West Coast (playlist: Dec 10, 2015)

West Coast

Compiled Dec 10, 2015

Following up on my previous playlist — ‘Coming Home — I’ve launched a new playlist called ‘West Coast,’ as this title track by the Seattle-based band, Hey Marseilles, embodies the essence of WHY I moved back to California. This song reminded me of WHY it was ALL WORTH IT, and I can’t help but RAWR along with the catchy chorus, “Meet me on the west coast… We’ll make it our own.” I was lucky enough to see Hey Marseilles live for the first time in September, and I look forward to seeing them again at The Independent in March for their new album launch.

Aside from Hey Marseilles, other bands I’ve recently seen that inspired this playlist are Nathaniel Rateliffe and the Nightsweats, City and Colour, Boy & Bear, Doe Paoro, Little May (who’s song ‘Bow and Arrow‘ was another track I had on CONSTANT REPEAT),  Aero Flynn (as an opener for Minus the Bear), Of Monsters and Men, Youth Lagoon, and Penny and Sparrow.

New discoveries that I have yet to see live and are very much on my radar, are Tow’rs, King Charles (recently on tour with Mumford & Sons), Julien Baker, El Vy (I LOVE Matt Berninger from The National), Max Frost, Seoul (opener for We Were Promised Jetpacks at The Great American Music Hall last month), and This is Koa (recently featured on Noisetrade).

Although the Staves are not a new discovery — as I have LOVED THEM ever since watching Communion’s Austin to Boston music documentary —I have YET to be SEDUCED by these SOOTHING SIREN SISTERS in the flesh, and I can’t wait till they come back for another US tour (hopefully for US summer festivals!). Having been produced by Justin Vernon of Bon Iver and Volcano Choir, their new album — If I was — is a MAGICAL MASTERPIECE and was one of the only things keeping my sane during recent rough times. ‘No me, no you, no more,’ was a standout track for me, and was one I frequently sang to in order to calm my nerves and soothe the soul. Finally, I’m excited to see one of my FAVORITE ICELANDIC BANDS — Kaleo — again this spring after first discovering them at Iceland Airwaves last year. It’s SUPER EXCITING to see them breaking new ground with their new songs and becoming quite a INTERNATIONAL HIT, just as I thought they would. Now, if you shall MEET ME ON THE WEST COAST… 🙂

Here’s a Spotify playlist with most of the songs (some still missing):

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You can download all of the songs (out of order) from my link on Box.com

https://app.box.com/s/fccew2dnpyvacio4xfrps8d2fpj3qhhv

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No Me, No You, No More-  The Staves
Wasted Love- City And Colour
Helm- Tow’rs   
West Coast- Hey Marseilles   
Where’d You Go- Boy & Bear  
Bow & Arrow- Little May   
Return To The Moon- El Vy  
Hypotheticals- Doe Padro   
I Need Never Get Old- Nathaniel Rateliff And The Night Sweats   
Killing Time- City And Colour   
Dk/Pi- Aero Flynn   
No Good-  Kaleo
Hollow Ground- Boy & Bear   
Northern Blues- City And Colour  
Love Lust- King Charles   
Home- Little May   
I’ve Been Failing – Nathaniel Rateliff And The Night Sweats   
Walking Backwards- Doe Padro   
Just Dumb- Boy & Bear   
White Lies- Max Frost   
Everybody Does- Julien Baker   
Woman- City And Colour   
LoveBlood- King Charles   
Paul Is Alive- El Vy   
Trying So Hard Not To Know- Nathaniel Rateliff And The Night Sweats Twist- Aero Flynn
Breakdown Slow- Boy & Bear  
The Brightest Lights- King Charles  
Damn It All- The Staves
Highway Patrol Stun Gun- Youth Lagoon  
What Now- This is Koa
Stay With Us- Seoul
Wolves Without Teeth- Of Monsters And Men  
Duet (Feat. Stephanie Briggs)- Penny And Sparrow 

The Twilight Sad (REVIEW): “We Danced to Save Them All…” – Live at the Lexington in London (July 26, 2014)

The Twilight Sad– The Lexington, London

(July 26, 2014)

Some meat is harder to chew, but when you do, it’s a MUCH MORE satisfying MEAL. That’s how I feel about the music of The Twilight Sad, as well as of some of my other favorite bands: tUnE-yArDs, The Dirty Projectors, Manchester Orchestra, etc. Even the size of The Twilight Sad fan-base  (# of facebook “likes”) is pretty low considering their talent/potential, the dedication and loyalty of this fab base is unparalleled in comparison to that of most other bands (another example of this is Augustines). Having seen The Twilight Sad three times in the past three months (1 twilight per month, yes please!), I’ve already become friends with a few other fans (the “regulars”) that I’ve recognized at these same gigs. One of these fans in particular had actually traveled up to Scotland a few times just to see them when they weren’t gigging as frequently in London (which fortunately, they are now). She was even recognized by James’ dad last night at their SOLD OUT Lexington gig. Diehard fans = family, but it’s only a matter of time before The Twilight Sad builds up their numbers (hopefully with the release of their next album). Every one needs to experience the satisfaction of that meat which initially might be harder to chew. x

