Lone Wolf

Lone Wolf 

Compiled by Erica Andreozzi

LONG OVERDUE PLAYLIST (‘Lone Wolf’) featuring recent tracks from artists I either saw within the last year or ones that have released new music:

1) Lone Wolf – Georgi Kay
2) Caves – Gregory Alan Isakov
3) Bad Side – Kat Meoz
4) One More Thrill – Kolars
5) Hold on To – Liv Slingerland
6) Night Owl – Magic Bronson
7) Alone in Here – Easyfriend
8) Why So Serious – Alice Merton
9) Thingamajig – Miya Folick
10) Give Yourself a Try – The 1975
11) Fall Apart – Maps & Atlases
12) I Don’t Believe in the Sun – Grey Goon, Lauren Ruth Ward
13) Maggot – Lintronix
14) Little Black Death – Meg Meyers
15) Ventura – City of the Sun
16) Something’s Missing – Geographer
17) Heavy – VAVA
18) Atlas Please – Gengahr
19) Move – Milo Green
20) wow – Travis is a Tourist
21) Autopilot – Vok
22) Younger Still – Sean Fleming
23) God Complex – Georgi Kay
24) Hard of Hearing – Radical Face
25) I Call Bullshit – Highasakite
26) Keeper – Reignwolf
27) Shot Down – Emma Cole
28) Morning Light – Wilderado
29) Straight – Annabelle Lee
30) I’m Dangerous – Zachary Kibbee
31) Over – Doe Paoro
32) City Looks Pretty – Courtney Barnett
33) Soft Spoken – Naia Izumi
34) Bad Twin – SLUGS
35) Give a Little – Maggie Rogers
36) Hiding Bottles – Bear’s Den
37) Keep Lying – Donna Missel
38) The Jacket – Henry Jamison
39) Meet Me in the Morning – The Colour Coast
40) State Lines – Novo Amor
41) Seventeen – Sharon Van Etten
42) Dancing at the Blue Lagoon – Cayucas
43) Girls On T.V. – Tashaki Miyaki
44) Holding On – Jenn Champion
45) Ain’t No Grave – Zach Winters
46) Emeralds – Kingsburg
47) When Am I Gonna Lose You – Local Natives
48) Stop Talking – Miya Folick
49) Forest – Giungla
50) Black Halo – Black Pistol Fire

Queen of Failureland

Queen of Failureland

Compiled by Erica Andreozzi

LONG OVERDUE PLAYLIST (‘Queen of Failureland’) featuring recent tracks from artists I either saw within the last year or ones that have released new music:

  • Queen of Failureland – Birthh
  • Ringing Bell – Maps & Atlases
  • Sunlit Juice – Henry Jamison
  • Movin On – GIVERS
  • Desire – Meg Meyers
  • VAVA – The Other Side
  • Loading Zone – Kurt Vile
  • Girls Go Wild – LP
  • Keep Up – Future Feats
  • Hell No – SLUGS
  • Gems – The Lagoons
  • If Love’s a Gun, I’m Better Off Dead – Veronica Bianqui
  • Still Let You Down – Day Wave
  • Rebel Babe – Lucy & La Mer
  • The Taste – Easyfriend
  • The Spot – Your Smith
  • Casanova – Rayland Baxter
  • Night & Day – Vok
  • Brothers – City of the Sun
  • The Tide – La Force
  • The Fear – Maps & Atlases
  • Guilty Pleasures – Georgi Kay
  • The Way that it Hurts – Dan Sadin
  • No Roots – Alice Merton
  • Electrify – Magic Bronson
  • Summer – WILD
  • Glow Worms – Sean Fleming
  • This Body – Baum
  • Learn – Jack Cullen
  • Rise Up Wise Up Eyes – IBEYI
  • Mexico – Highasakite
  • New Day Coming – Matt Corby
  • Treading Water – Little Monarch
  • The New Great Depression – The Moth & The Flame
  • Leave the Party – Miya Folick
  • Love is Wasted in the Dark – Geographer
  • Twenty-Five – Rett Madison
  • Missed Connection – The Head and the Heart
  • Erase You – Vok
  • Wake Up – Run River North
  • It Feels Electric – Zachary Kibbee
  • The Louder I Call, The Faster it Runs – Wye Oak
  • In the Morning.! – Andrew St James
  • Did I Offend You? – Lauren Ruth Ward
  • Chlorine – Birthh
  • Margarita – The Modern Strangers
  • I Dreamt We Spoke Again – Death Cab for Cutie
  • Heart Home – The Colour Coast
  • The Overpass – The Soft White Sixties
  • Young at Heart – Milo Green

