Love Somebody (Playlist: March 13, 2018)

Compiled by Erica Andreozzi

FRESH NEW PLAYLIST (Spotify link and track listing below) inspired by recent shows in January and February (many of of which were part of SF’s NoisePop Festival) –  Josh Jacobson, Typhoon, Mimicking Birds, Emily Afton, Andrew St. James, Wildling, Crooked Colours, Dagmar, Ha Ha Tonka, The Belle Game, Geographer, DonCat, Longhorne Slim, The Album Leaf, Vakoum, Field Medic, Waxahatchee, White Knuckles, Banzai Cliff, Derek Ted (of Owl Paws), Lucy Rose, Charlie Cunningham, tUnE-yArDs, X-Ambassadors, Tall Heights, tUnE-yARDs, Black Pistol Fire, Billy Rafoul, The Wedding Present – and new releases from Frenship, Chvrches (including a track featuring Matt Berninger of The National), Jose Gonzalez, and Tallest Man in Earth (along with new tour dates!)

I chose Frenship’s Love Somebody’ as the title track because, despite the song being so damn catchy (it really is I dare you to listen just once), I really liked the overarching message: “Get out and LOVE SOMEBODY.” You never know what hard times someone may be going through or how much they could use a simple smile or “Hello” from a stranger. Get out of your own head and look up at the beauty in your surroundings, savor all the amazing people around you and the lil’ miracles that might sweep you off your feet. I’ve recently learned of way too many young lives snatched up by the dark, nasty gremlin known as depression, and it absolutely crushes me put. No matter what your circumstances and what miserable mood you may be in (we all have them), strive to be kind. Remember that everyone’s days are numbered and that only WE have the power to make sure those numbers count – every hour, every min, ever second. The fleetingness of life will always remain one of our greatest mysteries, and we should never take anything for granted. If anything, I hope this playlist will encourage you to open your heart to “love somebody” and “make tiny changes to earth” (now quoting Frightened Rabbit) with these tiny (but impactful) “acts of man” (quoted them again, haha).

(In order to access the playlist, you have to press the 3 vertical dots in the upper right hand corner and select download. You can then cancel the download immediately and still have access to the playlist. If you are still having uses, let me know and I can send you a link to download the tracks!

  1. Wake-  Typhoon
  2. Same Mistakes- FUTURE FEATS
  3. LOVE Somebody-  Frenship
  4. Get Out-  CHVRCHES
  5. Bad Girl- Mystery Artist! (Help me figure this out!)
  6. Hummingbird- Wildling
  7. Rorschach- Typhoon
  8. Plymouth- Crooked Colours
  9. In the Morning!- Andrew St James
  10. I Want Nothing- The Belle Game
  11. Everybody Wants to Shake Your Hand-  DonCat
  12. Conversation- Owl Paws
  13. Lost- Emily Afton
  14. Suck-  The Wedding Present
  15. Gorgeous- X Ambassadors
  16. Home- White Knuckles
  17. Sparks Fly- Waxahatchee
  18. Don’t Ask Why- Black Pistol Fire
  19. Minimum- Charlie Cunningham
  20. Laura- Andrew St James
  21. Flow-  Crooked Colours
  22. backyard sorrow- derek ted
  23. Biscuit Town- King Krule
  24. Remember- Typhoon
  25. Little Lies-  Wildling
  26. Tumbleweed- Dagmar
  27. Expectations- Wild Child
  28. What Do You Want-  Dagmar
  29. Sorry Bout Tomorrow!- Andrew St James
  30. Millennial Malaise-  Andrew St James
  31. Severing the Knot- Emily Afton
  32. Movie Screen- Dagmar
  33. Come Back To You- Crooked Colours
  34. Think It Over- Wild Child
  35. backyard sorrow- derek ted
  36. The Way We Move-  Langhorne Slim
  37. Bloodlines-  Mimicking Birds
  38. Anyone Can Make A Mistake-  The Wedding Present
  39. Too Young To Die- Banzai Cliff
  40. Silver- Waxahatchee
  41. poison poetry- derek ted
  42. Silver Screen- DonCat
  43. Foolish- Geographer
  44. Bully- Black Pistol Fire
  45. My Enemy (feat. Matt Berninger)-  CHVRCHES
  46. Restless-  Langhorne Slim
  47. Better Off- White Knuckles
  48. Empiricist-  Typhoon
  49. Race To The Bottom- Ha Ha Tonka
  50. all i have- derek ted
  51. Back- Wild Child
  52. Danielle-  Banzai Cliff
  53. An Opening- Charlie Cunningham
  54. Hipster Shakes- Black Pistol Fire
  55. Let Me Go Alone- White Knuckles
  56. I Love To Dance- Langhorne Slim
  57. Second Chance-  Lucy Rose
  58. What Did Your Last Servant Die Of-  The Wedding Present
  59. POWERFUL LOVE- Field Medic
  60. Never Been Wrong-  Waxahatchee
  61. Sunlight Daze- Mimicking Birds
  62. Ahead Of Myself-  X Ambassadors
  63. Driver- Billy Raffoul
  64. All With You- Ha Ha Tonka
  65. Twenty Two Fourteen- The Album Leaf
  66. uuu-  Field Medic
  67. Breathing Through A Straw-  Vákoum
  68. With the Ink of a Ghost-  José González
  69. Still In Love- Thirdstory
  70. Spirit Cold- Tall Heights
  71. Be Set Free-  Langhorne Slim
  72. Owl Hoots- Mimicking Birds
  73. ICE- Vákoum
  74. Blank Pages- The Album Leaf
  75. An Ocean- The Tallest Man on Earth
  76. Coast to Coast- tUnE-yArDs
  77. Polaroids- Josh Jacobson
  78. Tethered- Josh Jacobson



