Magic Bronson- “Say something, say it real quick, I’ll throw it at the wall and see if it sticks… I’m erratic, I need a fix, I’m brushing off the dirt of my fresh white kicks” – Empire Control Room at SXSW (March 16, 2018)

Written by Erica Andreozzi

 

 

 

 

 

 

 

 

 

 

 

 

 

 

ABSOLUTELY ECSTATIC to CATCH THE MAGIC once again after catching it last year at SXSW (see review here). Magic Bronson was my FAVORITE NEW DISCOVERY OF SXSW 2017 and were the only band (aside from Caught a Ghost) that I saw twice. The magic behind Magic Bronson lies in their ability to unleash the rebellious, primal, theatrical beast that lives inside us all. It only takes a few minutes of watching Michael Nicastro beat his chest, smack his face, stomp the stage, and pierce his lungs (roaring with chest out, arms up), for you join in this disturbed, erratic behavior and feed your inner beast. I’ve been to THOUSANDS of shows, and Mike still remains to be one of the most ENTERTAINING FRONT MEN I’ve ever seen. Again and again he delivers a performance comparable to Heather Leger as the Joker in Dark Night, and is even known to BREAK A FEW STAGES with his mighty “I am Mountain,” aggressive stomping.  I don’t think many bands can say they’ve buckled the first stage they set foot (Maggie Mae’s) on as part of their SXSW showcase. HAHA. When Magic Bronson makes an appearance, they LEAVE A MARK. The combination of Mike’s joker performance and captivating vocal delivery and Matt Lieberman‘s killer bass translates into an infectious dance experience of pop, rock, hip-hop, and electronic that I find difficult to compare to any other band (and I’ve seen thousands). I cannot WAIT until the next SXSW to see them again, and I hope they will spread their magic up the west coast very soon! After all, LA is not too far from SF. No excuses! 😛
(see below for full videos of the entire set)

 

 

 

 

 

 

 

 

 

 

Night Owl‘ is one of my Magic Bronson FAVORITES and I’m waiting with baited breath for them to finally release it. I love the intro line (“Say something, say it real quick, I’ll throw it at the wall and see if it sticks… I’m erratic, I need a fix, I’m brushing off the dirt of my fresh white kicks”), and I can’t help laugh/shout (simultaneously) when Mike puts his hands over his head and widens his eyes (impersonating an owl) as he devilishly shouts, “I can’t take MY EYES off of you… I’m just trying to to GET A RISE out of you.” Oh YES. A RISE has certainly been had. ❤

 

 

 

 

 

 

 

 

 

“I can feel your energy, running your your hands, makes the hair on the back of my neck just stand.. oh yeah, i Like to act tough, when I’m in your arms it’ll always be enough… ELECTRIFY!!” Yaaaaaaaas. I was highly entertained by the stomping around and shaking out of the hand for ‘Electrify.’ I also was dying at the part when Mike said “It was making me feel… LIKE A MAN” (dramatic impersonation). So much primal male emotion in this one.

 

 

 

 

 

“Good enough just doesn’t make it, kid you gotta take it into your own hands, OH MY GOD, it’s making sense, with all this time we’re sitting on the fences.” YAAAAAAAS. Freaking STALK THIS ONE: ‘Fences.’ I absolutely love roaring along to the chorus (not giving a shit about how loud I am) and joining in the rebellious rally of doing what you want and OWNING IT. I also love when Mike shouts “We finally made it” and follows with a villainous “HA HA” laugh like he Joker. Right after this song, Mike says, “so that one’s about you guys being so nice to each other all this time. We really appreciate that. We fucking LOVE that,” and then asked us all to hug the person next to us. We fucking love YOU!

 

 

 

 

 

 

“These are the days We get stuck in our ways Solving mysteries.. And these are the nights That we stay inside Making history (history, yeah, yeah)… Yea, what about that All the things that make you nervous Crooked cops and guilty verdicts Fires, floods, parking permits!” YAAAAAS! Another super catchy track (‘Nervous‘) that makes you want to go APE SHIT and scream at the top of your lungs. Makes me NERVOUS for the other people around met. SO FREAKING GOOD.

 

 

 

 

I like to think of this one (‘Knock it Off‘) as the anthem for rebels: “Go up to the bar and make some small talk, raise our glasses up high until we can’t walk, best friends fist fighting in the parking lot, cowboys dressed as cops telling us to ‘Knock it Off'” after which Mike and Matt point fingers at each other (mimicking cops) and then unexpectedly belt out “BUT WE WOOOOOON’T.” Yaaaaas. Raging like a rebel has never been so fun.

