Rebound (Playlist: May 18, 2018)

Compiled by Erica Andreozzi

May 18, 2018

FRESH NEW PLAYLIST (Spotify link below) inspired by awesome bands I saw in Austin at SXSW 2018 (Kid Queen, Magic Bronson, Caught a Ghost, The Lagoons, The Wild Now, Dawg Yawp, Marty O’Reilly & the Old Soul Orchestra, Black Pistol Fire, Dr. Joe, Abhi the Nomad) and others I saw in San Francisco/Los Angeles/San Diego (The War on Drugs, EasyFriend, Ramonda Hammer, SLUGS, Rival Cavves, Little Monarch, Penguin Prison, The Oh Hellos, Holy Wars, Ibeyi, Overcoats, Mt. Joy, The Drums, Alvvays, Planet Booty, Escort, Sal’s Greenhouse, Wild Child, Stelth Ulvang, Frenship, Yoke Lore, George Ezra, Noah Kahan, HAIM, Unknown Mortal Orchestra, Zach Winters, Horse Feathers, and Dead Horses).  Playlist also includes new releases from (Geographer, Meg Myers, Leon Bridges, Ryley Walker, Trevor Powers (of Youth Lagoon), DonCat, The Colour Coast, Bishop Briggs, Charlotte Cardin, Courtney Barnett, Harrison Storm, GIVERS, the French Cassettes, Black Pistol Fire, Florence + the Machine, Matt and Kim, Derek Ted, Christof Van der Ven (of Bear’s Den), Brenda Carsey, Youth in a Roman Field (of San Fermin), Goodnight Texas, Vancouver Sleep Clinic, Lord Huron, Betty Who, Wye Oak, Two Door Cinema Club, Wildling, Johnnyswim, Riley Geare (formerly of Unknown Mortal Orchestra), Milo Greene and Mastersystem, the newest project of Scott Hutchinson (Frightened Rabbit, Owl John), an irreplaceable LEGEND that we painstakingly lost to suicide on May 10. See below for my brief ‘Tribute to Scott’. A more in-depth one is in the works.

I chose kid QUEEN’s ‘Rebound’ for this playlist’s title track because I was INSTANTLY HOOKED to this song the first time I heard it at kid QUEEN‘s set at SXSW (videos on my Facebook music page), and I especially LOVE growling along to the part, “I don’t gotta alot of work to define my wealth, but I’m poor motherfucker with a wide array of shit to sell.” RAWR. “Call me crazy call me the rebound-er, I’ve been watching this city and I’m confounded.” YAAAAS. ❤ kid QUEEN was my FAVORITE new discovery of SXSW 2018, and I was so happy to find that they are based in backyard of SF, It was also cool to learn that their frontwoman, Shannon Harney, was formerly of Be Calm Honcho and played shows back at UC Davis at the same time I was there. This SEXY SASSAFRASS has sultry pipes that will STUN YOU at first hit and stop you DEAD in your tracks. I knew all the tracks after just one set and was already singing along the second time around. That’s at sign of a SUPER SOLID band. Every track was a hit and I can’t wait for more releases.

Tribute to Scott:

My heart is broken and is going to take some time to mend. Scott Hutchinson (Frightened Rabbit, Owl John, Mastersystem) was one of the most naturally-gifted songwriters of our generation with powerful, palpable lyrics that will stand the test of time. Fearless and transparent about his struggle with depression, he would often shroud his dark thoughts (“With my head in my hands I resolve to die alone”) with comedic charisma (one of the funniest dudes on the planet) and hopeful resilience (“oh how she plunges a knife into my suicide”). Songs POURED out of him, bursting open emotional floodgates that fed streams our of consciousness and clarity. Everyone knew his lyrics by heart, belting them out from their core in a catharsis that can only be realized firsthand. He had given away enumerable gifts (music, poetry, art, humor) to the world, and his generosity and loyalty to fans was like nothing else I had ever seen. Even after my tenth show, he still remembered the first time we met at The Belfast Empire. He always made time to meet and greet fans, even after sold out shows. If only he knew how much light he radiated into everyone around him.  But, the stark reality is that the “brightest lights cast the darkest shadows,” and it FUCKING SUCKS. His immense, intense imagination was both a blessing and a curse, and it’s devastating that he couldn’t dampen the demons. Scott, I am so grateful for you and your music, and the constant it’s been in my life when nothing else could. “When my blood stops, Someone else’s will nod… And while I’m alive, I’ll make tiny changes to earth.” Our ❤ will always bleed for you and the infinite “tiny changes” you made to earth.

