Sharon Van Etten: “Halfway through this life, I used to feel free, Or was it just a dream? Now you’re hotshot, Think you’re so carefree, But you’re just seventeen, So much like me” – Live at The Fillmore in SF (Feb 26, 2019)

Written by Erica Andreozzi

Lucky enough to finish my meeting in LA just in enough time to drive up to SF and catch the one and only Sharon Van Etten to a SOLD OUT crowd at The Fillmore ON HER BIRTHDAY (one of the greatest gifts she said she could ask for). It had been ~8 mon since I moved from SF, and there was great sentiment in getting back to the city where I first saw Sharon play (Aug 2012 at The Rickshaw Stop). Happy one year wiser to the female phenom who continues to advocate to “love more” (what a beautiful encore), and for that we love HER more. Besides dedicating ‘One Day’ to her mom who would have requested it, she dedicated ‘I Told You Everything’ (“a song about being brave enough to tell someone your deepest truths”) to a couple (“The Ruckers”) who gave her a card thanking Sharon for helping them to “let go.” She also dedicated a song to “all the mothers other there,” conveying her urge to protect her son (now 3 years old!) “from all the evil in the world.” A major highlight for me was when Sharon’s performance of ‘Seventeen,’ a song that I literally listened to SEVENTEEN TIMES IN A ROW and is my favorite track on the new album, Remind Me Tomorrow. I nearly DIED when she came over to my side of the stage and looked directly into my eyes as she shouted vehemently, “Downtown hotspot,  ” She describes ‘Seventeen’ as a “love letter to NYC,” to the “places I have lives, lost and found myself, let go of, and embraced,” and you can feel every hair on your body raise as you watch her reflect on the love/hate relationship and realize the “hotshot” that she wished she could have advised looking back: “I see you so uncomfortably alone.. I wish I could show you how much you’ve grown.” What a freaking masterpiece. “It feels odd singing about being 17 on your 38th birthday,” she said, “but I find comfort in the phrase ‘It is what it is’ that I saw recently on a pillowcase.” What an extra special night honoring an extra special lady. ‘Come back, Kid.’ We love you. ☺️❤️

Previous reviews:

 

https://beatsthatsetmypulse.com/2014/06/11/sharon-van-etten-weve-been-through-better-days-and-youve-tasted-all-my-pain-break-my-legs-so-i-cant-walk-to-you/

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Make it out Alive (Playlist: Jan 15, 2018)