Instagram: beatsthatsetmypulse

Twitter: @eandreoz


Charlie Cunningham: “What you got to live for, Now you got the whole of the world at your feet, And how much more can you pass yourself round?… Go, take a load off, Letting your wings unfold, And keeping everything down to a minimum” – The Swedish American Hall (March 7, 2018)

Written by Erica Andreozzi

Lucy Rose jokingly said, “never bring an opener on tour who is better than you.” She was of course referring to Charlie Cunningham, the super-talented British singer/songwriter who was definitely more of a “show stopper” than “show starter” and who had you stopped in your tracks with HIS stunning tracks. Apart from his exquisite guitar work and super-soothing vocals, his incredibly pensive, poetic, introspective lyrics will seep into your soul and etch some long-lasting “Lines” (coincidentally the title of his debut album). His music reminds me a bit of Nick Mulvey and Jose Gonzalez, which is funny cause apparently Jose Gonzalez is one of the main musicians that Charlie’s record label curator (Magus) works with. Keen hunch! I l also hear a bit of Spanish guitar influence, which makes sense considering that Charlie traveled to Spain to create the music he wanted to play, free from the prerequisite of “having to read music” first. Charlie also learned to play piano before he learned guitar (at age 14), and I hope he brings both with him on his next US tour… which BETTER BE a HEADLINE one. His 45 min opening set at Swedish American Hall was way too short for satiation, and there was a unanimous request from the entire audience for him to keep playing after his last song, ‘Minimum‘ (video below), my FAVORITE (aside from ‘An Opening‘) and one that really hits home:

“How do I walk this earth?
So much work at first, it goes
How should I walk this earth?
So much worse the further, the further you go
Go, take off a load
Letting your wings unfold
And keeping everything down to a minimum
Everything a bit though
Tell’em what you know but all that you know, though
The truth be told you need it more than you thought
But you’re managing, that’s how you evened out, out
Keep on walking that line, the fine line
Between a wrong and a right
You get yours, I’m gonna get mine
Is that what you signed for?
They’re feeding you lines
To keep you on their side
It works every time
What you got to live for
Now you got the whole of the world at your feet
And how much more can you pass yourself round?
What you got to live for now
You got the whole of the world at your feet
But you’re still shaking?
You need to make up some ground
Go, take off a load
Letting your wings unfold
And keeping everything down to a minimum
Everything a bit though
Tell’em what you know but all that you know, though
The truth be told you need it more than you thought
But you’re managing, that’s how you evened out, out”  ❤


Mad props to Lucy for bringing him on tour with her! It was also nice that she invited him up on stage to help sing a few of her songs. I was so bummed when I missed seeing him open for Low Roar at The Chapel last year cause of being away for a work trip. This was certainly a super sweet an unexpected treat!<3 🙂




Black Pistol Fire: “Now you pick apart my love, When a push comes to shove, Say you had about enough, But you still call my bluff” – Ace of Spades in Sacramento (March 6, 2017)

Written by Erica Andreozzi



Meeting Kevin McKeown, the WILD FRONTMAN of Black Pistol Fire!