What’s even more painful and ironic and that Scott recorded with the Fruit Tree Foundation, a Scottish supergroup of founded by Idlewilds Rod Jones and the DelgadosEmma Pollock to “raise awareness of mental health and challenge perceptions of mental health problems by creating great art.” Here’s a song he recorded with James Graham (another favorite frontman) of The Twilight Sad:

Scott helped others fight the same battle he could no longer fight in himself. Heavy heart.

Depression is an alarmingly dangerous devil and we must arm ourselves against it. We must learn from this tragedy and develop a stronger strategies for suicide awareness and prevention. My heart hurts so much to think about Scott’s family and band mates and all of the people around the globe who loved him. It’s just so incomprehensible. He gave so much for others but couldn’t give to himself. I have been listening to Mastersystem‘s ‘Dance Music album on repeat (it’s SOOOOO GOOD) and there are harbingers of suicide in at least half of the songs, especially A Waste of Daylight‘ and ‘Bird is Bored of Flying‘ (and I don’t it’s a coincidence that this put this as the very last track on the album):

Proper home‘: “I used to want to fly but now I don’t… And if the curtain drops tomorrow, I would not mind”

Peaks and Troughs‘: “It’s all peaks and troughs on the way to the grave”

A Waste of Daylight‘: “The world is far too big, and I’m too tired to conquer it… I missed the summer, but didn’t care… there will always be another if I make it to next year… I’m not sure what happening, but I’m trying to find an answer… At some point I’m just gonna give the fuck up.”

Bird is Bored of Flying‘: “Do you wonder why a bird is born a flying… Here comes the ground again.. my concrete safety net… as I leave the sky for the earth, I shed, shed my feathers and my small net worth. i want less, I want less, I want less… I’ve seen all that I can see, become what I don’t want to be, bird is bored, bird is bored, bored of flying…”

Scott insinuated a drowning suicide (especially) in many of his songs, and it’s so sad that he finally followed through on his vision:

Floating in the Forth‘:

“And fully clothed, I float away
(I’ll float away)
Down the Forth, into the sea
I’ll steer myself
Through drunken waves
These manic gulls
Scream it’s okay
Take your life
Give it a shake
Gather up
All your loose change
I think I’ll save suicide for another year.”

Swim until you can’t see land’:

“And if I hadn’t come now to the coast to disappear

The sea has seen my like before, though it’s my first and perhaps last time
Let’s call me a baptist, call this a drowning of the past
She is there on the shoreline throwing stones at my back
….
All I have is a body adrift in water, salt and sky.”

“With my head in my hands, I resolved to die alone
Now I’ve finally found a good reason to grow old…

A Good Reason to Grow Old‘:

“I was ready to drown in the afterlife, Not anymore…That I’ve finally found a good reason to grow old”

Break‘:

“Nothing’s worse than realizing who you’ve hurt
I didn’t bend and now we eat the consequence

Over the edge I can’t stop myself
Off the ledge throwing punches
Over the edge I can’t steer myself
All over again, I don’t want this…”

Oh what we all would have given for Scott to throw a few more punches before stepping off that ledge. He had SO MANY PEOPLE who loved him more than he will ever know. In honor of mental health awareness week, please PLEASE stay vigilant about those who are hurting and in need someone to talk to. You are never alone. Let’s try and get in involved with organization like Sounds of Saving, which is dedicated to raising awareness about depression and healing through music. The do so by creating videos of artists in their chosen setting playing the music which saved their life. Spread the ❤

 

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The Oh Hellos: “Nothing lasts forever, Some things aren’t meant to be, But you’ll never find the answer, Until you set your old heart free” – The Fillmore in SF (March 29, 2018)