Compiled by Erica Andreozzi

“I felt the music hit my bones and I fell back
I fell into the clouds
My feet weren’t touching the ground
We started to float around” Angus and Julia Stone (‘Make it Out Alive‘)
FRESH NEW PLAYLIST (82 songs!) inspired by some of my TOP PICKS of Iceland Airwaves music festival (Nov 2017) for which I’ll post individual reviews: Mammut (winner of the 2004 Annual Battle Of The Bands (Músíktilraunir)), Kiriyama Family (whose track ‘Innocence‘ has been #1 in Iceland for the past 3 months), Omotrack (2nd prize winner of the 2017 Annual Battle Of The Bands (Músíktilraunir)), Mani Orrason, Hórmónar (1st place winner of the 2016 Icelandic Music Experiments), Songhoy Blues, Keto (my talented friend Le Hah!), Axel Flovent, Hatari (Grapevine music award‘s 2016 and 2017 ‘Best Live Band of the Year‘), GDJYB (Gai Dan Jane Yuk Bang), Rökkva, Valdimar, One Week Wonder, Rythmatik (winner of the 2015 Annual Battle Of The Bands (Músíktilraunir)), Captain Syrup, Hogni (Grapevine music award‘s ‘Album of the Year‘), GDJYB (Gai Dan Jan ), Mosi Musik, Asgeir (fastest-selling debut album in Icelandic history, ‘Album of the Year’ winner at 2012 Icelandic Music Awards), We Made God (3rd prize winner of the 2006 Annual Battle Of The Bands (Músíktilraunir) ), and I am Halo.
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Mammut is by far one of my FAVORITE ICELANDIC BANDS and have been ever since I first discovered them at the Great Escape music festival in Brighton back in 2013. I am somewhat OBSESSED with their newest album, Kinder Versions, especially after getting hooked on ‘Kinder Version‘ (“I’m bringing all my stories back, erasing all the kinder versions of my past”) ❤ ❤ ❤ , ‘The Moon Will Never Turn On Me‘ (“I want to make this right but I don’t feel right, Cause sometimes life tries to eat us up… but then I take a look around and see how dust turns into gold and I embrace this world, embrace the world, embrace the world and I love it all”), and ‘Pray for Air‘ (“Taste the dirt of the water… you know you’ll never be pure.”) *Note: Air in water unfortunately would mean less blue ice when that water freezes!* Not only did National radio and television RÚV chose Kinder Version as the best album of 2017, but it was The Line of Best Fit selected it at #18 for 2017. Mammut was also awarded performers of the year (Krókurinn 2017, Menningarverðlaun Rásar) and selected to be on KEXP‘s top 10 list of the YEAR. They definitely had a REMARKABLE 2017! Can’t wait to post my review on them! I got some epic videos of their first set of Airwaves in Reykjavik, especially during ‘Kinder Version‘ when Kata pointed to me about a 1 min in and asked “Have you been excited?” with a gaze that stared into the depths of MY SOUL. If I wasn’t excited before, I certainly was after.:)
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Other sources of inspiration for this playlist were drawn from recent shows that I really enjoyed (see reviews by clicking on link) — Henry Jamison, Angus and Julia Stone, City of the Sun, Overcoats, Nick Mulvey, Jaws of Love. (Kelcey Ayer of Local Natives), Caroline Smith, Tune-Yards, Ben Sollee, Emily Scott Robinson, Luke Sital-Singh, Henry Jamison, Gracie and Rachel — as well as new releases by Geographer, The Boxer Rebellion, Trevor Hall, Caught a Ghost, Black Pistol Fire, The Oh Hellos, Sharon Van Etten, Amber Coffman (of Dirty Projectors), Cosmo Sheldrake, and Van William.
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City of the Sun was one of my TOP FIVE PICKS OF 2017, and their EXPLOSIVE, GENRE-BENDING sound (post-rock blended with and flamenco guitar and unique percussion) will SWEEP YOU TO THE SKY. It’s only a matter of time before these guys shine their vibrant tunes ‘To the Sun and All the Cites In Between‘ (name of debut album).
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Previous Playlists: Up All Night, Capsized, Creature Comfort, I Know You Know, Feeling Electric, Wake Up, Oceans Away, I Want it All, Standing Rock, Jungle, When Things Fall Apart, and more…

(In order to access the playlist, you have to press the 3 vertical dots in the upper right hand corner and select download. You can then cancel the download immediately and still have access to the playlist. If you are still having uses, let me know and I can send you a link to download the tracks!)

