Vincent McMorrow
Infinite Content- Arcade Fire
Don’t Take The Money- Bleachers
Burn It Down- Daughter
Run Or Hide- Run River North
Jellyfish- Local Natives
Nighttime Hunger- Overcoats
Party in the Dark- Mogwai
Nothing’s Wrong- Haim
So Young- Portugal. The Man
I Wish I Could Say- The Trims
Motivation- Benjamin Booker
White Flag- Joseph

Sit Next To Me- Foster The People
Lights Off- Charlie Cunningham
Jaws of Love.- Tasha Sits Close to the Piano
Run River Run- Run River North
Truth Is Heavy- Benjamin Booker
No Resolve- Alvarez Kings
Coolverine- Mogwai
An Opening- Charlie Cunningham
Hate That You Know Me- Bleachers
Nolo- Grace Mitchell
Hold On To Me- Mondo Cozmo
10 To Have You Around- Zach Winters
Monster (Feat. Avelino)- Jacob Banks
Lay It On Me- Vance Joy
Blood In The Cut- K.Flay
Silvertongue- Young The Giant
Faithful (Bonus Track)- Allen Stone
Car- Porches

YouTube: http://www.youtube.com/user/eandreoz

Facebook: https://www.facebook.com/Beatsthatsetmypulse/

Instagram: beatsthatsetmypulse

Twitter: @beatsthatsetmy

 

Local Natives – “Save me, from the prime of my life”: the Greek Theater in Berkeley (July 28, 2017)

Written by Erica Andreozzi
(more pics and videos below)

Stoked to have FINALLY caught Local Natives on local land after last seeing them in Edinburgh (Electric Circus), Wales (Green Man Festival), and London (Brixton Academy) back in 2013. That year spoiled me silly, and the memories I have from those shows almost (almost) make up for the 3 ½ year hiatus. Seeing them in that tiny 250, venue in Edinburgh had me on cloud nine for WEEKS, and the fact that I bumped into Taylor (lead vocals/guitar), Ryan (guitar/vocals), and Nik (bass, keys, vocals) that same night for a “wee chat” was also pretty freaking amazing. Then they were announced to play Green Man, a super casual festival where it’s not too uncommon to spot bands hanging out in the crowd watching other bands (and yes, I was indeed lucky enough to find myself dancing next to them during one of the sets). A few months later was their London show at Brixton Academy, and although it was not nearly as intimate as the Edinburgh one, I was happy to have met Kelcey after the show with my best friend Amanda (who was visiting from Philly). Pics below.

Fast forward to last Friday (7/28) at the Greek Theater in Berkeley, and I am grinning ear-to-ear as I wait to bask myself in the beauty of their Sunlit Youth (2016 album). I nearly DIED when they opened with ‘Past Lives,’ a song that slayed me from the start with it’s opening line, “Save me from the prime of my life” (which I am considering as a text tattoo). I love the capricious cadence to this song and the piercing percussion after the chorus of “Then you wake up.” YAAAAAS.  😀

Taylor had us smiling wide when he dedicated the next song (‘Villiany’) to his 1 ½ year old niece Emma, it being her first ever show – he said this one was her favorite! He even posted a clip of her shaking her booty to it in the crowd on Instagram the day after.

Kelcey then asks the audience if anyone is from SF state, and then laughs as he admits wanting to go to Berkeley but only getting into SF state. He then introduced their next song, ‘Airplanes,’ as one he wrote after leaving SF state and heading back to Los Angeles. He followed up with a special version of the hauntingly beautiful, somber tune, ‘Columbia’ (“Am I loving enough?”), that he said the SF Bay Area has never heard before. Tears def welled up in my eyes.

They then surprised us with a new song called ‘I Saw You Close Your Eyes,’ which is KILLER and one I connected with right away. Their new song, ‘The New Heirs’ is also pretty siiiiick too. Next came ‘Jellyfish’, ‘Heavy Feet’, ‘Dark Days’ (with Ryan filling in for the female vocal part and turning heads with his perfect pitch) and ‘Who Knows, Who Cares,’ a song that references “going down to Colorado” — pretty eerie considering that the band recently visited the Colorado river in Arizona to advocate water conservation in Episode 103 of the nature series, Earthworks. This was a project they felt very strongly about, considering that the Colorado river is the main sources of water for California, a state near in dear to their heart and one that is in the 6th year of the worst, most epic drought in modern history (compounded further by climate change and population increases). Aside from showing activism on the water conservation and green energy front, Local Natives have made it a point to show activism on the political front. In fact, Taylor was involved in a panel called the “Politicon” at the Pasadena Convention (July 28/29). That night, Taylor reminds us (during his intro to ‘Fountain of Youth’) that the power is in the hands of the future generation:

“This next song has the idea that it’s the new generation every single time that gets to decide where the world is going to go. It’s the new generation that can see it for what it is an i think pushes it where we want it to be and for us, we just wanted to say, especially being here where, that idea idea was birthed a lot for America, that we have a choice to choose unity and to choose love and respect and respect for everybody. And we would just like to push that forward, no matter what you can do, your influence on the world, we would just like to push for that. “

“We can do whatever we want… We can say whatever we mean…

And if we don’t change, Then who’ll change?

We’ve been dreaming of you, Drinking from fountains of youth.”

(Hell YES. Power to the people)

Cheers to a band that uses the stage to motivate change for the greater good. I have so much respect and adoration for these local natives Cali pride). Stay humble, stay hungry. Stay thirsty for that “Fountain of Youth.” Taylor, quenched by this fountain of youth, dives into the crowd for a bit of surf and then lies on his back, projecting peace and love to all like a prophet.

In true Local Natives fashion, they end the night leaving us in good hands – ‘Sun Hands.’ The energy and aura of this epic encore never fails to disappoint.

All Local Natives fans must check out Kelcey’s new solo project called Jaws of Love. His debut album, Tasha Sits Close To The Piano, named by his wife after their dog Tasha, is coming in the fall, and earlier this month. The lead single, ‘Jaws Of Love,’ is simply stunning — Kelcey’s falsetto vocals elevating over deep, brooding piano ballads. “The whole project is me trying to embrace my nuances and indulge in it,” Ayer explains. “It was such an awesome release making these songs, and that let me embrace who I feel like I am. It was wonderful to not have to explain myself to anyone. I have dark piano music in my heart and soul, and Jaws Of Love. is me at my truest self.” We certainly approve. ❤

https://www.youtube.com/edit?o=U&video_id=fRukQSwDKP0

https://www.youtube.com/edit?o=U&video_id=MjTkwH-CwIs

https://www.youtube.com/edit?o=U&video_id=3yHcwF_acqM

https://www.youtube.com/edit?o=U&video_id=b1ugmjS9yOU

https://www.youtube.com/edit?o=U&video_id=ngk55xeTt-U

https://www.youtube.com/edit?o=U&video_id=rm6zBzXuLaw

https://www.youtube.com/edit?o=U&video_id=aqeaQpqP4fY

*Check out more videos on my YouTube: http://www.youtube.com/user/eandreoz

Instagram: beatsthatsetmypulse
Twitter: @beatsthatsetmy