Broken Social Scene: “I get world sick every time I take a stand… Well, I get world sick, my love is for my man” – Fox Theater in Oakland (Oct 26, 2017)

Written by Erica Andreozzi

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Broken Social Scene at Hardly Strictly Bluegrass Festival in San Francisco (Oct 2, 2011)

 

It had been a solid six years since I last saw Broken Social Scene at Hardly Strictly Bluegrass festival in San Francisco back in Oct 2011 (pictured above), and I could not have been more ecstatic to see them at the Fox Theater in honor of their recent album, ‘Hug of Thunder’ (released on July 7, 2017). ‘Hug of Thunder‘ is certainly one to HUG LIKE HELL, for it happens to be Broken Social Scene’s newest album since ‘Forgiveness Rock Record‘ (released in May 2010), and represents their revival from a 7 year hiatus. And man.. WHAT A REVIVAL is has BEEN. This 12-piece Canadian indie rock played a stellar 2-hour performance spanning their entire collection (set-list above), including a large number of songs from the new album: Halfway Home, Protest Song (personal favorite), Stay Happy, and Skyline. I nearly lost it when they played ‘World Sick,’ one of my absolute FAVORITE TRACKS (love the intro guitar ditty!): “I get world sick every time I take a stand… Well, I get world sick, my love is for my man.” I feel this song is especially relevant to the political turmoil in the Unites States and all of the unfortunate tragedies happening in the world today, and it as no surprise that Brendan Canning (guitar, vocals) also vocalized this relevance. It kind of reminds me of despair that is eminent in their new track, ‘Mouth Guards Of The Apocalypse‘: “I don’t wanna be scared, Or addicted to the dream… This fight is a ghost, Whose suicide was unseen.” Just got the chills.
After treating us to a special rendition of ‘Anthem for a Seventeen-year Old Girl‘ (video below) with the lovely ladies of Belle Game (their opener), Broken Social Scene played BOTH ‘Cause = Time‘ AND ‘Lover’s Spit.’ After polling the audience and seeing a unanimous request for both, Brendan made sure no one would be let down. He then got CARRIED AWAY (literally) after climbing into the crowd for ‘Lover Spit‘ and sing most of the song while surfing in a sea of fans.
AND, as if the music wasn’t cathartic enough, Brendan later initiated a group therapy session with the following request:

“You gotta take everything you got hear tonight. You gotta take all of the anxiety, all of the depression, all of the regret, all of the expectations that didn’t happen. You gotta take all of the people who aren’t here, all the people you wish were here, you gotta take all the joy, all the love, everything that you feel, and we’re gonna scream, and we’re gonna let it all go together. We’re gonna do some therapy – we’re gonna do it, together. We’re gonna let it out, and even if it’s just this moment and the momentary junkie society that we live in. This moment can be ours, and no one can take this away from us.”  LOVE THIS

He then asked us to “Take this night and put it in your back pocket for (days that don’t work for you)” right before TAKING US HOME with the EPIC ENCORE of ‘It’s All Gonna Break.’ Such an INCREDIBLE NIGHT OF MUSIC. I sure hope we don’t need to wait another 7 years for Broken Social Scene to come back ONTO THE SCENE.  😛  ❤

Hardly Strictly Bluegrass (Oct 2, 2011):

 

 

Dirty Projectors- “I Haven’t Found it Yet…But I’ll Keep on Dancing Until I Do”

Dirty Projectors– The Fox Theater, Oakland

(July 28, 2012)

 

“Miraculous, harrowing, and moving in less than an hour…”  
Dirty Projectors are a Brooklyn-based experimental rock band consisting of Dave Longstreth, Amber Coffman (vocals, guitar), Angel Deradoorian (vocals, keyboard, samples, guitar, bass), Brian McOmber (drums), Nat Baldwin (bass), and Haley Dekle (vocals). The group has released seven full-length albums through 2010, Bitte Orca (album five) being the most complete and most acclaimed album. Vampire Weekend frontman (and onetime Dirty Projector) Ezra Koeing describes this album as follows: “I hear big riffs that make me think of classic rock, so I think, ‘Is this Led Zeppelin deconstructed?’ I hear folk guitar picking and gorgeous strings, so I think, ‘Is this 60’s folk-pop re-imagined?’ But, as is usually the case, my lame attempts at categorization fade away and soon all I can hear is Dirty Projectors … It’s not Physical Graffiti for 2K9; it’s 2K9’s Physical Graffiti.”  Speaking about the band in general, Ezra also says: “I couldn’t explain what I meant about ‘fucked-up American music’ six years ago and I’m not that interested in trying to explain it now. I just think it’s fitting to describe Dirty Projectorss with a phrase that’s been exploited by the worst of the worst and the corniest of the corniest, but has always had the potential to mean something rad: Uniquely American.”
I found it so cool that Vampire Weekend was tied to Dirty Projectors! Vampire weekend is one of my all-time favorite groups and you’ll find many of their songs spread throughout my playlists. Also, I love that Taylor Guarisco of GIVERS is also a big fan of Dirty Projectors. He is actually how I initially found out about them! PLUS, I later found that one of my FAVORITE FEMALE ARTISTS OF ALL TIME (Merrill Garbus of tUnE-yArDs) was first discovered BECAUSE OE the Dirty Projectors. She was living out of her car for while, trying to pick up some opening slots for artists while road tripping, and the Dirty Projectors gave her an opening slot for one of their gigs in the Pacific Northwest (I think it was Seattle or Portland). It was then that she starting to gain exposure and support, especially with a band like Dirty Projectors fathering you. NOW she is definitely STANDING ON HER OWN TWO FEET…(far from it!)
Dirty Projectors are seriously one of the most musically creative, pushing-the-envelope type bands that I’ve come across, and definitely one of the most fun to watch. I was so happy to share my DIRTY PROJECTOR DEVOTION with Kyle and Nick at Sasquatch music festival in May. A musical trick that distinguishes them from most other bands (and makes them THAT MUCH MORE BADASS) is a technique called “Hocketing”..where a single musical line is shared between a number of people to create an infinitely more complex and beautiful sound. Dirty Projectors use it for percussion, handclapping, and most of all, for insane VOCAL arrangements (see the video for Beautiful Mother and Unto Caesar). AMAZING TO WATCH come alive before your eyes. Cheers to Heather for telling me about the hocketing technique (I didn’t know what it was called!)…Dirty Projectors are their own breed, and surely cannot be defined or cornered into any particular style/genre of music…I LOVE THAT. Do yourself and favor and GO SEE THEM. Just prepare for your JAW to DROP TO THE FLOOR. 🙂

My favorite songs are: Gun Has No Trigger, Dance for You, Unto Caesar, Just from Chevron, See What She’s Seeing, Swing Lo Magellan, No intention, Cannibal Resource,  Stillness in the Move, As I Went out in the Morning

“I haven’t found it…but I’ll keep on dancing till I do.”  –Dirty Projectors (Dance for You)

 

VIDEOS:

Stillness in the Move

Dance for You

Unto Caesar

Useful Chamber

Just from Chevron

Beautiful Mother   (INSANE “Hocketing”)

No Intention

Gun Has No Trigger

Cannibal Resource

The Socialites

See What She’s Seeing

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