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  1. So Low- Geographer
  2. Love Yourself- The Boxer Rebellion
  3. Chateau- Angus & Julia Stone
  4. Moon / Sun- Trevor Hall
  5. Kinder Version-  Mammut
  6. Before The Hurting Lands.- Jaws Of Love.
  7. I Don’t Believe In Us- Overcoats
  8. Mountain To Move- Nick Mulvey
  9. Make It Out Alive- Angus & Julia Stone
  10. Chemistry- Kiriyama Family
  11. Second Sun- City of the Sun
  12. Right & Wrong- Caught a Ghost
  13. Trying Not to Love You- Caroline Smith
  14. Pray For Air- Mammut
  15. Speak Of The Devil- Black Pistol Fire
  16. Snow- Angus & Julia Stone
  17. The Wires- Ben Sollee
  18. Remembering- Nick Mulvey
  19. Wander- Trevor Hall
  20. Kai’s Song-  Overcoats
  21. Firefly- City of the Sun
  22. Blind Spots- Omotrack
  23. The Moon Will Never Turn On Me- Mammut
  24. 21st Century Heartbeat- Luke Sital-Singh
  25. Magazine- Caroline Smith
  26. Transform Your Game (We Remain)- Nick Mulvey
  27. Light Years Away- Kiriyama Family
  28. Fed All My Days- Mani Orrason
  29. Baudelaire- Angus & Julia Stone
  30. Torches- The Oh Hellos
  31. Dark Night- Amber Coffman
  32. Wake The Riot- Black Pistol Fire
  33. Love Me Like I’m Gone.- Jaws Of Love.
  34. I Can’t Quit- The Vaccines
  35. Bloodstyle- Caroline Smith
  36. Ekki Sleppa- Hórmónar
  37. Sahara- Songhoy Blues
  38. Time- City of the Sun
  39. Overalls (Live)- Emily Scott Robinson
  40. Imaginary Mountains- Omotrack
  41. We Tried Love- Mammut
  42. Mechanical Advantage- Ben Sollee
  43. Superstar- Keto
  44. Hawaiian License Plates.- Jaws Of Love.
  45. On the Mountain Tall-  The Oh Hellos
  46. Apart- Kiriyama Family
  47. Walls- Mammut
  48. City Dream- Axel Flovent
  49. Ódýr- Hatari
  50. Heart Attack- Tune-Yards
  51. Nothing Stays The Same- Luke Sital-Singh
  52. Up There- Trevor Hall
  53. In Your Hands- Nick Mulvey
  54. All To Myself- Amber Coffman (of Dirty Projectors)
  55. Come Along- Cosmo Sheldrake
  56. Where It Goes-  雞蛋蒸肉餅  GDJYB (Gai Dan Jane Yuk Bang)
  57. I Want You to Know- Rökkva
  58. Revolution (Ft. First Aid Kit)- Van William
  59. Læt Það Duga- Valdimar
  60. Mars- One Week Wonder
  61. Carrie Bell- Ben Sollee
  62. Blackened Pool- Keto
  63. Young Folks- City of the Sun
  64. Geiri á Sjoppunni- Captain Syrup
  65. Angel Eyes- One Week Wonder
  66. Soubour – Songhoy Blues
  67. Bed I Made (Bonus Track)- Allen Stone
  68. Ryðgaður Dans- Valdimar
  69. Time Is A Riddle- Luke Sital-Singh
  70. Traveling Mercies- Emily Scott Robinson
  71. What the Fuck- The Boxer Rebellion
  72. For You- Sharon Van Etten
  73. Peace Has a Pencil in Her Hair – Rythmatik
  74. Kynsvelt- Hórmónar
  75. Queen Of Queens – i Am Halo
  76. Crash- Hogni
  77. I Am You Are Me- Mosi Musik
  78. Trust- Asgeir
  79. The Start is a Finish Line- We Made God
  80. Sunlit Juice- Henry Jamison
  81. (Un)comfortable- Gracie and Rachel
  82. Goodbye- Mosi Musik

Up All Night (Playlist: Oct 29, 2017)

Up all Night

Compiled by Erica Andreozzi

FRESH NEW PLAYLIST (54 songs) inspired by recent shows/sets (The War on Drugs, Benjamin Booker, She Keeps Bees, Courtney Barnett and Kurt Vile, Jen Cloher, Tash Sultana, Pierce Brothers, Silversun Pickups, Father John Misty, Minus the Bear, Broken Social Science, The Belle Game, The National, Public Service Broadcasting, Skyscraper Mori, Maggie Rogers, Frendship, and Oh Wonder). There was additional influence from recent track/album releases by Charlotte Cardin, Walk the Moon, Overcoats Tune-Yards, Sharon Van Etten, and Outlines (side project of James Graham from The Twilight Sad). Although title track ‘Up All Night‘ was on my previous playlist (Capsized), I included it here since it was my ULTIMATE ANTHEM for Sept/Oct and FLIPPED MY LID when I saw this live at the Greek Theater Berkeley earlier this month.
“There’s no way, If I hold on
The shots may ring, Through a lonely hall
But the hole in my head, Emptied out into a love
Came pouring out into a life”

