tUnE-yArDs: “Giving me a heart attack don’t let me lose my soul” – Live at the Mystic Theater in Petaluma (Dec 1, 2017)

Written by Erica Andreozzi

It’s too hard to truly convey how much love and admiration I have for Merrill Garbus, creator and curator of tune-yards. Her live performances evoke a visceral vortex of mixed emotions (aggression, desire, laughter, pain) that words can simply not describe. I still recall how feverishly my body was overcome with curiosity and vitality the first time I saw her perform at Outside Lands Music Festival in 2011. Since then, I had seen her a total of 5 or 6 more times (SASQUATCH! Music Festival, The Regency Ballroom, Fox Theater – Oakland, Electric Brixton, Live for Contemporary Colors), and I am STILL electrified by her power, a “powa” that “gives me thrills I can’t describe.” Yes, ‘Powa‘ (in addition to favorites like ‘Bizness,’ ‘Water Fountain,’ and ‘Gangsta‘), were some of the old gems that Merrill, Nate (bassist), and her new badass drummer (forgot his name!) treated us to last night at Mystic Theatre in Petaluma. I of course got a bit OUT OF CONTROL for ‘Bizness‘ and nearly lost my voice trying to shout along. That song gave the world a serious taste of such MUSICAL MASTERPIECES that can manifest from creative, clever experimentation with loops pedals, saxophones, and an untamed vocal chords (the way Merrill distorts her vocals to create a variety of sounds is simply something else). Merrill is simply MESMERIZING to watch, and last night was no exception. We were all glad to watch her perform new songs from her highly anticipated new album, ‘I can feel you creep into my private life‘ (thank gosh she has), scheduled to be released on Jan 19. Standout tracks for me were ‘Heart Attack,’ ‘Honesty,’ and ‘Colonizer,’ (although all were pretty freaking awesome), and most of these showcased Merrill on synths and drum kit, in addition to her notable ukulele. Merrill is a FEMALE FE-LION, and and I cannot be more inspired/empowered by the femininity, strength, and intolerance that she radiates out to her fans. I’m grateful for artists like her that are not afraid to share their passion with the world and believe they deserve a chance of changing it. She could not be more SPOT ONT when describing the vision of her music: “altering the way the music industry functions to positively and responsibly impact our communities and our people, to act not only as soothing pacifiers with music but also activators, inspiring innovators, and revolutionary booty-shakers.” I have so much love for this woman and cannot WAIT to see her again at Noise Pop in February.

Videos of entire set on my YouTube page (see below):

 

*Check out full videos from the night on my YouTube: http://www.youtube.com/user/eandreoz

Instagram: beatsthatsetmypulse
Twitter: @beatsthatsetmy

 

 

 

Silversun Pickups: “You’re not the type to stand aside… Let’s stay and fight for the wild kind” – The Fox Theater in Oakland (Oct 22, 2017)

Written by Erica Andreozzi

Silversun Pickups PICKED ALL OF US UP at the Fox Theater Oakland last weekend! They made us laugh, weep, rage (the trifecta of emotions) will killer tracks like Royal We, Latchkey Kids, Friendly Fire, Wild Kind, and Lazy Eye (of course!). Not only is Brian Aubert is not only a phenomenal musician, pushing the limits with different soundscapes and emotion, but he is FREAKING HILARIOUS and super animated (always has his hands up in the air when telling stories). He also pays so much close attention to his fans through the entire show (more than most musicians I’ve seen), and will often point out people in the audience that he knows. Towards the end, he even bentr over the stage to fist pump my music buddy Nori Nakayama (#1 fan) who has been following Silversun Pickups since 2007 and has seen them >25 times. I have so much respect for Brian coming out to say hi (despite having probably been exhausted) and taking time to chat about tour life and music in general. I was laughing so hard when he and I were finishing each others sentences while geeking out on bands that we both love: The War On Drugs, Courtney Barnett, Kurt Vile, Future Islands, Arcade Fire, and The National . He has a particular appreciation for Arcade Fire and their ability to consistently recreate themselves in new albums that bring forth new elements/ingenuity not present in their older material. I nearly DIED when we both cried out that ‘Creature Comfort‘ is by far the best song on their new album and proceeded to sing “God, make me famous, if you can’t, just make it painless” in unison. He also was excited to hear that Courtney and Kurt just played at the Fox a week prior and he told me stories of how he first met them both. He even had a CRAZY COOL story about how Courtney made his wife’s water break (a story she won’t let him live down, haha); Turns out Brian and his very pregnant wife saw Courtney for the first time 2 1/2 years ago and then his wife went into labor that same night. NUTS! He also said how Osheaga was his favorite North American festival and that he would love to keep going back there.  We ended up on that topics cause I mentioned having seen them both at Sasquatch (2012) and BottleRock Napa (2017). WHAT A NIGHT picking the brain of this SILVERSUN PICKUP! I will always look back on this with such a big goofy smile. 😀

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Some key videos of the night….

*Check out full videos from the night on my YouTube: http://www.youtube.com/user/eandreoz

Instagram: beatsthatsetmypulse
Twitter: @beatsthatsetmy

 

Damien Jurado: “I have questions that lead to more questions…”

Damien Jurado– Sasquatch music fest

(May 28, 2012)

Turns out I was standing next to a guy that used to work with Damien Jurado when he was (get this!) a ELEMENTARY SCHOOL TEACHER in Seattle. I am so shocked! After seeing him writhe around on the floor shouting the lyrics to his last song, I have a hard time believing he was once disciplining small children. Haha. I love hearing the interesting backstories of these musicians. Always a pleasant surprise  🙂

Nothing is the News and Working Titles were my favorite tracks from his 2012 album, Maraqopa. Favorite verses back-to-back in Working titles:

“Leave me an exit to damage
I could use a ledge to jump off of
I wasn’t lying when I said this was over
I have questions that lead to more questions  (truth)

Running time that will cut off my fingers
You wrote about me on every new record
I’ll show up in the title of your song
I only hope somebody requests it.”   (slayed)

VIDEOS:

Working titles

I had no idea the Tallest Man on Earth and Idiot Wind (his wife) cover this! INCREDIBLE.

Also, check out Augustines cover of Damien Jurdo’s Ohio!

PICTURES:

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