Compiled by Erica Andreozzi

The Oh Hello’s surely HAD US AT HELLO last night at their headline show in San Francisco back in March. This high-octane, Texas-bred folk-rock octet delivered an explosive, high-energy performance that SHOOK The Fillmore like a level five earthquake. Their energy was BEYOND INFECTIOUS, and watching ALL 8 members go APE SHIT on their instruments just had you instantly flailing your arms and stomping your feet to join the madness. I remember from first seeing The Oh Hellos back in 2015 at Hardly Strictly Bluegrass and being BLOWN AWAY by extra-expressive fiddle, banjo, and bass players who were jumping around stage like pogo sticks while still managing to shred their strings in mid-air. This band first stole my heart back in 2010 when I came across ‘Hello My Old Heart,’ a song that would pretty much revived my pulse an had me staying calm during very, VERY trying times: “Nothing lasts forever Some things aren’t meant to be But you’ll never find the answer Until you set your old heart free.” Other songs like The Truth is a Cave, Eat You Alive, I Was Wrong, I Have Made Mistakes, Trees, Constellations, Grow, and On the Mountain Tall, Eurus, and Hieroglyphs, have also hammered on my heartstrings and instilled timeless messages that I continue to revisit (especially this one): “The sun, it does not cause us, The sun, it does not cause us to grow… It is the rain that will strengthen, The rain that will strengthen your soul. It will make you whole.” I was so happy they played this song (‘I Have Made Mistakes’) last night, cause Tyler and Maggie Heaths’ brother-sister harmonies absolutely SLAY, and you will be lathered in chills by the end. I would have LOVED if they played ‘Hello My Old Heart,’ but their set was chock full of string-saturated songs (YES) from their new EP, Eurus (a nice EP follow up to ‘Notos‘ released just last year), and this band would not have had time unless they played for 3 hours straight (an actually request by someone in the audience to which Tyler facetiously said would “lead to their demise”). Playing for 3 hours at their pace and their intensity would definitely require serious endurance, but I have no doubt they will get there someday. Even the bango player/percussionist had enough energy at the end to leap onto a high-rise speaker and bang on his drum from 6 feet in the air. EPIC ENCORE. You had me at hello, and you had me at goodbye. COME BACK SOON!  ❤

Climbing Trees‘ is one of my FAVORITES from this incredible folk rock ensemble. Coincidentally enough, yesterday (the first time I saw this song played live) was the birthday of my good friend Hillary who ALSO loves this song and loved CLIMBING TREES and other things (mountain, walls, etc.) Wish she could have been here with me!

LOVE THIS ONE. This timeless track (‘I Have Made Mistakes‘) will forever hammer on my heartstrings with lyrics that bring light even in the darkest of times.
“I have made mistakes, I continue to make them. The promises I’ve made, I continue to break them. And all the doubts I’ve faced, I continue to face them. But nothing is a waste if you learn from it… And the sun, it does not cause us to grow It is the rain that will strengthen your soul (OMG YAAAS)… And it will make you whole.” TRUTH BE TOLD.

I love the honestly and life wake-up-call element to this one. SO FREAKING GOOD:
“I’ve seen the true face of the things you call life
The voice of the siren that holds your desires
But death, she is cunning, and clever as hell
And she’ll eat you alive

Oh, she’ll EAT YOU ALIVE.”    YAAAAAAS>

The lyrics to this ‘This Will End’ just absolutely SLAY. Wow. So heart-wrenchingly beautiful:

“Heartache, I’ve heard, is part of life   ❤
And I have broken more and more

But I can hope how this will end
With every line a comedy
That we could learn to love without demand   (if only it were so easy)
But unreserved honesty

***

Previous videos from their 2015 Hardly Strictly Bluegrass performance:

Magic Bronson- “Say something, say it real quick, I’ll throw it at the wall and see if it sticks… I’m erratic, I need a fix, I’m brushing off the dirt of my fresh white kicks” – Empire Control Room at SXSW (March 16, 2018)

Written by Erica Andreozzi

 

 

 

 

 

 

 

 

 

 

 

 

 

 

ABSOLUTELY ECSTATIC to CATCH THE MAGIC once again after catching it last year at SXSW (see review here). Magic Bronson was my FAVORITE NEW DISCOVERY OF SXSW 2017 and were the only band (aside from Caught a Ghost) that I saw twice. The magic behind Magic Bronson lies in their ability to unleash the rebellious, primal, theatrical beast that lives inside us all. It only takes a few minutes of watching Michael Nicastro beat his chest, smack his face, stomp the stage, and pierce his lungs (roaring with chest out, arms up), for you join in this disturbed, erratic behavior and feed your inner beast. I’ve been to THOUSANDS of shows, and Mike still remains to be one of the most ENTERTAINING FRONT MEN I’ve ever seen. Again and again he delivers a performance comparable to Heather Leger as the Joker in Dark Night, and is even known to BREAK A FEW STAGES with his mighty “I am Mountain,” aggressive stomping.  I don’t think many bands can say they’ve buckled the first stage they set foot (Maggie Mae’s) on as part of their SXSW showcase. HAHA. When Magic Bronson makes an appearance, they LEAVE A MARK. The combination of Mike’s joker performance and captivating vocal delivery and Matt Lieberman‘s killer bass translates into an infectious dance experience of pop, rock, hip-hop, and electronic that I find difficult to compare to any other band (and I’ve seen thousands). I cannot WAIT until the next SXSW to see them again, and I hope they will spread their magic up the west coast very soon! After all, LA is not too far from SF. No excuses! 😛
(see below for full videos of the entire set)