That show was one of my top 10 for 2017, and you can see why in my War On Drugs review. Other reviews can be found here: Benjamin Booker, She Keeps Bees, Courtney Barnett and Kurt Vile, Tash Sultana, Pierce Brothers, Silversun Pickups, Minus the Bear, Broken Social Science, and Public Service Broadcasting

Check out my fb music page (https://www.facebook.com/Beatsthatsetmypulse/) and YouTube page (http://www.youtube.com/user/eandreoz) for pics/videos from these shows.

Previous Playlists: Capsized, Creature Comfort, I Know You Know, Feeling Electric, Wake Up, Oceans Away, I Want it All, Standing Rock, Jungle, When Things Fall Apart, and more…

(In order to access the playlist, you have to press the 3 vertical dots in the upper right hand corner and select download. You can then cancel the download immediately and still have access to the playlist. If you are still having uses, let me know and I can send you a link to download the tracks!)

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  1. On + Off- Maggie Rogers
  2. Truth Is Heavy- Benjamin Booker
  3. Surrender-  Walk the Moon
  4. Gimmie- She Keeps Bees
  5. Up All Night- The War On Drugs
  6. Main Girl- Charlotte Cardin
  7. The Wild Kind- Silversun Pickups
  8. Keep In Mind- Pierce Brothers
  9. Protest Song- Broken Social Scene
  10. Continental Breakfast- Courtney Barnett And Kurt Vile
  11. High On Humans- Oh Wonder
  12. Believe- Benjamin Booker
  13. Friendly Fires- Silversun Pickups
  14. Spirit- The Belle Game
  15. Murder to the Mind- Tash Sultana
  16. Untogether- Courtney Barnett And Kurt Vile
  17. Split Stones- Maggie Rogers
  18. Invisible- Minus The Bear
  19. Breezy- She Keeps Bees
  20. Latchkey Kids- Silversun Pickups
  21. Up Again-  The Belle Game
  22. The Slow Drag Under-  Benjamin Booker
  23. Towers And Masons- Broken Social Scene
  24. Fear Is Like A Forest- Courtney Barnett And Kurt Vile
  25. Carpet- Frenship
  26. Take A Shot- Pierce Brothers
  27. Mystik- Tash Sultana
  28. Wait Up For You- The Belle Game
  29. Over Everything- Courtney Barnett And Kurt Vile
  30. Cherry Wine- Overcoats
  31. Strong Woman- Jen Cloher
  32. I’ll Still Destroy You-  The National
  33. Nightcrawling- Saint Raymond
  34. Nothing To Find- The War On Drugs
  35. Ultralife- Oh Wonder
  36. Genevieve- Pierce Brothers
  37. Our Beloved Dead- Out Lines
  38. Peepin’ Tom- Courtney Barnett And Kurt Vile
  39. Winter Dream- Skyscraper Mori
  40. Flying Home (Live)- Pierce Brothers
  41. Look at Your Hands- Tune-Yards
  42. Chippewa- Benjamin Booker
  43. There Is a Saved Place- Out Lines
  44. All Or None/Dark Horse- She Keeps Bees
  45. Please Take Me With You- Broken Social Scene
  46. Kai’s Song (Acoustic)-  Overcoats
  47. Thinking Of A Place- The War On Drugs
  48. Big Smoke, Pt. 2- Tash Sultana
  49. Strangest Thing- The War On Drugs
  50. Everest- Public Service Broadcasting
  51. Born To Beg- The National
  52. Measures & Locations- Skyscraper Mori
  53. I Wish I Knew- Sharon Van Etten
  54. Ballad Of The Dying Man- Father John Misty

*Check out full videos from the night on my YouTube: http://www.youtube.com/user/eandreoz

