Love Somebody (Playlist: March 13, 2018)

Compiled by Erica Andreozzi

FRESH NEW PLAYLIST (Spotify link and track listing below) inspired by recent shows in January and February (many of of which were part of SF’s NoisePop Festival) –  Josh Jacobson, Typhoon, Mimicking Birds, Emily Afton, Future Feats, Wild Child, Andrew St. James, Wildling, Crooked Colours, Dagmar, Ha Ha Tonka, Belle Game, Geographer, DonCat, Langhorne Slim, The Album Leaf, Vakoum, Field Medic, Waxahatchee, White Knuckles, Banzai Cliff, King Krule, Derek Ted (of Owl Paws), Lucy Rose, Charlie Cunningham, tUnE-yArDs, X-Ambassadors, Tall Heights, Black Pistol Fire, Billy Rafoul, ZZ Ward, The Wedding Presentand new releases from Frenship, Chvrches (including a track featuring Matt Berninger of The National), Jose Gonzalez, and Tallest Man in Earth (along with new tour dates!)

I chose Frenship’s ‘Love Somebody’ as the title track because, despite the song being so damn catchy (I couldn’t listen just once), I really liked the overarching message: “Get out and LOVE SOMEBODY, and GET LOST on the way.” You never know what hard times someone may be going through or how much they could use a simple smile or “Hello” from a stranger. Get out of your own head and look up at the beauty in your surroundings, savor all the amazing people around you and the lil’ miracles that might sweep you off your feet. I’ve recently encounter many young lives being snatched up way too early (including the super-talented, massively-loved LA-music photographer, Emery Becker who met last year at SXSW), and it absolutely crushes me. No matter what your circumstances and what miserable mood you may be in, strive to be kind. Remember that everyone’s days are numbered and that only WE have the power to make sure those numbers count – every hour, every min, ever second. The fleetingness of life will always remain one of our greatest mysteries, and we should never take anything for granted. Hug harder, smile wider, lend more hands. You never know what impact the tiniest act of kindness may have, or whose lives they may be saving. I hope this playlist will encourage you to open your heart to “love somebody” and to “make tiny changes to earth” (now quoting Frightened Rabbit). And as my friend Paige Parsons (met seeing The Twilight Sad (Official)) says so beautifully, music is the best medium to do so because “music cuts through out cynicism and breaks down the barriers that we erect between ourselves and the rest of the world.” Check out her talk on this:

Help me amplify this message by sharing my playlist with friends and posting about it on social media. AND, if you are an artist featured on this playlist, reposting this playlist will increase the odds of Google not filtering this out on the web and improving your visibility (from what I’ve been told by SEO experts), so please care to share! 😀

(In order to access the playlist, you have to press the 3 vertical dots in the upper right hand corner and select download. You can then cancel the download immediately and still have access to the playlist. If you are still having uses, let me know and I can send you a link to download the tracks!