 

 

 

 

 

 

 

 

 

 

Night Owl‘ is one of my Magic Bronson FAVORITES and I’m waiting with baited breath for them to finally release it. I love the intro line (“Say something, say it real quick, I’ll throw it at the wall and see if it sticks… I’m erratic, I need a fix, I’m brushing off the dirt of my fresh white kicks”), and I can’t help laugh/shout (simultaneously) when Mike puts his hands over his head and widens his eyes (impersonating an owl) as he devilishly shouts, “I can’t take MY EYES off of you… I’m just trying to to GET A RISE out of you.” Oh YES. A RISE has certainly been had. ❤

 

 

 

 

 

 

 

 

 

“I can feel your energy, running your your hands, makes the hair on the back of my neck just stand.. oh yeah, i Like to act tough, when I’m in your arms it’ll always be enough… ELECTRIFY!!” Yaaaaaaaas. I was highly entertained by the stomping around and shaking out of the hand for ‘Electrify.’ I also was dying at the part when Mike said “It was making me feel… LIKE A MAN” (dramatic impersonation). So much primal male emotion in this one.

 

 

 

 

 

“Good enough just doesn’t make it, kid you gotta take it into your own hands, OH MY GOD, it’s making sense, with all this time we’re sitting on the fences.” YAAAAAAAS. Freaking STALK THIS ONE: ‘Fences.’ I absolutely love roaring along to the chorus (not giving a shit about how loud I am) and joining in the rebellious rally of doing what you want and OWNING IT. I also love when Mike shouts “We finally made it” and follows with a villainous “HA HA” laugh like he Joker. Right after this song, Mike says, “so that one’s about you guys being so nice to each other all this time. We really appreciate that. We fucking LOVE that,” and then asked us all to hug the person next to us. We fucking love YOU!

 

 

 

 

 

 

“These are the days We get stuck in our ways Solving mysteries.. And these are the nights That we stay inside Making history (history, yeah, yeah)… Yea, what about that All the things that make you nervous Crooked cops and guilty verdicts Fires, floods, parking permits!” YAAAAAS! Another super catchy track (‘Nervous‘) that makes you want to go APE SHIT and scream at the top of your lungs. Makes me NERVOUS for the other people around met. SO FREAKING GOOD.

 

 

 

 

I like to think of this one (‘Knock it Off‘) as the anthem for rebels: “Go up to the bar and make some small talk, raise our glasses up high until we can’t walk, best friends fist fighting in the parking lot, cowboys dressed as cops telling us to ‘Knock it Off'” after which Mike and Matt point fingers at each other (mimicking cops) and then unexpectedly belt out “BUT WE WOOOOOON’T.” Yaaaaas. Raging like a rebel has never been so fun.

 

 

Parking tickets in SF are more than 65 bucks! Try 76…. I’m pretty sure we can all relate to driving chaos in LA, and I’m pretty sure we’ve all responded in the same way: “What the FUUUUUUUCK.” ‘Drive‘ is the newest addition to their set.

 

If this song (‘Wake Up‘) doesn’t wake you up, I don’t know WHAT will. There’s a reason they save this one for the anchor, cause it’s definitely going to anchor you as a Magic Bronson fan for life. The buildup and impeccable timing of Mike’s explosive “WAKE UP” outburst are definitely going to have your carotids bulging from you neck (at least I know mine were).

“I am a man
I am a mountain
I’ve lost track
But hey who’s counting?

Hey Scott Fitz Gerald
You got nothing on me
And hey Bob Dylan
I’ll give you something to read     (siiiiiick line)

So we sit around
Playing truth or dare
And for once the truth is all I want to hear
You’ll dig through my records
It’s all I really want
And when you do I know you’ll pick my favorite song… and it goes..”  (CHEEKY!)