“Why settle for a spark when you can have the whole damn fire”… BLACK PISTOL FIRE. Ain’t that the truth! There is no reason set settle for a mediocre “rock band” band you can have the HIGH-OCTANE rock duo that I like to call a “younger version of The Black Keys but with more energy, power, and FIRE.” Both Kevin McKeown (Guitar, vocals) and Eric Owen (Drums) are SERIOUS SPITFIRES that will have your ENTIRE BODY AFLAME within seconds of them hitting the stage. I nearly spontaneously combusted when getting to see him perform ‘Speak of the Devil‘ (my favorite track which I got a full video of) from the photo pit and watching him SHRED GUITAR so hard you thought he might puncture skin. Eric (shirtless, hands wrapped), was equally as intense, pounding on his drums as if he is beating away demons. My heart was racing the entire set, especially when Kevin started karate-kicking his legs up in the air and jumping off anything that didn’t move (although I’m sure that is subject to change). He would also stomp in place mid-shred as if marking his territory like in flamenco, with his feet moving so fast you can hardly catch them!. Kevin also blazed a trail through the crowd as he dove face first to crowd surf while STILL SHREDDING guitar. I’m not sure why the name of their album (released May 2016) is ‘Don’t Wake The Riot,’ cause they certainly wake every riot that I have in me. I cannot WAIT to see FEEL THIS FIRE again, hopefully next week at SXSW while sporting my badass Black Pistol Fire t-shirt (pic above). 🙂 WARING: You better see them before they blow up and only play huge venues. They have already been clocking it at #1 on the Canada Rock Billboard Chart for the past week!

Typhoon: “But if there’s nothing, then what’s that song that keeps hounding me? .. this is not your loss, this is your offering” – The Independent (Feb 13, 2018)

Written by Erica Andreozzi

Having waited over SEVEN YEARS to see Typhoon live, this night at The Independent seemed all a bit surreal. What pacified me in the interim was catching the mindblowingly-talented mult-instrumentalist and visionary behind this 9-person indie/folk rock, Kyle Morton, live in concert at The Swedish American Hall back in Jan 2016. Although this was only second night on tour in support of first solo album, ‘What Will Destroy You,’ Kyle received a standing ovation from his SF crowd. New tracks like ‘Sickness Until Death,’ ‘Water Torture,’ and ‘Survivalist Fantasy,’ found new homes in our hearts, despite old gems like ‘Claws, Part II,’ ‘Common Sentiments,’ ‘Honest Truth,’ and ‘Morton’s Folk,’ having been rooted there for years. (see below for videos) It was Kyle’s emotional rendition of ‘My Little Darling Knows My Nature‘ that hammered on my heart-strings the most, especially after raising his hand to show his wedding ring, saying he “did all right” (for his little darling is now his wife): 

“Now my little darlin I’ll sing you a love song
One you can hang your hat on every night
I will be your witness if you be mine
I will be your witness if you be mine
I will be your witness if you be my wife.”

The allure of Typhoon lies in their pensive, visual narratives and its capricious, temperamental nature (just as the tropical storm would suggest). The songs that truly TAKE US BY STORM (Artificial Light, Young Fathers, CRP/ Claws Part 2, The Lake, Summer House, Hunger and Thirst, Common Sentiments) are those that sweep us off our feet with ease and move us on a suspense-ridden journey laced with sharp twists and turns. In fact, I thought ‘CRP/ Claws Part 2‘ was 2 songs when I first heard it, for there was a distinct, abrupt change in the rhythm and instrumental arrangement halfway through. The same goes for ‘Common sentiments.’ I adore the juxtaposition of Kyle’s harder guitar and deeper voice with Shannon’s softer strings (violin) and higher-pitched vocals.