  1. Wake-  Typhoon
  2. Same Mistakes- FUTURE FEATS
  3. LOVE Somebody-  Frenship
  4. Get Out-  CHVRCHES
  5. Hummingbird- Wildling
  6. Rorschach- Typhoon
  7. Plymouth- Crooked Colours
  8. In the Morning!- Andrew St James
  9. I Want Nothing- The Belle Game
  10. Try to Be Someone-  DonCat
  11. Conversation- Owl Paws
  12. Lost- Emily Afton
  13. Suck-  The Wedding Present
  14. Gorgeous- X Ambassadors
  15. Home- White Knuckles
  16. Sparks Fly- Waxahatchee
  17. Don’t Ask Why- Black Pistol Fire
  18. Minimum- Charlie Cunningham
  19. Laura- Andrew St James
  20. Flow-  Crooked Colours
  21. backyard sorrow- derek ted
  22. Biscuit Town- King Krule
  23. Remember- Typhoon
  24. Little Lies-  Wildling
  25. Tumbleweed- Dagmar
  26. Expectations- Wild Child
  27. What Do You Want-  Dagmar
  28. Sorry Bout Tomorrow!- Andrew St James
  29. Foolish- Geographer
  30. Millennial Malaise-  Andrew St James
  31. Severing the Knot- Emily Afton
  32. Come Back To You- Crooked Colours
  33. The Way We Move
  34. Bloodlines-  Mimicking Birds
  35. Anyone Can Make A Mistake-  The Wedding Present
  36. Too Young To Die- Banzai Cliff
  37. Silver- Waxahatchee
  38. Bully- Black Pistol Fire
  39. poison poetry- derek ted
  40. Silver Screen- DonCat
  41. Foolish- Geographer
  42. Bully- Black Pistol Fire
  43. Koyo- Josh Jacobson
  44. Coast to Coast- tUnE-yArDs
  45. Changes- Langhorne Slim
  46. My Enemy (feat. Matt Berninger)-  CHVRCHES
  47. Think it Over- Wild Child
  48. An Opening- Charlie Cunningham
  49. Hipster Shakes- Black Pistol Fire
  50. Tethered- Josh Jacobson
  51. I Love to Dance- Langhorn Slim
  52. Danielle-  Banzai Cliff
  53. I Hope You Get It- Crooked Colours
  54. An Ocean- The Tallest Man on Earth
  55. Back & Forth- Wild Child
  56. Better Off- White Knuckles
  57. What Did Your Last Servant Die Of-  The Wedding Present
  58. Spirit Cold- Tall Heights
  59. Never Been Wrong-  Waxahatchee
  60. Poison Poetry- Derek Ted
  61. Let Me Go Alone- White Knuckles
  62. All With You- Ha Ha Tonka
  63. Owl Hoots- Mimicking Birds
  64. POWERFUL LOVE- Field Medic
  65. Ahead Of Myself-  X Ambassadors
  66. Be Set Free- Langhorn Slim
  67. Race To The Bottom- Ha Ha Tonka
  68. Still In Love- Thirdstory
  69. all i have- derek ted
  70. Driver- Billy Raffoul
  71. Sunlight Daze- Mimicking Birds
  72. Fade- Josh Jacobson
  73. uuu-  Field Medic
  74. With the Ink of a Ghost-  José González
  75. Twenty Two Fourteen- The Album Leaf
  76. Second Chance-  Lucy Rose
  77. ICE- Vákoum
  78. Movie Screen- Dagmar
  79. Blank Pages- The Album Leaf
  80. Ghost- ZZ Ward

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Heartwatch- “Meet me in the middle of the golden gate and feel my heart beat”: The Independent (Feb 24, 2016)

The Independent, San Francisco
Written by Erica Andreozzi (with pics by Stefan Arosen)

Formerly known as The Tropics, the SF Bay Area band named HEARTWATCH recently released their self-title, debut record: http://heartwatch.bandcamp.com/. In fact, they did so the same day of their SOLD OUT NoisePop show at the Independent on Wednesday. After streaming the album on Itunes and Spotify the week earlier, I was stoked to finally hear their pulsating, high-energy, indie-pop tracks translated into a night of endless dancing (and IT WAS).

HEARTWATCH is definitely a band to WATCH OUT for, and their popular performances at Phono Del Sol and Outside Lands Music Festival last year quickly elevated their stature and solidified their status as “the Bay Area’s favorite new band.” Members include: Eric Silverman (guitar, keys), Rowan Peter (guitar, vocals), Nate Skelton (bass), Kern Sigala (drums), and Claire George (vocals). Surprisingly enough, Claire – whose voice reminds me of a cross between  Nanna Bryndís Hilmarsdóttir of Of Monsters and Men and Lauren Mayberry of Chvrches – is just a girl who been singing (her) whole life in cars to Mariah Carey and Fiona Apple” but had no prior vocal training. You would never have guessed that from the powerful pipes propelling these tracks! My favorites to sing along to are Fireproof, Sleepless, and Faultlines. I especially connect with the verse about meeting on the Golden Gate, as I do often visit this SF landmark (yes, even as a resident!): “Meet me in the middle of the golden gate and feel my heart beat.. meet me in the middle of the golden gate and our love will stay between the ocean and the bay.”

I love to see such SF pride shine through their music, and I respect their diehard devotion to the SF music scene regardless of the exponential increase in rent and the mass exodus of artists/musicians to Oakland and Portland. “People love to talk about how bands are leaving, everyone is leaving, San Francisco and getting priced out—and it’s true,” says Claire. “A lot of musicians have left. I have a lot of friends who are leaving, still. We’re hanging on, and it’s cool because we feel really supported by the community.”

