Rett Madison: “Shame is a river, and I’ve crossed its waters, always sink… Hope’s on the other side, and I’ve got guilt I’ve got bricks to my feet… Love is a sunrise, where’s the light to eclipse my grief?” – Live at The HiHat in LA (March 8, 2019)

Written by Erica Andreozzi

Photo credit: Nikki Neumann (website: Neumann.com  /  Instagram: @nkknmmn)

“Everybody says I’m just like you, is that one of the many things you suffered through… both know sadness too well I lost you too, waking up without you is waking up in hell, I never meet you 48, you won’t cry on my wedding day, you’ll never hear my children say your name, Jaqueline… I’m just pissed off and bitter, I couldn’t save my mother, I’m grappling with what I got left” 

FUCK. Tears just won’t stop flowing. Such a heavy heart listening to Rett Madison sing about the recent loss of her mother Jaqueline at The Hihat last night. It was very hard to hold back the tears, and it breaks me to think about the pain that this incredibly talented, hilarious, down-to-earth, and downright adorable person must be going through. Just last month at The Bootleg, Rett mentioned that her stage banter was a bit off because she “has just lost her mom” and “feels a bit weird.” ‘Jaqueline,’ ‘Death Don’t Make a Bitch An Angel’, ‘Flea Market,’ (see videos below) and ‘Don’t Know Better Till You Do’ (“I admit that pride gets my tongue, but you and I are of the same blood and you played the game better than I could.. when I should have done better by you”), were all songs that hit us a like a brick wall and triggered instant tearshed. Heavy and intense, you could feel the cathartic relief accompanying each lyric as Rett belted them vehemently from her chest. Rett also played ‘Shame is a River,’ (LOVE) ‘Pin Up Daddy,’ ‘Fleas,’ and ‘God is a Woman,’ all tracks (videos below) I had heard before and instantly connected with, wishing they were already available on Spotify. Her album is going to be an absolute masterpiece.

Rest Madison certainly stands out as my top 3 discoveries in 2019, and I will see her every chance I can get. To stay that I was stunned the first time I saw Rett play (which happened to be alongside Emma Cole and Wolf Bay at Madam Siam back in Oct and then later opening for Lauren Ruth Ward at The El Rey) would be an understatement. The minute Rett opened her mouth was the minute MY mouth would remain open, jaw dropped on the floor. Her West Virginia roots have fertilized a southern-raspy vibe that stands out in the LA music scene, carving a niche that not many can touch. She almost always starts her show with a gospel-like vocal intro called ‘One Year‘ (video below) that hooks you hard, stopping you in your tracks like a dear in headlights. Every song in her set is a masterpiece, and it blows me away that she is only in her early 20s. Since the Madame Siam show, I have been obsessively listening to her EP (God Is a Women, Mother’s Girl, Twinty-Five) over and over. I can understand some of the frustrations she mentions in ‘Twenty-Five’ (“My pals are all making plans and playing house… but I ain’t got a damn thing figured out”), but cannot understand her sense of urgency with her self-imposed time line: “Why did I romanticize where I’d be at 25… and I know that I know that I’ve still young but how come I’ve run out of time.” She is still SO YOUNG and is FAR FROM “running out of time.” She has already surpassed many her age, having written incredibly brilliant songs that raise ever hair on my body when I hear them sung out loud. Considering it was INTERNATIONAL WOMEN’S DAY, it was also PERFECTLY FITTING for Rett to play ‘God Is a Woman’ (“I wish I had known back then that no love is a sin… cause GOD’S A WOMAN, She F*CKS A WOMAN, just as divine… that GOD’S A DIKE, and she made rainbows to give us a sign”) for her encore. I will forever put Rett up on a pedestal & broadcast her gift to the world until her fans are “drawing rainbows 🌈 in the sky to give her a sign.” ❤

Videos:

“If I was given one month to live, I’d carry our dreams in a bucket till we crossed our last wish off our list. If I was given one day, if I was given one day to live, I’d memorize your kiss with my clumsy mouth while you hold my shaky legs still. If I was given one hour, If I was given one hour to live, I would praise your body with every own god sin there is. If I was given one breath, if I was given one hour, if I was given one day, if I was given one month. If I was given one year, if I was given one year to year. I would plant that tree in the garden to keep track of our last seasons. If I was give one year.”