We all had been waiting nearly 5 years for Typhoon to return with a new album, for their last one (‘White Lighter‘) was released back in 2013. This newest album, ‘Offerings‘ (the fourth in their collection) stood out to me as the most ominous and most mysterious, for many of the lyrics (and associated voice recordings) have you furrowing your eyebrow (especially mine!) and questioning the intent. ‘Offerings‘ opens with a thought-provoking prologue (“Listen — of all the things that you are about to lose, this will be the most painful“) before launching into a song (‘Wake‘) about about a man “preoccupied with memory, losing memory, and trying to recapture memory.” Kyle mentioned wanting to explore “the dual theme of (1) what it means to be a person stripped of all memory and (2) what happens to a world that loses all sense of history (read: modern America).” YAAAAS. ‘Wake‘ was certainly the perfect wake-up call for the album, and the startling, unexpected uproar of violins and guitar shredding together (2:30 min) immediately following this plea was absolutely PERFECT: “But if there’s nothing, if there’s nothing Then what’s that song that keeps hounding me? …. this is not your loss, this is your offering”. I love how it’s then followed by Kyle shouting “Asa nisi masa” as if an SOS cry for help.

Wake‘, ‘Rorchscah‘ and ‘Empiracist,’ are my three favorite songs on the album, and just happen to be back-to-back. Other favorites include ‘Remembering‘ and ‘Unusual‘.

Rorchscah‘ highlights Kyle’s concern of people losing all sense of history, describing the navigation of our world solely via tv, computers, and Iphones (“Eyes on the screen, We have all the information now, but what does it mean?”), which, despite “all our (technological) progress,” leaves us wondering “what happened to the life we lost, that got lost in the living?” (I love the call-and-response between Kyle and Shannon’s vocals). “All this fiction make me nervous,” Kyle mutters, as if to call out those who have so easily forgotten our history, the “sacrificial violence” (bloodshed, bombs), and who “edit” the “film in their brain.” TRUTH BE TOLD.

Empiricist‘ also has some intriguing lyrics, my favorite being “But you can’t help wonder, who is this person you celebrate?… It’s still your birthday, so blow out your past lives like they’re candles on the cake.” Wow. That certainly stings. Kyle dishes out even more cynicism in ‘Unusual:’  “This brave new world— It’s gonna take some getting used to… Yeah, it’s cruel and unusual, Can’t tell the punishment apart from the crime.” Nevertheless, my favorite lyrics from this album are in the song, ‘Remember,’ for it emphasizes urgency (“Just make your move before you have no move to make”) and constant curiosity (“How long can it take?”)  HECK YES.

I think it’s safe to say that these TyphoonOfferings‘ (in the form of their fourth album), offered more reflection, self introspection, and confusion than any before, all in all reminding me of a quote from Salvador Dali (who I thank my fellow music buddy Alex for mentioning): “What is important is to spread confusion, not to eliminate it.” AMEN. Can’t WAIT to see Typhoon again at Sasquatch Music festival at the end of May. 🙂


Kyle Morton (solo tour) at Swedish American Hall


Instagram: beatsthatsetmypulse
Twitter: @eandreoz


Josh Jacobson: “My heart is still on the fence I’m sorry, I have no defense I’m drowning in your confidence” – Cafe Du Nord (Feb 9, 2018)

Written by Erica Andreozzi



















So glad to have discovered the soulful sounds of music producer and multi-instrumentalist, Josh Jacobson, =at Cafe du Nord last month as part of a free show won  via Do The Bay. Having been raised in upstate New York (Ithaca) on a sturdy foundation of musical roots (his parents were musicians), Josh found a strong foothold in various genres ranging from classical and jazz to soul, R&B, and electronic. I was incredibly impressed by Josh’s ability to cultivate complex cinematic soundscapes just via his raw musical talent and loop pedal mastery (seriously – I told him to check out Tash Sultana who I figured he might also really respect). Within one song you could watch him jump from keys, to percussion, to guitar, to synthesizer, to vocals, and still wonder how he is able to weave it altogether into one cohesive musical masterpiece. Although some of his track have hints of Sohn, Allan Rayman, Vancouver Sleep Clinic, Imogen Heap and Jack Garret (turns out he’s friends with Kevin Garrett) they all had a unique Josh Jacobson JOSHUA TREE branding unlike any others. In fact, Josh created his own record label (Joshua Tree Records) just last year to pioneer “a new platform for music and art that celebrates individuality and a mindful approach to life.”  He said it was in part inspired by Joshua Tree national park, which to him symbolized a place to wander with the eager eyes of a child and escape the captivity that sometimes accompanies adult life. That perspective reminded me of a recent quote I came across: The things that’s totally different between children and adult, is that children have the ability to spontaneously use their imagination to forget what’s bothering them and be inspired by every lil’ thing that crosses their path.”