That community support definitely showed up at the Independent on Wednesday , and I wouldn’t be surprised if they earned recognition one of the “Best acts at NoisePop.” Good thing they will be touring the West Coast in March and playing  BottleRock Napa Festival in May – people OUTSIDE the local community need to know about them! Don’t say I didn’t warn ya! 😉

 

The Twilight Sad (REVIEW): “We Danced to Save Them All…” – Live at the Lexington in London (July 26, 2014)

The Twilight Sad– The Lexington, London

(July 26, 2014)

Some meat is harder to chew, but when you do, it’s a MUCH MORE satisfying MEAL. That’s how I feel about the music of The Twilight Sad, as well as of some of my other favorite bands: tUnE-yArDsThe Dirty ProjectorsManchester Orchestra, etc. Even the size of The Twilight Sad fan-base  (# of facebook “likes”) is pretty low considering their talent/potential, the dedication and loyalty of this fab base is unparalleled in comparison to that of most other bands (another example of this is Augustines). Having seen The Twilight Sad three times in the past three months (1 twilight per month, yes please!), I’ve already become friends with a few other fans (the “regulars”) that I’ve recognized at these same gigs. One of these fans in particular had actually traveled up to Scotland a few times just to see them when they weren’t gigging as frequently in London (which fortunately, they are now). She was even recognized by James’ dad last night at their SOLD OUT Lexington gig. Diehard fans = family, but it’s only a matter of time before The Twilight Sad builds up their numbers (hopefully with the release of their next album). Every one needs to experience the satisfaction of that meat which initially might be harder to chew. x

I first heard of The Twilight Sad from an Irish buddy back in 2010 who had seen them at The Cluny in Newcastle and was BLOWN AWAY. They were on my radar ever since, and it just so happened that they were playing at my favorite music venue (The Independent) in San Francisco the spring (March 2012) before I was set to graduate. That gig was a COMPLETE EYE-OPENER, and I was just as blown way by The Twilight Sad then, as my buddy was a few years back. Right before SLAYING US with his performance of Cold Days from the Birdhouse, James toasted crowd and mentioned that it was a particularly special night because his DAD was in town, COMING ALL THE WAY FROM SCOTLAND for the show. He was overflowing with gratitude, claiming that the last time the band played the Independent back in 2007, only one person showed up. I found out later that it was more like 15 people, but thing definitely have changed…

I was almost moved to tears during the intro of Cold Days from the Birdhouse, with James’ powerful pipes (and full Scottish brogue) pulsing over the euphoric ringing of Andy’s guitar. My INSIDES were basically doing JUMPING JACKS the entire time…Jaw dropped, eyes stunned, heart pounding. Mad “cheers” to the gut-wrenching punch of The Twilight Sad (see video below).

“And so you make it your own
But this is where your arm can’t go (James KILLS IT here)
You make it your own
But this is where your arm can’t go

And your red sky at night won’t –follow me
It won’t follow me now.
I won’t wear your shoes,
I won’t clip your wings.”

Aside from Reflection of a TelevisionI Became a Prostitute, and That Summer, I had Become the Invisible Boy, and Alphabet, the other song that killed it for me was And She Will Daken the Memory.  James has a eeire way of gettin gunder your skin with his emotionally-charged lyrics that seem to emerge from a dark, curious place: “And head up dear, you’re shallow and blind…And head up dear, the rabbit might die…Because I’m putting up with your constant whine…And that won’t last too long.” A fantastic frontman indeed, and the passion/power behind his pipes are something I would have expected from the legendary  James Morrison back in the day. When vocals are your main contribution to a band, you have to OWN THEM in every way, shape, and form to make them your own, unique instrument. You are responsible for carrying the melodies and entertaining the masses, and James clearly DOES THIS when he twirls around stage with his hands clenched and his body thrown into fits, letting the music take FULL CONTROL. At one point, I clearly remember him kneeling on stage with his head thrown back and eyes rolled back, ROARING into the mic like a madman. Yep, that’s the kinda passion that sticks. x

Right after the gig, I started chatting with the woman who was standing next to me the entire time, and it turns out she’s pretty famous music photographer (lots of her stuff is in Rolling Stone magazine and in art galleries) by the name of Paige Parsons. She mentioned to me that had taken portraits of James the year before (2011) when they were on tour with Frightened Rabbit. That night, James told Paige that one of her portraits of him was his Dad’s favorite, and that it is hanging up on the mantle inside their house. A mother herself, Paige was SO MOVED by this that she asked to get a photo with James’ Dad, and I couldn’t help but grin at the magical moment unfolding before my eyes. I went on to telling James how much I enjoyed the gig, and later started suggesting places (Redwood forests!) for them to see while on tour in Northern California. I also asked to grab a pic (yes, it’s cheesy but I don’t care) with James, as well as with Martin (“Doc”) Doherty who was handling keyboards/percussion. Crazy thing is, I remember Martin telling me that night about his itch to pursue his own solo project, one with a more electronic focus. WELL, turns out this ITCH later ESCALATED into something HUGE: formation of the Scottish electro/pop band, CHVRCHES, who BLEW UP in 2013, topping all radio charts and headlining major festivals. There’s a prime example of why you should never stop following your heart, even when your mind tells you otherwise. Related to this, Sarah Barthel (of Phantogram) claims that the secret to making it in the 21st century music industry is to “Just work your ass off and believe in your music.”  (Love that)  ❤