I first heard of The Twilight Sad from an Irish buddy back in 2010 who had seen them at The Cluny in Newcastle and was BLOWN AWAY. They were on my radar ever since, and it just so happened that they were playing at my favorite music venue (The Independent) in San Francisco the spring (March 2012) before I was set to graduate. That gig was a COMPLETE EYE-OPENER, and I was just as blown way by The Twilight Sad then, as my buddy was a few years back. Right before SLAYING US with his performance of Cold Days from the Birdhouse, James toasted crowd and mentioned that it was a particularly special night because his DAD was in town, COMING ALL THE WAY FROM SCOTLAND for the show. He was overflowing with gratitude, claiming that the last time the band played the Independent back in 2007, only one person showed up. I found out later that it was more like 15 people, but thing definitely have changed…

I was almost moved to tears during the intro of Cold Days from the Birdhouse, with James’ powerful pipes (and full Scottish brogue) pulsing over the euphoric ringing of Andy’s guitar. My INSIDES were basically doing JUMPING JACKS the entire time…Jaw dropped, eyes stunned, heart pounding. Mad “cheers” to the gut-wrenching punch of The Twilight Sad (see video below).

“And so you make it your own
But this is where your arm can’t go (James KILLS IT here)
You make it your own
But this is where your arm can’t go

And your red sky at night won’t –follow me
It won’t follow me now.
I won’t wear your shoes,
I won’t clip your wings.”

Aside from Reflection of a Television, I Became a Prostitute, and That Summer, I had Become the Invisible Boy, and Alphabet, the other song that killed it for me was And She Will Daken the Memory.  James has a eeire way of gettin gunder your skin with his emotionally-charged lyrics that seem to emerge from a dark, curious place: “And head up dear, you’re shallow and blind…And head up dear, the rabbit might die…Because I’m putting up with your constant whine…And that won’t last too long.” A fantastic frontman indeed, and the passion/power behind his pipes are something I would have expected from the legendary  James Morrison back in the day. When vocals are your main contribution to a band, you have to OWN THEM in every way, shape, and form to make them your own, unique instrument. You are responsible for carrying the melodies and entertaining the masses, and James clearly DOES THIS when he twirls around stage with his hands clenched and his body thrown into fits, letting the music take FULL CONTROL. At one point, I clearly remember him kneeling on stage with his head thrown back and eyes rolled back, ROARING into the mic like a madman. Yep, that’s the kinda passion that sticks. x

Right after the gig, I started chatting with the woman who was standing next to me the entire time, and it turns out she’s pretty famous music photographer (lots of her stuff is in Rolling Stone magazine and in art galleries) by the name of Paige Parsons. She mentioned to me that had taken portraits of James the year before (2011) when they were on tour with Frightened Rabbit. That night, James told Paige that one of her portraits of him was his Dad’s favorite, and that it is hanging up on the mantle inside their house. A mother herself, Paige was SO MOVED by this that she asked to get a photo with James’ Dad, and I couldn’t help but grin at the magical moment unfolding before my eyes. I went on to telling James how much I enjoyed the gig, and later started suggesting places (Redwood forests!) for them to see while on tour in Northern California. I also asked to grab a pic (yes, it’s cheesy but I don’t care) with James, as well as with Martin (“Doc”) Doherty who was handling keyboards/percussion. Crazy thing is, I remember Martin telling me that night about his itch to pursue his own solo project, one with a more electronic focus. WELL, turns out this ITCH later ESCALATED into something HUGE: formation of the Scottish electro/pop band, CHVRCHES, who BLEW UP in 2013, topping all radio charts and headlining major festivals. There’s a prime example of why you should never stop following your heart, even when your mind tells you otherwise. Related to this, Sarah Barthel (of Phantogram) claims that the secret to making it in the 21st century music industry is to “Just work your ass off and believe in your music.”  (Love that)  ❤

Having moved from California to England in Nov 2012, I’ve been lucky enough to see The Twilight Sad three times in London since that gig at the Independent. One of those three was a rare and unique acoustic performance by James and Andy as part of a Bandstand Busking event (all videos are posted below). They opened the set with Cold Days From the Birdhouse, the gem that SLAYED US the first time we heard Fourteen Autumns & Fifteen Winters. God damn. Then, they surprised us with a new song, Last January, that really struck a deep chord with me and is likely to be one of my favorites on the new album: “It’s your eyes, touching my eyes…” (SO GOOD) The next song, I Became  Prostitute, is one of my favorites, and although it’s got a heavy title, James assured us that the the title really has no relevance to the song. Haha. And that’s why we love them even more… (The unexpected airplane flying over the gazebo at 2 min in made for a pretty funny moment)