 

 

Parking tickets in SF are more than 65 bucks! Try 76…. I’m pretty sure we can all relate to driving chaos in LA, and I’m pretty sure we’ve all responded in the same way: “What the FUUUUUUUCK.” ‘Drive‘ is the newest addition to their set.

 

If this song (‘Wake Up‘) doesn’t wake you up, I don’t know WHAT will. There’s a reason they save this one for the anchor, cause it’s definitely going to anchor you as a Magic Bronson fan for life. The buildup and impeccable timing of Mike’s explosive “WAKE UP” outburst are definitely going to have your carotids bulging from you neck (at least I know mine were).

“I am a man
I am a mountain
I’ve lost track
But hey who’s counting?

Hey Scott Fitz Gerald
You got nothing on me
And hey Bob Dylan
I’ll give you something to read     (siiiiiick line)

So we sit around
Playing truth or dare
And for once the truth is all I want to hear
You’ll dig through my records
It’s all I really want
And when you do I know you’ll pick my favorite song… and it goes..”  (CHEEKY!)

Meeting the 6'6"  "Mountain" that is Michael Nicastro! One of the most entertaining front men to watch.

Meeting the 6’6″ “Mountain” that is Michael Nicastro! One of the most entertaining front men to watch!

 

 

Josh Jacobson: “My heart is still on the fence I’m sorry, I have no defense I’m drowning in your confidence” – Cafe Du Nord (Feb 9, 2018)

Written by Erica Andreozzi

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

So glad to have discovered the soulful sounds of music producer and multi-instrumentalist, Josh Jacobson, =at Cafe du Nord last month as part of a free show won  via Do The Bay. Having been raised in upstate New York (Ithaca) on a sturdy foundation of musical roots (his parents were musicians), Josh found a strong foothold in various genres ranging from classical and jazz to soul, R&B, and electronic. I was incredibly impressed by Josh’s ability to cultivate complex cinematic soundscapes just via his raw musical talent and loop pedal mastery (seriously – I told him to check out Tash Sultana who I figured he might also really respect). Within one song you could watch him jump from keys, to percussion, to guitar, to synthesizer, to vocals, and still wonder how he is able to weave it altogether into one cohesive musical masterpiece. Although some of his track have hints of Sohn, Allan Rayman, Vancouver Sleep Clinic, Imogen Heap and Jack Garret (turns out he’s friends with Kevin Garrett) they all had a unique Josh Jacobson JOSHUA TREE branding unlike any others. In fact, Josh created his own record label (Joshua Tree Records) just last year to pioneer “a new platform for music and art that celebrates individuality and a mindful approach to life.”  He said it was in part inspired by Joshua Tree national park, which to him symbolized a place to wander with the eager eyes of a child and escape the captivity that sometimes accompanies adult life. That perspective reminded me of a recent quote I came across: The things that’s totally different between children and adult, is that children have the ability to spontaneously use their imagination to forget what’s bothering them and be inspired by every lil’ thing that crosses their path.”

Josh had himself tethered to the crowd from the beginning, and thus it could not be more fitting that he would play a song called ‘Tethered,’ a song that is “at its core a song about coming to terms with the fact that even the most meaningful connections can be temporary” and the we must “learn to live in a state of constant flux.” Ain’t that the truth.

Tethered,’ along with ‘Polaroids,’ ‘Fence,’ ‘I Need You,’ and ‘Return,’ (most of which he played that night) can all be found on his awesome debut EP, First Light,’ which was released in Sept 2017 and motivated his first national headline tour in early 2018. My favorite tracks of the set were ‘Koyo‘ and ‘Oceans,’ the first of which (video below) Josh introduced as a track he wrote deep in the woods under complete solitude. The layers of stunning harp that he loops throughout just simply SLAY, and I almost feel as if I’m walking through a magical forest someone in the jungle. Perfect example of a MUSICAL ESCAPE. ‘Oceans‘ also exerted a strong grip, pulling us into its sweet, sparkling undertow of swirling keys just right before crashing into us like a wave at the (the vocal part that drops in at 4:50 is such a rush!). Last but not least, Josh won over our hearts even more with two gorgeous, bone-chilling covers of Little Dragon‘s ‘Twice’ (one of my favorites) and Amy Winehouse‘s ‘Valery.’ He definitely added his own personal stamp in ‘Twice‘ with stunning harp sounds layered in between his sultry, soulful vocals. I still getting chills watching this over again! Can’t wait for him to return! SUCH A KILLER SHOW ❤ 🙂