Having moved from California to England in Nov 2012, I’ve been lucky enough to see The Twilight Sad three times in London since that gig at the Independent. One of those three was a rare and unique acoustic performance by James and Andy as part of a Bandstand Busking event (all videos are posted below). They opened the set with Cold Days From the Birdhouse, the gem that SLAYED US the first time we heard Fourteen Autumns & Fifteen Winters. God damn. Then, they surprised us with a new song, Last January, that really struck a deep chord with me and is likely to be one of my favorites on the new album: “It’s your eyes, touching my eyes…” (SO GOOD) The next song, I Became  Prostitute, is one of my favorites, and although it’s got a heavy title, James assured us that the the title really has no relevance to the song. Haha. And that’s why we love them even more… (The unexpected airplane flying over the gazebo at 2 min in made for a pretty funny moment)

I Became  Prostitute followed with a hilarious intro to the second new song, one that James couldn’t quite remember the name of at first. He jokes about how he thought it was his Dad sitting there, saying: “Open your eyes, James! You can’t see anything!” (“shut the f*ck up, Dad!”)  His dad surely DOES know him well, because James DOESN’T EVER open his eyes. Haha. He’s just concentrating too hard! James soon remembers the name of the song as It Never Was the Same, and later tells me that they only just named the songs a week ago. Plus they all have different names for them, and the names one their set-lists don’t ever match the actual names on the album (see picture below). It Never Was the Same was such a STUNNING TRACK, and I very much Looking forward to hearing it again with a full band:  “We danced to save them all…” (YES)

After being spoiled by the new tracks, James and Andy finished off the set with two of our favorites from Fourteen Autumns & Fifteen WintersAnd She Would Darken the Memory and That Summer, at Home I Had Become the Invisible Boy. It was really cool to hear the stripped down, raw version of the louder, bolder originals. These songs definitely hit a soft spot for many Twilight Sad fans, and I noticed a few tears coming from the person (a full grown man) standing next to me. Oh, those musical triggers! It’s crazy how they sneak up on us and re-awake different moments of our lives. I guess that’s the beauty in it all: “I’m 14, and you know, That I’ve learned the easy way…The stupid decisions…And with a broken heart…The kids are on fire in the bedroom.”

About a month after this beautiful acoustic performance through Bandstand Busking was The Twilight Sad’s sold out Lexington gig, and we were all a bit SAD to hear that they could only play ONE of their new songs because some JERK stole their equipment last week. Who does that?! James dedicated I Became a Prostitute to that BAD BAD person, and all of their channeled RAGE made for one hell of a performance. Mark was a beast on drums (as always), and Andy was shoegazing with all sorts of new tricks tonight. The noise generated from Andy’s guitar is MASSIVE, so massive that his guitar vibrations alone were causing the empty beer glasses in front of me to glide across the stage. James was his usual ‘two-headed boy’– nice and humble in between songs, but a stormy savage on stage. He even yanked at the microphone so hard during Cold Days from the Birdhouse intro that he temporarily broke it..SILENCE…right at the buildup to “And your red sky at night won’t follow me.” He then laughs, “Well that kinda ruined the moment.” The whole set was epic (I don’t think I EVER stopped swaying), including the full-band version of their new gem, Last January“It’s your eyes….touching my eyes.” I can’t wait for more TWILIGHT ON TUESDAY when they play a benefit gig with Mogwai! I also can’t wait for the NEW ALBUM, which James confirmed would be released in the Autumn. From the songs I’ve heard so far, this album might be their BEST (James thinks so too). It might just be the right place/right time for others (non-diehards) to catch on. I’ll make sure my buddies in California see them when they fly through in Nov with the Jetpacks (We Were Promised Jetpacks). 🙂

PICTURES:

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The Twilight Sad– bandstand Busking, London

(June 21, 2014)

VIDEOS:

Cold Days from the Birdhouse:

Last January:

I Became a Prostitute:

It Never Was the Same:

And She Would Darken the Memory:

That Summer, At Home I had Become the Invisible Boy:

PICTURES:

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The Twilight Sad– Hoxton Square Bar & Grill, London

(April 30, 2014)

PICTURES:

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The Twilight Sad– The Independent

(March 3, 2012)

VIDEOS:

Cold Days From the Birdhouse:

And She Would Darken the Memory:

PICTURES:

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