I Became  Prostitute followed with a hilarious intro to the second new song, one that James couldn’t quite remember the name of at first. He jokes about how he thought it was his Dad sitting there, saying: “Open your eyes, James! You can’t see anything!” (“shut the f*ck up, Dad!”)  His dad surely DOES know him well, because James DOESN’T EVER open his eyes. Haha. He’s just concentrating too hard! James soon remembers the name of the song as It Never Was the Same, and later tells me that they only just named the songs a week ago. Plus they all have different names for them, and the names one their set-lists don’t ever match the actual names on the album (see picture below). It Never Was the Same was such a STUNNING TRACK, and I very much Looking forward to hearing it again with a full band:  “We danced to save them all…” (YES)

After being spoiled by the new tracks, James and Andy finished off the set with two of our favorites from Fourteen Autumns & Fifteen Winters: And She Would Darken the Memory and That Summer, at Home I Had Become the Invisible Boy. It was really cool to hear the stripped down, raw version of the louder, bolder originals. These songs definitely hit a soft spot for many Twilight Sad fans, and I noticed a few tears coming from the person (a full grown man) standing next to me. Oh, those musical triggers! It’s crazy how they sneak up on us and re-awake different moments of our lives. I guess that’s the beauty in it all: “I’m 14, and you know, That I’ve learned the easy way…The stupid decisions…And with a broken heart…The kids are on fire in the bedroom.”

About a month after this beautiful acoustic performance through Bandstand Busking was The Twilight Sad’s sold out Lexington gig, and we were all a bit SAD to hear that they could only play ONE of their new songs because some JERK stole their equipment last week. Who does that?! James dedicated I Became a Prostitute to that BAD BAD person, and all of their channeled RAGE made for one hell of a performance. Mark was a beast on drums (as always), and Andy was shoegazing with all sorts of new tricks tonight. The noise generated from Andy’s guitar is MASSIVE, so massive that his guitar vibrations alone were causing the empty beer glasses in front of me to glide across the stage. James was his usual ‘two-headed boy’– nice and humble in between songs, but a stormy savage on stage. He even yanked at the microphone so hard during Cold Days from the Birdhouse intro that he temporarily broke it..SILENCE…right at the buildup to “And your red sky at night won’t follow me.” He then laughs, “Well that kinda ruined the moment.” The whole set was epic (I don’t think I EVER stopped swaying), including the full-band version of their new gem, Last January. “It’s your eyes….touching my eyes.” I can’t wait for more TWILIGHT ON TUESDAY when they play a benefit gig with Mogwai! I also can’t wait for the NEW ALBUM, which James confirmed would be released in the Autumn. From the songs I’ve heard so far, this album might be their BEST (James thinks so too). It might just be the right place/right time for others (non-diehards) to catch on. I’ll make sure my buddies in California see them when they fly through in Nov with the Jetpacks (We Were Promised Jetpacks). 🙂

PICTURES:

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The Twilight Sad– bandstand Busking, London

(June 21, 2014)

VIDEOS:

Cold Days from the Birdhouse:

Last January:

I Became a Prostitute:

It Never Was the Same:

And She Would Darken the Memory:

That Summer, At Home I had Become the Invisible Boy:

PICTURES:

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The Twilight Sad– Hoxton Square Bar & Grill, London

(April 30, 2014)

PICTURES:

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The Twilight Sad– The Independent

(March 3, 2012)

VIDEOS:

Cold Days From the Birdhouse:

And She Would Darken the Memory:

PICTURES:

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Fatherson- “So go home, sober up, Take the weight off your feet and just chill.”

Fatherson– The Social, London

(July 8, 2014)

Was very impressed by Fatherson‘s performance at the Social this week as part of a FREE Huw Stephens Presents night. Fatherson are a four piece alternative/indie rock band from Glasgow who have built quite a Scottish following since their beginning in 2011, and have breaking into the Scottish music scene with support slots for Frightened Rabbit and Twin Atlantic. This year they are playing the King Tuts stage (big leagues!) at T in the Park, which is much bigger stage than the BBC introducing stage they played 2 years back. I am so glad they swung through London to practice last night before their festival circuit (T in the Park and Wakestock). What a treat! I was so hooked on all the songs that I made sure to snag their debut album (I am an Island) right after. My favorites are: An Island, Hometown, I Like Not Knowing, James, Cat Stevens, Half the Things, and Mine for Me. Another favorite (see video below) from their set was ‘First Born,’ which unfortunately is not on the album. Guess I’ll just have to pick up their EP the next time they’re in town to support We Were Promised Jetpacks at the Lexington (August 8). Stoked!

The whole band seemed to be having SUCH A BLAST (especially the bassist who kept smiling and mouthing all of the lyrics) the whole time while playing to the intimate London crowd, which, aside from me and an older mad music chick (me in 30 years), was dominated by a Glasgow group who knew all of their songs and could sing along to almost every one. This was especially obvious towards the end of the encore (James) when they all began to let go of their instruments (one-by-one), and remained on stage singing the chorus WITH THE CROWD before walking off:

“So go home,
sober up,
Take the weight off your feet
and just chill.”    (YES.)

Wish I would have got that one on video. NEXT TIME. xxx

VIDEOS:

Cat Stevens:

Half The Things:

First Born:

Dust:

PICTURES:

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