GDJYB: “Tick tick tock tock the minute goes, the history flows, nothing’s gonna change the lies u told, the scam we know” – Iceland Airwaves (Nov 3, 2017)

Written by Erica Andreozzi

 

 

 

 

 

 

 

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GDJYB (Gai Dan Jane Yuk Bang) were one of the top new discoveries for me at Iceland Airwaves this year. Calling themselves a “Math-folk girl band from Hong Kong and plays song in Honglish,” this badass quintet (Soni Cheng – guitarist, Heihei Ng – Drummer, Soft Liu – Vocalist, Wing Chan – Bassist).  My eyes were bugging out the entire set and bugged out EVEN MORE when I learned that they will be playing at San Francisco’s Noise Pop festival at the end of February! Can’t wait to see them again! Be sure to check out GDJYB’s debut EP (what I bought right after the set) and their first full album (11 songs) ‘23:59 Before Tomorrow,’ released in early 2017 in both Hong Kong and Taiwan. I true treat! 🙂

“If there’s a band capable of striking a successful balance between tranquility and tumult, calm and tension, it’s GDJYB, Hong Kong’s best-kept secret. Featured on the art-pop quartet’s debut album, 23:59 Before Tomorrow, the intriguingly titled “That Day I Went to His Funeral” presents a clean, smooth, and resolutely warm façade, one capable of disarming the most hardened set of ears. Beneath its alluring surface, however, the band can be heard churning out energetically swirling tangles of guitar, bass, drums, and even multi-part harmonies that in their delicate complexity fall somewhere between the Marine Girls’ jazzy post-punk and Warpaint’s dreamy tribal pop.”KEXP

Some of my favorite tracks can be found on my recent playlist: Make It Out Alive

Asgeir: “Oh, how I long for light.. A light that won’t leave me.. Never to go away”: The Fillmore in SF (Sept 1, 2017)

Written by Erica Andreozzi

It had been 3 years since I last saw Asgeir, the incredibly talented artist who was my initial hook into the Icelandic music scene. Amped by the recent release of Asgeir’s beautiful album (‘Afterglow’) and his slay-worthy covers of Adele, Abba, Nirvana, The National, and others as part of his unique #asgeirstraigttovinyl project (taking requests from all over the world and recording them straight to vinyl for 24 hr straight), I could hardly contain myself for their show at The Fillmore last night. They delivered a flawless performance from start to finish (75 min) without any interruption, making it easier for the crowd to be whisked away to another world (including the security guard who told me his mind wandered to a far away place). I think we all sported an Asgeir “afterglow” after hearing ‘I Know You Know’ (“Oh, how I long for light.. A light that won’t leave me… Never to go away”) and ‘Torrent’ (my favorites across both albums) come alive right in front of our eyes. Torrent was the first song in Asgeir‘s collection that had me hooked, and the fact that he saved it for the encore was super special. The drums and keys in that one are so freaking awesome! I am so happy that they came to San Francisco to serenade us with their “stardust,” and I look forward to more of it at Iceland Airwaves Music festival in November! Check out my previous review of Asgeir from 2014 and my recent playlist inspired my his track ‘I Know You Know.” 😀

 

*Check out more videos on my YouTube: http://www.youtube.com/user/eandreoz

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Radical Face: “So, collect your scars and wear ’em well, Your blood’s a good an ink as any” – The Chapel (May 12, 2016)

The Chapel, San Francisco
Written by Erica Andreozzi

I first saw Radical Face back in Nov 2014 at Iceland Airwaves music festival, thanks to a girl standing next to me up front who said I MUST stay for his set (and boy was I glad I did). Not having known anything about him, I was quickly taken back by the clever tales that he strung into dark (yet witty) songs — tales backed by sweeping strings (my favorite, the cello!) and piercing percussion. I later learned that Radical Face – the moniker of multifaceted musician Ben Cooper — has “always wanted to write a book,” and so it makes sense that his songs are literally book chapters COME TO LIFE. At the early age of 19, Ben wrote two books that tragically were lost in a hard drive crash; but instead of giving up, he turned to music. “I thought: why not do them as records? There could be a set of people, and we follow their bloodlines,” he says, “and instead of passing down genetic traits, we could pass down melodic patterns that mutate with each generation.”

Taking flight with this idea, Ben began working on a series of records (recorded in the tool-shed behind my family’s house nonetheless) collectively called ‘The Family Tree.’ He explains the 8-year journey here: “It all began from a desire to write my own family saga, only in music form instead of a novel. So I started a series of albums that were all interconnected, beginning with The Roots, onto The Branches and finally The Leaves which I just released. Along the way, there were enough songs that didn’t fit within the length of each album, which I collected into a series called The Bastards. All of the songs are related to the others in some way or another, and this website was designed as a guide to help you discover all the different connections… A great place to start is ‘Family Portrait‘ which is the beginning of the Family Tree, all songs and stories stem from this one.”

This TREE-O of records (Bear Machine Records, Nettwerk Music Group) collectively garnered a strong fan base for Ben both in Europe (especially) and the States, and Ben was able to secure two nights back-to-back at the Chapel, the first of which was SOLD OUT. A down-to-earth Jacksonville native, Ben was shocked to see that all these people came to see him play some “sad bastard music” on a weeknight, and warned them of going “down the bummed rabbit hole.” Although some of his songs are indeed “dark” — ‘Ghost Town‘ (about a guy that ends up on the road cause he murders alot), ‘Black Eyes‘ (about domestic abuse), ‘The Mute‘ (about a kid who can’t hear) — he adds lots of levity in between with his dry humor and hilarious commentary. Standouts for me were Black Eyes, We’re on our way (with some intense hand-clapping that Ben joked was really a way to torture his band mates), Welcome Home (awesome “anthem-ic” sing-a-long by the crowd), and OF COURSE Always Gold (where Ben teased his drummer Nick about messing up the keyboard intro, haha). The encore of The Mute and Wrapped in Piano Strings (an oldie but goodie) were awesome as well, and we all perked up with a smile when Ben muttered “Don’t tempt me” in response to a fan requesting that he “Take his shirt off.” The only thing I left bummed about was not hearing ‘The Crooked Kind,’ as this is my absolute FAVORITE Radical Face song, and I was hoping to sing-a-long to the verse that still slays me every time: “So, collect your scars and wear ’em well, Your blood’s a good an ink as any.” For those of you on the East Coast, you can catch him next in Philly, NYC, and the Newport Folk Fest. A radical Radical Face that you definitely don’t want to miss!

(see below for videos and more detail from the show)

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