“Let me tell ya it takes more than a stitch to make me obedient… I never learned how to stay cause I was born a stray, yes I was born a stray”

“Shame is a river, and I’ve crossed its waters, always sink… Hope’s on the other side, and I’ve got guilt I’ve got bricks to my feet… I was 15 when I had my first drink, I’m on the sofa across from a shrink, keeping my mouth shut and grinding my teeth.. Got away as far as I could but that didn’t do me any good… love is a sunrise, where’s the light to eclipse my grief… Grace speaks of silence, I’ve been quiet but I only hear my own scream.”

“I’m so pathetic, I begged God to trade my life, with my mom’s, but you didn’t have that, you never asked me, you only wanted me to be happy… So I’m trying my best to be happy”

“Sometimes I think you live you through me, and you’re pissed you’re not directing the movie… If I die would you find a way to make my pain about you… When I go I already know that death don’t make a bitch an angel”

“Mamma never said I was second best, she loved a TomBoy in a Sequin dress…”

“I wish I had known back then that no love is a sin.. cause GOD’S A WOMAN, She FUCKS A WOMAN, just as divine… that GOD’S A DIKE, and she made rainbows to give us a sign”

 

 

Previous reviews (The Bootleg, The Love Song Bar, The El Rey, Madam Siam):

 

Social Media pages:

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Iceland Airwaves (Nov 3-5, 2017) – Review

Written by Erica Andreozzi

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I’ve worn plenty of wristbands in my day, but this one I wear with MOST PRIDE. Having been accepted to my second Iceland Airwaves Music Festival as a media pass holder is an opportunity that I do NOT take lightly, and I tried my best to capture the highlights of this magical, musical mystery tour.  Not only does this “land of Ice” know know to shatter glass ceilings and defy the odds of artistic potential and possibility, but it does so in a way that is warm (“land of fire”) and welcoming, and so in the least bit pretentious. The sky is definitely the limit for this innovative, ingenious, impressive Island. The music, people, and scenery is uncharacteristic of anywhere else.  ❤ 

Here are some of the bands that left a lasting impression in my mind and made me question the boundaries of human creativity (click on names or links below to see the full reviews): Hatari, Hogni, Hormonar, Kiriyama Family, We Made God, Omotrack, Rythmatik, Captain Syrup, Arstidir, Between Mountains, Axel Flovent, Mani Orrason, One Week Wonder, GDJYB (non-Icelandic), and Mammut (a personal favorite).  Since my review for Mammut was taking a very long to write (I often find it most difficult to write about bands that move me the most), I decided to write a combined review on their 2017 & 2018 Airwaves shows. Other Icelandic bands I have written about in the past are Asgeir, VAR, Vok, Kaleo, For a Minor Reflection, Sin Fang, Agent Fresco, Lay Low, Rokvva, Samaris, etc. See my reviews on Asgeir and Low Roar. See videos below from Airwaves 2017 when Mammut performed ‘Kinder Versions,’ ‘Pray for Air in the Water,’ ‘The Moon Will Never Turn on Me,’ ‘Walls,’ and ‘What’s Your Secret(these absolutely SLAY):

 

Mani Orrason: “But freedom haunts me like it should haunt no one… And when I run through the trees I will run for everyone” – Iceland Airwaves (Nov 3, 2017)

Written by Erica Andreozzi

Meet Mani Orrason, a young Icelandic multi-instrumentalist whose first ever single, ‘Fed My Days‘ (see video below) made it to #1 on the Icelandic charts when he was only 16 years old. Following up on that success, Mani soon released a debut EP, Wake Me Up, whose title track is super catchy and will certainly wake you/me up.  Since then, Mani has released a full album (Repeating Patterns, 2015) of folk/pop songs and plans to release another in 2017.  He must of fallen in love with his Spain (or someone from there, haha) during his all years of touring Europe, because now this Icelandic expat lives in Alicante.  Maybe this second album will have even more spice. Maybe it will feed all of our days, AND all of our nights… 😉