Eric Long: “So hold onto the best, and let go of the rest, cause in the morning, them sweet things might be gone” – Live at Sofar Sounds in SF (Aug 12, 2019)

Written by Erica Andreozzi

Grateful to have discovered the massively talented singer/songwriter Eric Long at High Sierra music fest this year, and even more grateful to have caught him at an intimate Sofar Sounds show in SF earlier this month. I found myself instantly memorized by his rich, raspy vocals and his blending of folk, Americana, and blues. He stands out as one of the few SF Bay area musicians playing a finger-style bottleneck slide guitar that draws strong similarities to Keb Mo, Taj Mahal, and Charlie Parr. SUCH A TREAT. Songs like ‘Dance with Me,’ ‘Hey Now Baby,’ ‘Leaving,’ ‘Maraschino Cherries,’ and ‘Pennsylvania on My Mind’ had me hooked hard, and I found myself playing his 2018 album, ‘A Long Way From Home,’ during my entire 10 hr drive back to LA the next day. ‘Pennsylvania on My Mind’ especially hit home, considering that I too moved from Pennsylvania to California over a decade ago and had to endure the mixed emotions of uprooting to a new coast in search of new adventure and new possibilities. ‘Hey Now Baby’ is also a beautiful track for the lovers, with lyrics that certainly melt the heart: “Hey now baby.. while your dreaming gets my heartbeat, you are stealing my breath away.” If I had to choose a favorite, it would probably be ‘Maraschino Cherries,’ for the melody and beautiful violin, as well as the pensive lyrics that I think we can all relate too: “Still don’t know where I’m going, guess it’s time to move along, don’t know where I’m headed there’s just no where to know. It’s so easy to say, little harder to do, sometimes it’s the sweetest things that you can’t hold on to …Take alot of man to know what he’s after, a better man let it walk away.. What’s a good man to do without a women by his side… Sometimes it’s the sweetest things that fade away before too long. So hold onto the best, and let go of the rest, cause in the morning, them sweet things might be gone.” Eric Long’s music a sweet thing that I certainly want to hold on to, and I hope he will be playing for a long, long time. ❤


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Trousdale: “Just when you think you know someone, Lord knows you ain’t got a clue” – Live at Club Tee Gee (June 16, 2019)

Written by Erica Andreozzi

“Trous be told,” Trousdale will take your breath away with their heartfelt folk and striking harmonies. Reminiscent of powerhouse sister trios like The Staves, Joseph, and Baskery, the flawless execution of Trousdale’s harmonies will make you think that this talented trio of Georgia Greene, Loren Cole, and Quinn D’Andrea are related in some way. Perhaps it was their 4 year stent together at USC that built this strong sisterhood. Although I only made it to see the last few songs in their set (Ain’t Got a Clue, Wanna Love, and Love), it was enough to hook me in. I am very excited to see them again on Aug 16 at Echo Park Rising and Aug 22 at The Hotel Cafe. Get these dates marked on your calendars, cause they will definitely leave your feeling happy-hearted. Ain’t that the trouse! ☺️

”Ain’t Got a Clue’

‘Wanna Love’


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Aging Actress: “Sometimes pulling you down to me, Feels like lassoing the moon” -Live at Club Tee Gee in LA (June 15, 2019)

Written by Erica Andreozzi

I am STILL IN AWE of the ABSOLUTE MAGIC that I witnessed last Sunday night at the debut performance of Aging Actress, a new project curated by the phenomenal Lauren Ruth Ward and Chris Hess (of SWIMM). Both Lauren and Chris are incredibly impressive musicians on their own, but when paired up there is a chemistry that is undeniably explosive. Their vocal harmonies will slay you silly and leave you dumbfounded like “a deer in headlights.” THIS is what I believe is going to fill stadiums with a sea of devoted fans. I feel so damn lucky to have been one of the first with stars in my eyes from this divine duo. My favorite tracks were ‘Sing Pretty‘ (“In LA, I don’t believe a word that they say, I trust they’ll give me fun until the break of day”) and ‘Lassoing the Moon’ (“Sometimes pulling you down to me, Feels like lassoing the moon”, #1 and #3 (below). Chris and Lauren also sang stunning versions of Lauren’s ‘Did I Offend You’ and Chris’ ‘Speak Politely,’ #5 and #4. These beautiful vocals were beautifully backers by Hany’s keys and John’s Sax. Do yourself and favor and head to Tee Gee’s this Sunday, 6/23 if you’d like stars in your eyes too. Be sure to grab a coat, cause you’re bound to be lathered in chills. 🤩

As an added bonus, you’ll receive a handcrafted, limited edition “zine,” handcrafted by the one and only Lauren Ruth Ward, containing original handwritten lyrics by Lauren and Chris. I luckily scooped up #4 of the limited supply!