Josh had himself tethered to the crowd from the beginning, and thus it could not be more fitting that he would play a song called ‘Tethered,’ a song that is “at its core a song about coming to terms with the fact that even the most meaningful connections can be temporary” and the we must “learn to live in a state of constant flux.” Ain’t that the truth.

Tethered,’ along with ‘Polaroids,’ ‘Fence,’ ‘I Need You,’ and ‘Return,’ (most of which he played that night) can all be found on his awesome debut EP, First Light,’ which was released in Sept 2017 and motivated his first national headline tour in early 2018. My favorite tracks of the set were ‘Koyo‘ and ‘Oceans,’ the first of which (video below) Josh introduced as a track he wrote deep in the woods under complete solitude. The layers of stunning harp that he loops throughout just simply SLAY, and I almost feel as if I’m walking through a magical forest someone in the jungle. Perfect example of a MUSICAL ESCAPE. ‘Oceans‘ also exerted a strong grip, pulling us into its sweet, sparkling undertow of swirling keys just right before crashing into us like a wave at the (the vocal part that drops in at 4:50 is such a rush!). Last but not least, Josh won over our hearts even more with two gorgeous, bone-chilling covers of Little Dragon‘s ‘Twice’ (one of my favorites) and Amy Winehouse‘s ‘Valery.’ He definitely added his own personal stamp in ‘Twice‘ with stunning harp sounds layered in between his sultry, soulful vocals. I still getting chills watching this over again! Can’t wait for him to return! SUCH A KILLER SHOW ❤ 🙂



































































The Head and the Heart: “If you think that you’re lost, you can follow the bridges you’ve crossed… You can turn it around, there’s nobody blocking your way” – The Greek Theater in Berkeley (Oct 7, 2016)

Written by Erica Andreozzi

After a 4 year hiatus of being away from this stunning Seattle-based sextex (The Head and the Heart) while I was living abroad, it was time to get my HEAD and my HEART aligned with some new SIGNS OF LIGHT. This new album (released this month) has hammered on my heartstrings with such intensity that I almost feel like they were READING MY MIND when they wrote it. Kicking it off with ‘All We Ever Knew‘ had me instantly hooked: “I’m feeling low, feeling high, feeling down, why isn’t this enough?… It’s time to wake up from this” AND “if you think that you’re lost, you can follow the bridges you’ve crossed” — you can ‘Turn it Around,” for “There’s nobody blocking your way, taking you down.” TRUTH. Frontman Jonathan Russel (whose hand I shook at the end of their set!) reinforced this mindset with his positive comments on San Francisco, a “city where you can pretty much do anything.” It’s also a place where you can quickly escape into nature (like I did the next day frolicking in the Redwoods), BE STILL, and savor Jonathan’s wise words in ‘Your Mother’s Eyes‘: “My only regret’s taking so long, Finding these simple truths, So I could sing for you.”  ❤  My heart was even fuller this evening with The Head and the Heart recruiting ONE OF MY FAVORITE ARTISTS OF ALL TIME, Tallest Man on Earth, as their opener. Review on him coming soon!

Axel Flovent: “You are the reason why I got what I really wanted…Now I can see the sun When I look at where we started” – Iceland Airwaves (Nov 3, 2017)

Written by Erica Andreozzi

Although Axel Flovent hails from a tiny North Coast Icelandic town (Húsavík) with only about 2,000 people, he was able to make quite the dent in the global music scene, gathering >20 million Spotify hits on his debut album, Forest Fires (video below).  Since then, he’s signed with Epic records, relocated to Amsterdam, and has toured around the world playing festivals like SXSW (going again this year!), Eurosonic, The Great Escape (a mini SXSW in Brighton that I went to both years I lived in London), and more. He also released a new EP (Quiet Eyes) this year and a new single called ‘City Dream‘ (my favorite, video below). It’s also cool to know that some of Axel’s Airwave’s shows showcased the super-talented drummer (Valgeir Skorri Vernharðsson) from some of my favorite Icelandic bands, Rythmatik and Sigur Ros. The Iceland music scene is known for it’s tight-knit community, and we love it for that. I hope Axel can make his way over to California so he can “see the sun,” no matter what his City Dream.  😉