Instagram: beatsthatsetmypulse
Twitter: @beatsthatsetmy

She Keeps Bees: “Basic right we must defend, To choose whether and when… Our bodies are our home” – the Independent in SF (Sept 25, 2017)

Written by Erica Andreozzi

Jessica of She Keeps Bees is SO FREAKING AWESOME. I am SO GLAD I got to catch her opening for Benjamin Booker earlier this week at The Independent. First off, she is HILARIOUS (a legit comedian), making us roar with laughter the entire set as she made fun of herself on stage (“I never wear heels so if I trip on stage, please send it in to funniest home videos and win some money”) and belted out whatever the hell was on her mind (I freaking LOVE THAT). Secondly, she SLAYS INJUSTICE (politics, healthcare, discrimination, etc.) with powerful messages that she wails ferociously on stage. With vocals that remind me a bit of Florence and the Machine and a style that reminds me of Sharon Van Etten (who I found out later she is good friends with and used to jam with in Brooklyn), she certainly captured everyone’s full attention. Highlights included tracks like ‘Our Bodies’ and ‘Head of Steak’ that reflect her frustrations with the government and civil rights. She dedicated ‘Our Bodies’ to “healthy vaginas,” shedding light on issues with the US healthcare system and plans to cut funding for Planned Parenthood (for which all proceeds of this song are donated to). She said she wrote this song “as I watched my mother’s fight become my own” and she hopes it will instigate people fight for their rights of basic healthcare. When chatting with Jessica after the set (she’s just as vibrant off stage as she is on), she was excited to hear that I was working on developing therapies for neurodegenerative disorders because her uncle (who she was close with) suffered with motor and cognitive dysfunction. Sooner or later we got to talking about music and memory. The nerd in me can only stay hostage for so long! Can’t wait to see her again! ❤

*Check out more videos on my YouTube: http://www.youtube.com/user/eandreoz

Instagram: beatsthatsetmypulse
Twitter: @beatsthatsetmy

Sharon Van Etten- “We’ve been through better days, And you’ve tasted all my pain…Break my legs so I can’t walk to you…”

Sharon Van Etten– KOKO, London (June 5, 2014)

A review by Erica Andreozzi

photo 3 photo 4 photo 1

meandsharon1

Getting to MEET SHARON the first time I ever saw her. It was at a tiny venue (Rickshaw Stop) in San Francisco, and was the night I passed my PhD defense. There’s no one else I’d rather spend me first night as a “Dr.” with! LOVE HER.