Meeting the 6'6"  "Mountain" that is Michael Nicastro! One of the most entertaining front men to watch.

Meeting the 6’6″ “Mountain” that is Michael Nicastro! One of the most entertaining front men to watch!

 

 

Langhorne Slim: “Now tell me where do the good ones go, when they’re gone.” – Swedish American Hall (February 20, 2018)

Written by Erica Andreozzi

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That time you meet one of the most talented folk/Americana artists out there (Langhorne Slim) after his show at the Swedish American Hall (as part of NoisePop festival) and nerd out with him about (1) effects of music on the brain (why music holds such strong memory), (2) playing music to old people (he loved playing to his Grandpa Sid and I encouraged him to play at nursing homes), (3) our perception of time (why time seems longer when we are in unfamiliar environments like when we are kids and everything is new), and (4) Langhorne (the town where he grew up but the one that I always remember my soccer team never being able to beat!). Never did I think I would have such a heart-to-heart with someone whose music had my heart when I first I heard it. Langhorne Slim is a true wordsmith whose way with words makes you feel so warm and welcome in his company, as if he was a long-lost friend that you have known for years. I couldn’t stop smiling when he was spouting off his deluge of stories (he’s certainly got plenty!) and providing context for how his various songs came to be (some in a dream). Aside from being one of the kindest, funniest, most humble human beings I know, he is one of the most AUTHENTIC, and you will never doubt that every word, whisper, belt, chuckle, howl coming out of his mouth is HIS OWN. He is not like the rest — just like Kurt Cobain (“I’m not like them / But I can pretend”) whose birthday he honored on Monday — but he does not pretend. You can certainly count on Slim NOT being slim with his self, his FULL SELF. ❤

Some of my favorite songs that he played tonight: Changes (“I’m going through changes, rattlin’ cages, I’m going through changes now”), Song For Sid (“Tell me where do all the good ones go, when they’re gone”), Back to the Wild, Coffee Cup, Again tonight and Be Set Free. It was also awesome to hear him cover Leonard Cohen‘s Tonight Will Be Fine” and Jackie DeShannon’s What the World Needs Now. Just also wish he played The Way We Move!

 

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Love Somebody (Playlist: March 13, 2018)

Compiled by Erica Andreozzi

FRESH NEW PLAYLIST (Spotify link and track listing below) inspired by recent shows in January and February (many of of which were part of SF’s NoisePop Festival) –  Josh Jacobson, Typhoon, Mimicking Birds, Emily Afton, Future Feats, Wild Child, Andrew St. James, Wildling, Crooked Colours, Dagmar, Ha Ha Tonka, Belle Game, Geographer, DonCat, Langhorne Slim, The Album Leaf, Vakoum, Field Medic, Waxahatchee, White Knuckles, Banzai Cliff, King Krule, Derek Ted (of Owl Paws), Lucy Rose, Charlie Cunningham, tUnE-yArDs, X-Ambassadors, Tall Heights, Black Pistol Fire, Billy Rafoul, ZZ Ward, The Wedding Presentand new releases from Frenship, Chvrches (including a track featuring Matt Berninger of The National), Jose Gonzalez, and Tallest Man in Earth (along with new tour dates!)

I chose Frenship’s ‘Love Somebody’ as the title track because, despite the song being so damn catchy (I couldn’t listen just once), I really liked the overarching message: “Get out and LOVE SOMEBODY, and GET LOST on the way.” You never know what hard times someone may be going through or how much they could use a simple smile or “Hello” from a stranger. Get out of your own head and look up at the beauty in your surroundings, savor all the amazing people around you and the lil’ miracles that might sweep you off your feet. I’ve recently encounter many young lives being snatched up way too early (including the super-talented, massively-loved LA-music photographer, Emery Becker who met last year at SXSW), and it absolutely crushes me. No matter what your circumstances and what miserable mood you may be in, strive to be kind. Remember that everyone’s days are numbered and that only WE have the power to make sure those numbers count – every hour, every min, ever second. The fleetingness of life will always remain one of our greatest mysteries, and we should never take anything for granted. Hug harder, smile wider, lend more hands. You never know what impact the tiniest act of kindness may have, or whose lives they may be saving. I hope this playlist will encourage you to open your heart to “love somebody” and to “make tiny changes to earth” (now quoting Frightened Rabbit). And as my friend Paige Parsons (met seeing The Twilight Sad (Official)) says so beautifully, music is the best medium to do so because “music cuts through out cynicism and breaks down the barriers that we erect between ourselves and the rest of the world.” Check out her talk on this:

Help me amplify this message by sharing my playlist with friends and posting about it on social media. AND, if you are an artist featured on this playlist, reposting this playlist will increase the odds of Google not filtering this out on the web and improving your visibility (from what I’ve been told by SEO experts), so please care to share! 😀

(In order to access the playlist, you have to press the 3 vertical dots in the upper right hand corner and select download. You can then cancel the download immediately and still have access to the playlist. If you are still having uses, let me know and I can send you a link to download the tracks!