‘Sing Pretty’

Living in LA makes writing about your feelings feel cliché,

I know I won’t stop trying to relate,

All the things we can’t escape, With words,

Try to sing pretty, try to say something you haven’t heard”

In LA, I don’t believe a word that they say,

I trust they’ll give me fun until the break of day.”

‘The Darkest Jingle’

‘Lassoing the Moon Again’

Our love is a like a window with a view,

That’s never opened for the weather make it real for you


I’m so proud of us, always rolling your eyes at me,

For having stars in mine at you,

Sometimes pulling you down to me, Feels like lassoing the moon.”

‘Speak Politely’ (SWIMM song)

‘Did I Offend You’ (LRW song)


‘Aging Actress’

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Rett Madison: “Shame is a river, and I’ve crossed its waters, always sink… Hope’s on the other side, and I’ve got guilt I’ve got bricks to my feet… Love is a sunrise, where’s the light to eclipse my grief?” – Live at The HiHat in LA (March 8, 2019)

Written by Erica Andreozzi

Photo credit: Nikki Neumann (website: Neumann.com  /  Instagram: @nkknmmn)

“Everybody says I’m just like you, is that one of the many things you suffered through… both know sadness too well I lost you too, waking up without you is waking up in hell, I never meet you 48, you won’t cry on my wedding day, you’ll never hear my children say your name, Jaqueline… I’m just pissed off and bitter, I couldn’t save my mother, I’m grappling with what I got left” 

FUCK. Tears just won’t stop flowing. Such a heavy heart listening to Rett Madison sing about the recent loss of her mother Jaqueline at The Hihat last night. It was very hard to hold back the tears, and it breaks me to think about the pain that this incredibly talented, hilarious, down-to-earth, and downright adorable person must be going through. Just last month at The Bootleg, Rett mentioned that her stage banter was a bit off because she “has just lost her mom” and “feels a bit weird.” ‘Jaqueline,’ ‘Death Don’t Make a Bitch An Angel’, ‘Flea Market,’ (see videos below) and ‘Don’t Know Better Till You Do’ (“I admit that pride gets my tongue, but you and I are of the same blood and you played the game better than I could.. when I should have done better by you”), were all songs that hit us a like a brick wall and triggered instant tearshed. Heavy and intense, you could feel the cathartic relief accompanying each lyric as Rett belted them vehemently from her chest. Rett also played ‘Shame is a River,’ (LOVE) ‘Pin Up Daddy,’ ‘Fleas,’ and ‘God is a Woman,’ all tracks (videos below) I had heard before and instantly connected with, wishing they were already available on Spotify. Her album is going to be an absolute masterpiece.

Rest Madison certainly stands out as my top 3 discoveries in 2019, and I will see her every chance I can get. To stay that I was stunned the first time I saw Rett play (which happened to be alongside Emma Cole and Wolf Bay at Madam Siam back in Oct and then later opening for Lauren Ruth Ward at The El Rey) would be an understatement. The minute Rett opened her mouth was the minute MY mouth would remain open, jaw dropped on the floor. Her West Virginia roots have fertilized a southern-raspy vibe that stands out in the LA music scene, carving a niche that not many can touch. She almost always starts her show with a gospel-like vocal intro called ‘One Year‘ (video below) that hooks you hard, stopping you in your tracks like a dear in headlights. Every song in her set is a masterpiece, and it blows me away that she is only in her early 20s. Since the Madame Siam show, I have been obsessively listening to her EP (God Is a Women, Mother’s Girl, Twinty-Five) over and over. I can understand some of the frustrations she mentions in ‘Twenty-Five’ (“My pals are all making plans and playing house… but I ain’t got a damn thing figured out”), but cannot understand her sense of urgency with her self-imposed time line: “Why did I romanticize where I’d be at 25… and I know that I know that I’ve still young but how come I’ve run out of time.” She is still SO YOUNG and is FAR FROM “running out of time.” She has already surpassed many her age, having written incredibly brilliant songs that raise ever hair on my body when I hear them sung out loud. Considering it was INTERNATIONAL WOMEN’S DAY, it was also PERFECTLY FITTING for Rett to play ‘God Is a Woman’ (“I wish I had known back then that no love is a sin… cause GOD’S A WOMAN, She F*CKS A WOMAN, just as divine… that GOD’S A DIKE, and she made rainbows to give us a sign”) for her encore. I will forever put Rett up on a pedestal & broadcast her gift to the world until her fans are “drawing rainbows 🌈 in the sky to give her a sign.” ❤