I remember as if it were yesterday. August 10, 2012. Not just the day I passed my thesis defense, but the day I got to see AND MEET one of my favorite female artists OF ALL TIME: Sharon Van Etten. Having started listening to her a year prior through an Irish buddy I met in Barcelona, I was immediately HOOKED by Epic and even later by the fierce grasp of their newer arrival, Tramp. A devout fan of the National since 2010, I was enamored by the thought of Aaron Dressner and Sharon sitting down together, mixing up some musical madness together in some Brooklyn studio. She speaks very highly of Aaron, and says it was he that taught her how to “communicate in the studio” and be “open to collaboration” (e.g. working with Beirut‘s Zach Condon and Wye Oak‘s Jenn Wassner) without “shying away from production.” “I feel like Aaron gave me a lot of tools and confidence to communicate with my band and it made me want to try something different sonically. I wanted to give the songs more space and not bury them in instrumentation. I really wanted to focus on the band and the space and the melodies.” You could definitely sense the extra dimension in Tramp, and even more so in her newest album, ‘Are We There‘ (released June 2014). For this album, Sharon rounded up a two more band members, Darren Jessee (of Ben Folds Five and Hotel Lights) and Brad Cook (from Megafaun), both joining alumni Heather Woods Broderick and Doug Keith. I remember Doug very well because I was standing RIGHT IN FRONT of him (arms reach away) at that Rickshaw Stop gig and was serenaded by his EPIC bowing of the guitar intro to ‘I’m Wrong’ (one of my favorites from their collection). CHILLS up and down my spine every time I hear that song, and the “tell my I’m worth all the miles you put on your car…” line always draws a tear. ‘I’m Wrong‘ and ‘Joke or a Lie,’ back-to-back ON REPEAT was instant therapy for me during the weeks leading up to my PhD defense, and am not sure I would have made it (in one piece) without these songs. That strong dependency on Sharon’s music was something I could not be more eager to share with her that night (after I passed)…AND I DID (hence the picture above). Normally I would have been nervous to approach her, but her down-to-earth spirit and bubbly, comedic banter throughout the set just instantly diffused those nerves and suddenly I felt like she was a good friend who I had known for years. I was shocked to find that someone who sings such devastating, heart-breaking songs could be so happy-go-lucky and utterly HILARIOUS…(so hilarious that I actually asked her if she was “a comedian before this,” to which she replied, ” I liked doing gags, like saran wrap on the toilet seat.”)…She also mentioned eating waaaaay too much chocolate cake that day, and when I mentioned that to her 6 months later at their December gig in London (The Forum), SHE REMEMBERED ME…literally pointed to me in a crowd of 1500 people and was like “HEY YOU!”…(I was DYING). It just goes to show you that no matter how big or famous some artists get, they will still remain the GENUINELY AWESOME PERSON that got them there in the first place. “I don’t want to be big,” Sharon said in a recent interview with Gigwise. “I don’t want to be bigger. I think that with the way I write and perform, I like where I am. I’m kind of scared to get any bigger because I just don’t think that’s the reason I do this. I soon as I don’t know who I’m connecting with or why then I want to stop and do something different. I’m not even like a festival kind of band – who wants to stop partying to come and listen to me? It doesn’t make sense to me, but I feel lucky to be here. I don’t have any ‘moves’.” She wants to still feel the impact (on a personal level) with her fans, and I very much admire her for that. Sharon is developing a fan base for all the right reasons, and we can only continue to LOVE MORE (pun intended) the many sides of this dynamic, lovable lady.  ❤ And this lovable lady is proving that her music can only get better with time, and her evolution as an artist is something we can only look forward to. Having added 2 new members to her touring WOLF PACK, some might be concerned that they additional instruments would drown out her sound on the new album, ‘Are We There,’  but they don’t. When asked about maintaining the intimacy and purity of her music while involving more people, Sharon replies: “The songs still originate from my bedroom, for the most part, and start from a really intimate place. I feel as long as the melody is supported and not covered you can hear that intimacy.” When discussing the inspiration for ‘Are We There,’ she says, “The whole album was written over the past two years while on the road, touring Tramp. And the songs are all about the struggle of trying to have a home life, relationship – and also trying to work and the frustration that comes with trying to balance it all when it is virtually impossible…In the end, I had to choose my work over having a relationship because the person I was with couldn’t handle it. It was someone that I loved very deeply, but it just plays on people’s insecurities when you’re in a place that they’re not. And that’s kinda what that song is about, what the whole record’s about.” I’m not a famous musician or anything (obviously), but I can definitely emphasize with that nomadic type lifestyle, and I can see how difficult it would be to maintain a healthy relationship (esp. with someone outside the business who might not understand). But what I (and most others) love about Sharon is how fearless she is in facing her subconscious and unleashing many of the deep-seated  affliction that most people would rather suppress. “I have a hard time not wearing my heart on my sleeve and answering people honestly. You know, my friends warn me that I should be more guarded ‘cause sometimes I am too honest and open, but it’s also just who I am. I don’t like to hold back. Especially with who I am and what I do, it’s all me, everything’s my name, it’s what I do, it’s how I feel, it’s what I think. Over the last two years, I’m beginning to think that what I do is kind of self-centered, you know? And I’ve been contemplating doing something else after a couple of years, ‘cause it’s all me. It’s almost like, why do people care about me?