About a year an a half ago when I moved back to California and was jobless, homeless, and “sleeping in a car” (crazy coincidence that their newest EP has this title) – the Stave’s album, ‘If I Was,’ was one of the only things keeping me afloat in a sea of frustration, anxiety, and despair. It was so freaking surreal to FINALLY see them live (after nearly 4 years of waiting) and watch them loop and layer their angelic vocals into a musical masterpiece – one that makes you STOP DEAD IN YOUR TRACKS. Steady, Damn It All, Sleeping in a Car, Sadness Don’t Own Me, No Me No Yo No More, and Let Me Down nearly had me shedding some tears. It’s no wonder the musical GOD that is Justin Vernon has invited them in his studio to test the limits of their innate talent and indescribable vocals. Once their harmonies hit, you are done. Just DONE. Warning: STAVES THAT SLAY.
And, although I first discovered the Staves back in 2010, it wasn’t until watching them in the ‘Austin to Boston‘ music documentary (filmed alongside Bear’s Dean, Ben Howard, Nathanial Rateliff, and Gil Landry of Old Crow MedicineShow during their pre-SXSW tour from Austin to Boston) that I really fell hard for these sister sirens. I do love to to see that their fondness for touring in America and recording with Justin Vernon in Iowa (Ex Claire) has convinced them to move here and plant some temporary roots in Minneapolis. These “tired as fuck” “outlaws” know how to “make it holy” anytime, anywhere, and their singing about Mexico has us wanting “to see the colors of another sky.” It’s no wonder then that the Communion Music is trying to temp them back to London with a headlining slot for London’s Bushstock festival this summer. I sure hope to catch as much of them as I can while they’re still here. No staving off when it comes to the Staves!
I also wanna give mad props to Dave Powers, the man responsible for keeping The Staves “STEADY STEADY STEADY” with this proficient percussion and damn-good drumming. It’s actually pretty surreal that I first discovered him at the same venue a year back when drumming for Aero Flynn. Crazy how things come full circle!
So lucky to have caught Luke Sital-Singh after his beautiful, non-“depressing” set opening for Angus and Julia Stone at The Fillmore last night. I remember first discovering him at Communion Music events back in 2013. Was a pleasure I was to hear his lovely tracks (especially ‘21st century heartbeat‘!) and to chat with him about touring with one of my other favorite London artists, The Staves. So glad that learn about his music journey since then and recent tour of the states. What a nice guy!
“I’ve got a 21st century heartbeat It’s a dying voice, it still haunts me 21st century heartbeat holding on”
Luke said this song as being inspired but all of the “f*cked up things happening in the world.” Such a beaut. Probably my favorite of his set. ❤
I couldn’t believe when Nick Mulvey said “I’ve seen you before!” after his Swedish American Hallshow on Nov 17. He musta remembered the puppet face! I was hooked ever since that first night at Barfly and just kept showing up everywhere he played, from Green Man Festival to Shepards Bush empire (opening for Laura Marling) to O2 Brixton Academy (opening for London Grammar) to XOYO (where he played with the talented Fiona Bevan). His song ‘Fever to the Form‘ was legitimately my LIFE ANTHEM for most of 2013-2014, and that first verse “So whether music or madness, We live by one of the two… So Go on an fill your heart with gladness, not a moment too soon” will forever be my GUIDING LIGHT. It is a TIMELESS TRACK that I know will still bring me the same peace of mind and clarity (“cause the very thing you’re afraid, afraid of, It keeps you clean but unclear”) 20 years from now as it did back in 2013. ‘Fever to the Form’ was released alongside other tops tracks (First Mind, I Don’t Want to Go Home, Meet Me There, Juramidam, Cucurucu) on his debut album, First Mind, which was nominated for a Mercury Prize (well deserved!) in 2014. Nick has become a dad since the release of that album, and he considers this step to have had a positive influence on his music writing: “Putting music as a secondary priority to that (the challenge of making new music) was a really healthy thing for me.” Well, we are glad to reap the benefits of that positive influence, for his newest (sophomore) album, Wake Up Now, is freaking AWESOME. Standout tracks for me are: Mountain to Move, Remembering, In Your Hands, Transform Your Game, and Unconditional. In fact, Nick has a really cool story to go along with ‘Mountain to Move’ and I hope he continues to share it during his live performances. Cheers to the super talented British musician who studied music in Cuba and who continues to weave styles from all over the world into his musical quilt. ❤
“I’m taking more risks now, (YES) I’m stepping out of line. I put up my fists now, Until I get what’s mine. Should have been you, Could have been anyone. You see I never missed my chance to run I would go anywhere with you” – ‘How Can I‘
SLAYED by this Laura Marling favorite alongside others at The Fillmore in SF last night. This woman is a GODDESS and wise wordsmith beyond her years. I am always impressed by her vivid vignettes and subtle, spitfire lyrics. There is a reason I have seen her more than half a dozen times now! Be sure to check out her new album, Semper Femina! I can’t believe its her 6th one and she’s not even 30 yet! Virgin Records @folkyeahevents @communionmusic @banjo_plucker @sfintercom #lauramarling#thefillmoresf#newalbumtour#videosonmyyoutube