“If I was given one month to live, I’d carry our dreams in a bucket till we crossed our last wish off our list. If I was given one day, if I was given one day to live, I’d memorize your kiss with my clumsy mouth while you hold my shaky legs still. If I was given one hour, If I was given one hour to live, I would praise your body with every own god sin there is. If I was given one breath, if I was given one hour, if I was given one day, if I was given one month. If I was given one year, if I was given one year to year. I would plant that tree in the garden to keep track of our last seasons. If I was give one year.”

“Let me tell ya it takes more than a stitch to make me obedient… I never learned how to stay cause I was born a stray, yes I was born a stray”

“Shame is a river, and I’ve crossed its waters, always sink… Hope’s on the other side, and I’ve got guilt I’ve got bricks to my feet… I was 15 when I had my first drink, I’m on the sofa across from a shrink, keeping my mouth shut and grinding my teeth.. Got away as far as I could but that didn’t do me any good… love is a sunrise, where’s the light to eclipse my grief… Grace speaks of silence, I’ve been quiet but I only hear my own scream.”

“I’m so pathetic, I begged God to trade my life, with my mom’s, but you didn’t have that, you never asked me, you only wanted me to be happy… So I’m trying my best to be happy”

“Sometimes I think you live you through me, and you’re pissed you’re not directing the movie… If I die would you find a way to make my pain about you… When I go I already know that death don’t make a bitch an angel”

“Mamma never said I was second best, she loved a TomBoy in a Sequin dress…”

“I wish I had known back then that no love is a sin.. cause GOD’S A WOMAN, She FUCKS A WOMAN, just as divine… that GOD’S A DIKE, and she made rainbows to give us a sign”



Previous reviews (The Bootleg, The Love Song Bar, The El Rey, Madam Siam):


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Sharon Van Etten: “Halfway through this life, I used to feel free, Or was it just a dream? Now you’re hotshot, Think you’re so carefree, But you’re just seventeen, So much like me” – Live at The Fillmore in SF (Feb 26, 2019)

Written by Erica Andreozzi

Lucky enough to finish my meeting in LA just in enough time to drive up to SF and catch the one and only Sharon Van Etten to a SOLD OUT crowd at The Fillmore ON HER BIRTHDAY (one of the greatest gifts she said she could ask for). It had been ~8 mon since I moved from SF, and there was great sentiment in getting back to the city where I first saw Sharon play (Aug 2012 at The Rickshaw Stop). Happy one year wiser to the female phenom who continues to advocate to “love more” (what a beautiful encore), and for that we love HER more. Besides dedicating ‘One Day’ to her mom who would have requested it, she dedicated ‘I Told You Everything’ (“a song about being brave enough to tell someone your deepest truths”) to a couple (“The Ruckers”) who gave her a card thanking Sharon for helping them to “let go.” She also dedicated a song to “all the mothers other there,” conveying her urge to protect her son (now 3 years old!) “from all the evil in the world.” A major highlight for me was when Sharon’s performance of ‘Seventeen,’ a song that I literally listened to SEVENTEEN TIMES IN A ROW and is my favorite track on the new album, Remind Me Tomorrow. I nearly DIED when she came over to my side of the stage and looked directly into my eyes as she shouted vehemently, “Downtown hotspot,  ” She describes ‘Seventeen’ as a “love letter to NYC,” to the “places I have lives, lost and found myself, let go of, and embraced,” and you can feel every hair on your body raise as you watch her reflect on the love/hate relationship and realize the “hotshot” that she wished she could have advised looking back: “I see you so uncomfortably alone.. I wish I could show you how much you’ve grown.” What a freaking masterpiece. “It feels odd singing about being 17 on your 38th birthday,” she said, “but I find comfort in the phrase ‘It is what it is’ that I saw recently on a pillowcase.” What an extra special night honoring an extra special lady. ‘Come back, Kid.’ We love you. ☺️❤️

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