…I love who I work with, and I’m lucky, and I know that people would kill to be in the position that I’m in, but it’s fucking with my head a little bit. It’s all about me and my life and my hardships or whatever you want to call it, and I don’t know who I’m helping, I don’t know what I’m doing…I feel pretty selfish to be doing what I’m doing and not knowing who it’s affecting or who it’s helping.” But I wish I could tell her (shout it out) that she is HELPING ME!!  Without Sharon’s recent album  release and gig at KOKO, I am not sure I could have made it through last week without having complete meltdown. The one song that became my instant ailment (still is) was ‘Afraid of Nothing.’ It’s actually the title track to my recent playlist: https://beatsthatsetmypulse.wordpress.com/afraid-of-nothing/ The minute I hear those intro piano chords to this song, my fear/troubles/frustrations instantly dissipate off my chest, and suddenly I feel a thousand times lighter. This was the first song of Sharon’s set at KOKO, and I couldn’t help but choke up (at the first song, lame I know). I would have loved getting this on video, but the photographers were obstructing my view. These lyrics = therapy: “I can’t wait…Til we’re afraid…Of nothing. I can’t wait…Til we hide….From nothing…Nothing.” Next up in the set was ‘Taking Chances,’ one of my other favorites from the new album. The beat is so hypnotic and catchy, and the lyrics just flow behind like a perfect cascade: “When you love all of you, they know all of you..Be alone and take, and you break for your sake…Even I’ve taken my chances….Even I’ve taken my chances on you.” Then it was ‘Tarifa‘, a song that didn’t’ capture my initial interest the first time through, but now that I listen more and more I’ really drawn to it: “Tell me when…Tell me when is this over?…Chewed you out…Chew me out when I’m stupid.” After the first 3 songs (photographers booted, thank you), Sharon apologizes to the the audience, saying that she is a bit sick and will have to carry her tissues on stage..(she later jokes about about making a business with personalized tissues). Then she cracks a few jokes with her keyboardist/back up singer, Heather, who claimed at the red tambourine wasn’t “her color.” She soon interrupts the set with an oldie (but goodie), ‘Don’t Do It,’ and the crowd goes wild for the tune that we all know and love: “Look me in the eyes, say you can’t do it, but you will if you want to…I wish I could make you right.”  (fierce ending…wish I could give her a hug!) Next was another oldie, a song (‘Give Out‘) she introduces as the reason why she “moved to the city“: “What’s with the eyes…In the back of the room?…The only ones shining…The only ones I’d met in years…“I’m biting my lip…As confidence is speaking to me.”  (this continues to be one of my favorites of her older stuff) Just before she hits us with a new one, she giggles as she and Doug discuss how much they are enjoying the show during their “meeting minutes.” (haha)  Then someone in the crowd yells, “We love you Sharon!,” to which she replies (looking out with her hand over her forehead, ” DAD? Is that you?” Everyone laughs as she then explains how it’s not uncommon for her parents to randomly show up and surprise her at gigs in different cities, as they have in the past for both Dublin and Paris. (But then she says they would not be here because they are at home getting ready for her sister’s wedding). Next up was another new one, ‘Nothing will change,’ and I for sure felt the gravity in these lyrics; “It had been a while and I thought that you’d forgot about me I never could have forgotten you. (def have been there…) The next song (‘Break Me‘) seems to be a continueation of ‘Give out’, and I can’t help but draw a parallel between the two. She says, “This is a song about therapy, cause I need it.” (LOVE THE OMNICHORD IN THIS ONE) “He can make me..Move into a city on my knees…He can take in everything…Hoping he let’s me in..I, I let you in.” She then played one more old one (‘Serpents‘) before finishing off her collection of new gems, including ‘You Know Me Well‘: “Everyone is crazy with their own life…Lies in existential you ever want to find your way out…Turn into yourself again and reach on out….To become your true self…You know me well….You show me hell when I’m looking…And here you are…Looking.” I’m just not that broken any more,” Sharon says in a recent interview. “I feel like I’ve been hurt and I’m still hurt, but for different reasons. I know who I am more, I know what I want, I don’t take as much shit, I know what I don’t want, I know what I will not tolerate, I know when I’m making someone else happy and vice versa…I still get hurt and get sad, I’m still a romantic at heart, but I think that one thing about growing up is that you know what you want more.”  (YES.) Following this is the song, “Your Love is Killing Me,” which has drawn the attention of many and is “the heaviest thing she’s ever written.” In response to everyone’s concern and consideration, Sharon responds: “I am doing fine. It’s just this is what I do.” I call it “The Beast” because it is relentless.” She freaking lets all hell lose on this one. Emotional implosion. Her voice is on the verge of SHATTERING at the very end as if her heart were all the sudden in her throat. 