  1. Wake-  Typhoon
  2. Same Mistakes- FUTURE FEATS
  3. LOVE Somebody-  Frenship
  4. Get Out-  CHVRCHES
  5. Hummingbird- Wildling
  6. Rorschach- Typhoon
  7. Plymouth- Crooked Colours
  8. In the Morning!- Andrew St James
  9. I Want Nothing- The Belle Game
  10. Try to Be Someone-  DonCat
  11. Conversation- Owl Paws
  12. Lost- Emily Afton
  13. Suck-  The Wedding Present
  14. Gorgeous- X Ambassadors
  15. Home- White Knuckles
  16. Sparks Fly- Waxahatchee
  17. Don’t Ask Why- Black Pistol Fire
  18. Minimum- Charlie Cunningham
  19. Laura- Andrew St James
  20. Flow-  Crooked Colours
  21. backyard sorrow- derek ted
  22. Biscuit Town- King Krule
  23. Remember- Typhoon
  24. Little Lies-  Wildling
  25. Tumbleweed- Dagmar
  26. Expectations- Wild Child
  27. What Do You Want-  Dagmar
  28. Sorry Bout Tomorrow!- Andrew St James
  29. Foolish- Geographer
  30. Millennial Malaise-  Andrew St James
  31. Severing the Knot- Emily Afton
  32. Come Back To You- Crooked Colours
  33. The Way We Move
  34. Bloodlines-  Mimicking Birds
  35. Anyone Can Make A Mistake-  The Wedding Present
  36. Too Young To Die- Banzai Cliff
  37. Silver- Waxahatchee
  38. Bully- Black Pistol Fire
  39. poison poetry- derek ted
  40. Silver Screen- DonCat
  41. Foolish- Geographer
  42. Bully- Black Pistol Fire
  43. Koyo- Josh Jacobson
  44. Coast to Coast- tUnE-yArDs
  45. Changes- Langhorne Slim
  46. My Enemy (feat. Matt Berninger)-  CHVRCHES
  47. Think it Over- Wild Child
  48. An Opening- Charlie Cunningham
  49. Hipster Shakes- Black Pistol Fire
  50. Tethered- Josh Jacobson
  51. I Love to Dance- Langhorn Slim
  52. Danielle-  Banzai Cliff
  53. I Hope You Get It- Crooked Colours
  54. An Ocean- The Tallest Man on Earth
  55. Back & Forth- Wild Child
  56. Better Off- White Knuckles
  57. What Did Your Last Servant Die Of-  The Wedding Present
  58. Spirit Cold- Tall Heights
  59. Never Been Wrong-  Waxahatchee
  60. Poison Poetry- Derek Ted
  61. Let Me Go Alone- White Knuckles
  62. All With You- Ha Ha Tonka
  63. Owl Hoots- Mimicking Birds
  64. POWERFUL LOVE- Field Medic
  65. Ahead Of Myself-  X Ambassadors
  66. Be Set Free- Langhorn Slim
  67. Race To The Bottom- Ha Ha Tonka
  68. Still In Love- Thirdstory
  69. all i have- derek ted
  70. Driver- Billy Raffoul
  71. Sunlight Daze- Mimicking Birds
  72. Fade- Josh Jacobson
  73. uuu-  Field Medic
  74. With the Ink of a Ghost-  José González
  75. Twenty Two Fourteen- The Album Leaf
  76. Second Chance-  Lucy Rose
  77. ICE- Vákoum
  78. Movie Screen- Dagmar
  79. Blank Pages- The Album Leaf
  80. Ghost- ZZ Ward

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Charlie Cunningham: “What you got to live for, Now you got the whole of the world at your feet, And how much more can you pass yourself round?… Go, take a load off, Letting your wings unfold, And keeping everything down to a minimum” – The Swedish American Hall (March 7, 2018)