We’ve been through better days And you’ve tasted all my pain

Break my legs so I won’t walk to you Cut my tongue so I can’t talk to you Burn my skin so I can’t feel you Stab my eyes so I can’t see You like it when I let you walk over me You tell me that you like it Your love is killing me

There he let it go, his temper, standing there See her with his gun and he, steals love so he can feel alive   (This line SLAYS ME) Everyone’s knees knockin’ at the fear of love Taste blood Everybody needs to feel.”

Following “The Beast” is a song (‘Every time The Sun Comes up‘) that Sharon introduces as “literal in every way,” and one that her band tricked her with: “People say I’m a one-hit wonder But what happens when I have two? I washed your dishes, but I shitted in your bathroom..’ (hahah) She follows with another hit from the new album, ‘I Love You But I’m Lost“: “Come in here and be yourself again I love you but I’m not somebody who take shots See me after I recoil I’m better than I know There’s room to grow .. Let’s turn it into something we can change I love you but I’m lost Between the pain and cost I hold myself alive.” After thanking TONS of people, including her old drummer (now manager), Zeke, Sharon says that she can either play a song or tell a story (for the encore). Riding on gut and intuition, Sharon dismisses (as nice as possible) the many song suggestions from the audience and instead says, “But I sorta had a plan, guys…‘  before she dazzles us with her last track on the album, “I Know.” “And then you push me out I know, I know And then you disappear because you can’t fight fear I know, I know ..I all ever wanted as YOU.”   (she warned us that it was going to be a sad one) Every time I write, it is for therapeutic purposes. I write when I am going through a really hard time. I hit record and sing stream of conscious. I usually let it out for about ten or twenty minutes and then wait a day or two then listen back a day or two later so I have some perspective on what I was going through. Nine times out of ten I don’t share those “songs” with anyone because they are too personal. The ones I choose to share are the ideas that are more relatable and universal so I don’t alienate the listener – and hopefully they can connect with it on their own personal level.”  YES, yes they do! We love you, “SHIZZLE.” (what she called herself on the set) xxx And to leave YOU on a personal level, here are a few interesting comments I read about Sharon in a recent interview: CP- What do you hope for? SVE—I hope to one day find balance in my life.   (my biggest struggle too!) CP—What motivates you to make music? SVE—Healing myself, helping others heal, and helping others feel not so alone. CP—What makes you smile? SVE—A dad with their kid, a stranger helping someone, someone else smiling (it’s contagious!) CP—When are you most at peace? SVE—At the beach. CP—What are you most scared of? SVE—Never settling down.     (ME TOO)

MORE PICTURES:

IMG_9271 IMG_9304 IMG_9294 IMG_9293 IMG_9292 IMG_9291 IMG_9290 IMG_9288 IMG_9287 IMG_9285 IMG_9285-001 IMG_9284 IMG_9283 IMG_9280 IMG_9272IMG_9276IMG_9274 IMG_9273 Recent interviews with Sharon: http://www.gigwise.com/news/91564/sharon-van-etten-im-not-broken-any-more http://thelabmagazine.com/2014/06/02/sharon-van-etten/ http://www.vulture.com/2014/05/fred-armisen-interviews-sharon-van-etten-new-album-are-we-there.html