Written by Erica Andreozzi

Lucy Rose jokingly said, “never bring an opener on tour who is better than you.” She was of course referring to Charlie Cunningham, the super-talented British singer/songwriter who was definitely more of a “show stopper” than “show starter” and who had you stopped in your tracks with HIS stunning tracks. Apart from his exquisite guitar work and super-soothing vocals, his incredibly pensive, poetic, introspective lyrics will seep into your soul and etch some long-lasting “Lines” (coincidentally the title of his debut album). His music reminds me a bit of Nick Mulvey and Jose Gonzalez, which is funny cause apparently Jose Gonzalez is one of the main musicians that Charlie’s record label curator (Magus) works with. Keen hunch! I l also hear a bit of Spanish guitar influence, which makes sense considering that Charlie traveled to Spain to create the music he wanted to play, free from the prerequisite of “having to read music” first. Charlie also learned to play piano before he learned guitar (at age 14), and I hope he brings both with him on his next US tour… which BETTER BE a HEADLINE one. His 45 min opening set at Swedish American Hall was way too short for satiation, and there was a unanimous request from the entire audience for him to keep playing after his last song, ‘Minimum‘ (video below), my FAVORITE (aside from ‘An Opening‘) and one that really hits home:

“How do I walk this earth?
So much work at first, it goes
How should I walk this earth?
So much worse the further, the further you go
Go, take off a load
Letting your wings unfold
And keeping everything down to a minimum
Everything a bit though
Tell’em what you know but all that you know, though
The truth be told you need it more than you thought
But you’re managing, that’s how you evened out, out
Keep on walking that line, the fine line
Between a wrong and a right
You get yours, I’m gonna get mine
Is that what you signed for?
They’re feeding you lines
To keep you on their side
It works every time
What you got to live for
Now you got the whole of the world at your feet
And how much more can you pass yourself round?
What you got to live for now
You got the whole of the world at your feet
But you’re still shaking?
You need to make up some ground
Go, take off a load
Letting your wings unfold
And keeping everything down to a minimum
Everything a bit though
Tell’em what you know but all that you know, though
The truth be told you need it more than you thought
But you’re managing, that’s how you evened out, out”  ❤

 

Mad props to Lucy for bringing him on tour with her! It was also nice that she invited him up on stage to help sing a few of her songs. I was so bummed when I missed seeing him open for Low Roar at The Chapel last year cause of being away for a work trip. This was certainly a super sweet an unexpected treat!<3 🙂

 

 

 

Black Pistol Fire: “Now you pick apart my love, When a push comes to shove, Say you had about enough, But you still call my bluff” – Ace of Spades in Sacramento (March 6, 2017)

Written by Erica Andreozzi

 

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Meeting Kevin McKeown, the WILD FRONTMAN of Black Pistol Fire!

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“Why settle for a spark when you can have the whole damn fire”… BLACK PISTOL FIRE. Ain’t that the truth! There is no reason set settle for a mediocre “rock band” band you can have the HIGH-OCTANE rock duo that I like to call a “younger version of The Black Keys but with more energy, power, and FIRE.” Both Kevin McKeown (Guitar, vocals) and Eric Owen (Drums) are SERIOUS SPITFIRES that will have your ENTIRE BODY AFLAME within seconds of them hitting the stage. I nearly spontaneously combusted when getting to see him perform ‘Speak of the Devil‘ (my favorite track which I got a full video of) from the photo pit and watching him SHRED GUITAR so hard you thought he might puncture skin. Eric (shirtless, hands wrapped), was equally as intense, pounding on his drums as if he is beating away demons. My heart was racing the entire set, especially when Kevin started karate-kicking his legs up in the air and jumping off anything that didn’t move (although I’m sure that is subject to change). He would also stomp in place mid-shred as if marking his territory like in flamenco, with his feet moving so fast you can hardly catch them!. Kevin also blazed a trail through the crowd as he dove face first to crowd surf while STILL SHREDDING guitar. I’m not sure why the name of their album (released May 2016) is ‘Don’t Wake The Riot,’ cause they certainly wake every riot that I have in me, especially with songs like ‘Bully’ (“I like it when you play too rough…”) and I cannot WAIT to see FEEL THIS FIRE again, hopefully next week at SXSW while sporting my badass Black Pistol Fire t-shirt (pic above). 🙂 WARING: You better see them before they blow up and only play huge venues. They have already been clocking it at #1 on the Canada Rock Billboard Chart for the past week!